Appropriating Blackness performance and the politics of authenticity / E. Patrick Johnson.
| Author/creator | Johnson, E. Patrick, 1967- |
| Other author | EBSCO Publishing (Firm) |
| Format | Electronic |
| Publication Info | Durham [N.C.] : Duke University Press, |
| Description | xiii, 365 p. : ill. ; 24 cm. |
| Supplemental Content | Full text available from SocINDEX with Full Text |
| Subjects |
| Contents | "Blackness" and authenticity : what's performance got to do with it? -- The pot is brewing : Marlon Riggs' Black is ... Black ain't -- Manifest faggotry : queering masculinity in African American culture -- Mother knows best : Blackness and transgressive domestic space -- "Nevah had uh cross word" : mammy and the trope of Black womanhood -- Sounds of Blackness down under : the Café of the Gate of Salvation -- Performance and/as pedagogy : performing Blackness in the classroom. |
| Bibliography note | Includes bibliographical references (p. [345]-359) and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2003005956 |
| ISBN | 0822331543 (alk. paper) |
| ISBN | 0822331918 (pbk. : alk. paper) |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Electronic Resources | Access Content Online | ✔ Available |