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001 ocm00668514;

005 20141212101121.0;

008 730627s1973 nyu b 001 0 eng ;

010 a| 73010344;

020 a| 0471246808;

035 a| (Sirsi) o00668514;

035 a| (OCoLC)668514;

040 a| DLCc| DLCd| EREd| UtOrBLW;

049 a| EREMa| NPEE;

050 00 a| ML3795.H745b| M8;

050 4 a| ML3795b| .H745 1973;

082 0 a| 780/.07;

092 a| 780.07b| H75m;

100 1 a| Honigsheim, Paul,d| 1885-1963.=| ^A51735;

245 10 a| Music and society /c| the later writings of Paul Honigsheim ; edited, with additional material and bibliographies, by K. Peter Etzkorn ; foreword by J. Allan Beegle.;

260 a| New York :b| John Wiley & Sons,c| [1973];

300 a| xix, 327 pages ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

500 a| "A Wiley-Interscience publication.";

504 a| "Sociology of music: titles selected and annotated by Paul Honigsheim": pages 233-298.;

504 a| "Sociology and music: additional and recent bibliographic entries": pages 299-320.;

505 0 a| Sociologists and music. The influence of Wilhelm Dilthey ; Some blindspots ; Musicological sociology ; Marxian approaches to the sociology of music ; Ernest Hermann Meyer ; The Czech school ; Georg Simmel ; Max Weber ; Kurt Blaukopf ; Theodor Wiesengrund Adorno ; Pitirim A. Sorokin ; Alphons Silbermann ; Comparative ethnomusicology ; The work of Paul Honigsheim ; Future prospects -- On the uses of music in society -- On various occasions for the performance of music. Ceremonial occasions ; Music for entertainment ; Garden music ; Music for work ; House music ; Theater music ; Concert music ; Oratorios -- On the variety of persons and activities involved in making music. Musical specialists and activities ; Persons linked with performance of music ; Persons connected with the planning of music ; Persons involved in the transfer of music traditions ; Persons connected with technical dimensions of music performances ; Combinations of musical specializations ; Combinations of musical with nonmusical occupations ; The itinerant musician ; The foreign music ; The amateur musician ; Women and men in music ; Age and musical activities ; Associations for music making ; Professional associations ; Itinerant associations ; Foreign associations of music producers ; Amateur organizations ; On the autonomous individual in music ; The anonymity of musicians ; The practice of using pseudonyms ; On typical conflicts and interdependency of musicians ; Variations of social esteem of musicians -- On class and religious factors in music. Music and social rank of audiences ; Music and the masses ; Organization and makeup of audiences ; Religious factors ; Variations in the use of instruments ; Organization of religious concerts ; Language differences of religious groups ; Parareligious groups ; Political uses of music -- On music, musicians, and sponsorship. Influence of religious leaders ; Influence of royalty ; Influence of nobility ; Support from private individuals ; Roles of impresario and agent ; Influence of organized religion ; Private associations as sponsors ; Musical instruction and sponsorship -- On economic aspects of music. Employment status of musicians ; Variations in employment terms ; Life style of musicians ; Sources of earnings of musicians ; Composing ; Publishing ; Performance royalties ; Performers ; On old age security of musicians ; Monetary rewards ; Earnings for text writers ; Earnings for combined musical specializations ; The special situation of vocalists ; Organizations for protecting economic security ; Guild and union organizations ; On the economic role of the audience ; Variations in the distribution of music -- On political and nationalistic dimensions of music. Nationalism and musicians ; National music ; Musical localisms ; Internationalism and musicians ; Jazz ; Religious internationalism ; Problems of translation ; Methods of spreading music beyond national boundaries ; Music and organized politics ; Musicians as supporters of monarchies ; Musicians at court ; Musicians and anticlericalism ; Musicians and socialism ; Musicians and anti-semitism ; Excursus on anti-semitism ; Anti-semitic musicians ; The case of Richard Wagner ; The Wagner cult ; Music and political change ; Music and revolutions ; Music and war ; Music in totalitarian states ; Excursus on totalitarianism ; Governmental control of music in Hitler Germany ; Movies in Hitler Germany ; Radio broadcasting in Hitler Germany ; Music in Czarist Russia ; Governmental control of music in the Soviet Union ; Movies and radio broadcasting in the Soviet Union -- On forms of music and forms of society. Qualities of sound ; Folk music ; Art music ; Instrumental art music ; Solo instrumental compositions ; Jazz ; Vocal music ; The oratorio ; The theater ; The opera ; Comic opera ; The operetta ; The melodrama ; Music and dance.;

