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010 a| 2020739686;

020 a| 9781611476330q| ebook;

020 z| 9781611476323q| hbk. : alk. paper;

035 a| (WaSeSS)ssj0001226934;

049 a| EREEa| NEHH;

050 00 a| PN1998.3.V368;

082 00 a| 791.4302/3309252| 23;

100 1 a| McFadden, Cybelle H.,d| 1975-=| ^A1091591;

245 10 a| Gendered frames, embodied camerash| [electronic resource] :b| Varda, Akerman, Cabrera, Calle, and Maïwenn /c| Cybelle H. McFadden.;

260 a| Madison :b| Fairleigh Dickinson University Press ;c| [2014];

300 a| 1 online resource (xii, 233 pages);

504 a| Includes bibliographical references (pages 221-228) and index.;

505 0 a| Introduction: Gendered frames, embodied cameras in contemporary French cinema (1987-2009) -- Section 1. Self-authorization through self-representation -- Reflected reflexivity: Agnès Varda's aging female body -- Enacted reflexivity: Chantal Akerman par Chantal Akerman -- Hybrid reflexivity: Dominique Cabrera's half-body, half-camera -- Section 2. Self-construction through faux narratives -- Orchestrated reflexivity: Sophie Calle's narrative body as artist -- Faux reflexivity: Maïwenn's camera and the female body -- Conclusion: Reflections on gendered frames, embodied cameras.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

588 a| Description based on print version record and CIP data provided by publisher; resource not viewed.;

600 10 a| Varda, Agnès,d| 1928-2019x| Criticism and interpretation.=| ^A463236;

600 10 a| Akerman, Chantalx| Criticism and interpretation.=| ^A581152;

600 10 a| Cabrera, Dominique,d| 1957-x| Criticism and interpretation.?| UNAUTHORIZED;

600 10 a| Calle, Sophiex| Criticism and interpretation.=| ^A600585;

600 10 a| Maïwenn,d| 1976-x| Criticism and interpretation.=| ^A1313645;

650 0 a| Human body in motion pictures.=| ^A477988;

650 0 a| Sex role in motion pictures.=| ^A242477;

650 0 a| Motion picturesz| France.=| ^A83833;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=1707320;

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Gendered frames, embodied cameras Varda, Akerman, Cabrera, Calle, and Maïwenn / Cybelle H. McFadden.

Author/creator	McFadden, Cybelle H., 1975-
Format	Electronic
Publication Info	Madison : Fairleigh Dickinson University Press ; [2014]
Description	1 online resource (xii, 233 pages)
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Varda, Agnès, 1928-2019--Criticism and interpretation. Akerman, Chantal--Criticism and interpretation. Cabrera, Dominique, 1957---Criticism and interpretation. Calle, Sophie--Criticism and interpretation. Maïwenn, 1976---Criticism and interpretation. Human body in motion pictures. Sex role in motion pictures. Motion pictures--France.

Contents	Introduction: Gendered frames, embodied cameras in contemporary French cinema (1987-2009) -- Section 1. Self-authorization through self-representation -- Reflected reflexivity: Agnès Varda's aging female body -- Enacted reflexivity: Chantal Akerman par Chantal Akerman -- Hybrid reflexivity: Dominique Cabrera's half-body, half-camera -- Section 2. Self-construction through faux narratives -- Orchestrated reflexivity: Sophie Calle's narrative body as artist -- Faux reflexivity: Maïwenn's camera and the female body -- Conclusion: Reflections on gendered frames, embodied cameras.
Bibliography note	Includes bibliographical references (pages 221-228) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Source of description	Description based on print version record and CIP data provided by publisher; resource not viewed.
Issued in other form	Print version: Gendered frames, embodied cameras Madison : Fairleigh Dickinson University Press ; [2014] 9781611476323 (hbk. : alk. paper)
Genre/form	Electronic books.
LCCN	2020739686
ISBN	9781611476330 ebook
ISBN	hbk. : alk. paper

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Gendered frames, embodied cameras Varda, Akerman, Cabrera, Calle, and Maïwenn / Cybelle H. McFadden.

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