520 a| Though Paul Honigsheim died before completing his sociology of music, he left behind a rich legacy of notes, chapter drafts, and rough outlines. By collecting these materials and editing them with care, sensitivity, and scholarly acumen, K. Peter Etzkorn has created a work of unusual scope and unity, a work that represents no less than the definition of a new field of study. This book illustrates the various connections between music and the society in which it is created and performed. An historical treatment of major European and American approaches to the sociology of music, and an extensive introduction to Honigsheim's scholarship have been added by Dr. Etzkorn, but beyond this, the ideas and discussions here are Professor Honigsheim's. These include: on the uses of music in society; on various occasions for the performance of music; on the variety of persons and activities involved in making music; on class and religious factors in music; on music, musicians, and sponsorship; on economic aspects of music; on political and nationalistic dimensions of music; on forms of music and forms of society. Sociologists, anthropologists, and musicologists will find much that is new in these sections--particularly, Max Weber's fragment on the sociology of music (1921), updated by Honigsheim's own recollection of what Weber was trying to do, and discussions of antisemitism and fascism in their application to musical matters. Two extensive bibliographies--one selected and annotated by Dr. Honigsheim, one prepared by Dr. Etzkorn containing later sources--supplement the material, suggest directions Dr. Honigsheim might have taken and avenues open for exploration by others. In addition to sociologists, anthropologists, and musicologists, this book offers valuable information to music teachers, the informed layman, music critics, and makes useful collateral reading in such courses as the sociology of art/music, music history, and the sociology of knowledge.;

650 0 a| Musicx| Social aspects.=| ^A537957;

700 1 a| Etzkorn, K. Peter,e| editor.=| ^A547594;

919 a| BOOK;

590 a| Little-97247 - $18.50;

596 a| 3 5;

998 a| 47823;

999 a| ML3795.H745 M8w| LCc| 1i| 310372000509125d| 5/2/2018e| 3/12/2018f| 4/24/2024g| 4l| MSTm| JMUSICn| 7r| Ys| Yt| MGESBKu| 2/21/1986x| BOOKz| MCIRCo| .STAFF. enhanced 12/10/23 -jjabo| .STAFF. Copy Statement : c.1;

Music and society / the later writings of Paul Honigsheim ; edited, with additional material and bibliographies, by K. Peter Etzkorn ; foreword by J. Allan Beegle.

Author/creator	Honigsheim, Paul
Other author	Etzkorn, K. Peter, editor.
Format	Book
Publication Info	New York : John Wiley & Sons, [1973]
Description	xix, 327 pages ; 24 cm
Subjects	Music--Social aspects.

Contents	Sociologists and music. The influence of Wilhelm Dilthey ; Some blindspots ; Musicological sociology ; Marxian approaches to the sociology of music ; Ernest Hermann Meyer ; The Czech school ; Georg Simmel ; Max Weber ; Kurt Blaukopf ; Theodor Wiesengrund Adorno ; Pitirim A. Sorokin ; Alphons Silbermann ; Comparative ethnomusicology ; The work of Paul Honigsheim ; Future prospects -- On the uses of music in society -- On various occasions for the performance of music. Ceremonial occasions ; Music for entertainment ; Garden music ; Music for work ; House music ; Theater music ; Concert music ; Oratorios -- On the variety of persons and activities involved in making music. Musical specialists and activities ; Persons linked with performance of music ; Persons connected with the planning of music ; Persons involved in the transfer of music traditions ; Persons connected with technical dimensions of music performances ; Combinations of musical specializations ; Combinations of musical with nonmusical occupations ; The itinerant musician ; The foreign music ; The amateur musician ; Women and men in music ; Age and musical activities ; Associations for music making ; Professional associations ; Itinerant associations ; Foreign associations of music producers ; Amateur organizations ; On the autonomous individual in music ; The anonymity of musicians ; The practice of using pseudonyms ; On typical conflicts and interdependency of musicians ; Variations of social esteem of musicians -- On class and religious factors in music. Music and social rank of audiences ; Music and the masses ; Organization and makeup of audiences ; Religious factors ; Variations in the use of instruments ; Organization of religious concerts ; Language differences of religious groups ; Parareligious groups ; Political uses of music -- On music, musicians, and sponsorship. Influence of religious leaders ; Influence of royalty ; Influence of nobility ; Support from private individuals ; Roles of impresario and agent ; Influence of organized religion ; Private associations as sponsors ; Musical instruction and sponsorship -- On economic aspects of music. Employment status of musicians ; Variations in employment terms ; Life style of musicians ; Sources of earnings of musicians ; Composing ; Publishing ; Performance royalties ; Performers ; On old age security of musicians ; Monetary rewards ; Earnings for text writers ; Earnings for combined musical specializations ; The special situation of vocalists ; Organizations for protecting economic security ; Guild and union organizations ; On the economic role of the audience ; Variations in the distribution of music -- On political and nationalistic dimensions of music. Nationalism and musicians ; National music ; Musical localisms ; Internationalism and musicians ; Jazz ; Religious internationalism ; Problems of translation ; Methods of spreading music beyond national boundaries ; Music and organized politics ; Musicians as supporters of monarchies ; Musicians at court ; Musicians and anticlericalism ; Musicians and socialism ; Musicians and anti-semitism ; Excursus on anti-semitism ; Anti-semitic musicians ; The case of Richard Wagner ; The Wagner cult ; Music and political change ; Music and revolutions ; Music and war ; Music in totalitarian states ; Excursus on totalitarianism ; Governmental control of music in Hitler Germany ; Movies in Hitler Germany ; Radio broadcasting in Hitler Germany ; Music in Czarist Russia ; Governmental control of music in the Soviet Union ; Movies and radio broadcasting in the Soviet Union -- On forms of music and forms of society. Qualities of sound ; Folk music ; Art music ; Instrumental art music ; Solo instrumental compositions ; Jazz ; Vocal music ; The oratorio ; The theater ; The opera ; Comic opera ; The operetta ; The melodrama ; Music and dance.
Abstract	Though Paul Honigsheim died before completing his sociology of music, he left behind a rich legacy of notes, chapter drafts, and rough outlines. By collecting these materials and editing them with care, sensitivity, and scholarly acumen, K. Peter Etzkorn has created a work of unusual scope and unity, a work that represents no less than the definition of a new field of study. This book illustrates the various connections between music and the society in which it is created and performed. An historical treatment of major European and American approaches to the sociology of music, and an extensive introduction to Honigsheim's scholarship have been added by Dr. Etzkorn, but beyond this, the ideas and discussions here are Professor Honigsheim's. These include: on the uses of music in society; on various occasions for the performance of music; on the variety of persons and activities involved in making music; on class and religious factors in music; on music, musicians, and sponsorship; on economic aspects of music; on political and nationalistic dimensions of music; on forms of music and forms of society. Sociologists, anthropologists, and musicologists will find much that is new in these sections--particularly, Max Weber's fragment on the sociology of music (1921), updated by Honigsheim's own recollection of what Weber was trying to do, and discussions of antisemitism and fascism in their application to musical matters. Two extensive bibliographies--one selected and annotated by Dr. Honigsheim, one prepared by Dr. Etzkorn containing later sources--supplement the material, suggest directions Dr. Honigsheim might have taken and avenues open for exploration by others. In addition to sociologists, anthropologists, and musicologists, this book offers valuable information to music teachers, the informed layman, music critics, and makes useful collateral reading in such courses as the sociology of art/music, music history, and the sociology of knowledge.
Local note	Little-97247 - $18.50
General note	"A Wiley-Interscience publication."
Bibliography note	"Sociology of music: titles selected and annotated by Paul Honigsheim": pages 233-298.
Bibliography note	"Sociology and music: additional and recent bibliographic entries": pages 299-320.
LCCN	73010344
ISBN	0471246808

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Music and society / the later writings of Paul Honigsheim ; edited, with additional material and bibliographies, by K. Peter Etzkorn ; foreword by J. Allan Beegle.

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