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020 a| 9789042038042 (pbk.);

020 a| 9042038047 (pbk.);

020 a| 9789401210515 (ebook);

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100 1 a| Mirabile, Andrea,d| 1975-?| UNAUTHORIZED;

245 10 a| Multimedia archaeologiesh| [electronic resource] :b| Gabriele D'Annunzio, Belle époque Paris, and the total artwork /c| Andrea Mirabile.;

260 a| Amsterdam ;a| New York :b| Rodopi,;

300 a| 215 p. :b| ill. (some col.) ;c| 23 cm.;

490 1 a| Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ;v| 172;

504 a| Includes bibliographical references (p. [199]-215).;

506 a| Available only to authorized users.;

520 8 a| Paris, 1910-1915. Artists, intellectuals, and international celebrities crowd the city as never before. Decadent dreams and avant-garde manifestos celebrate the marriage between art and life. Creative experiments and vital joy dance hand in hand - on the edge of the abyss of WWI. Gabriele D'Annunzio is one of the highly influential yet semi-forgotten protagonists of this season and an emblem of its contradictions. A child of the Decadence, but also a forerunner of Modernism, the Italian poet defies the barriers between art forms, languages, and aesthetic practices. Tellingly, some of the period's major figures across the arts are involved in D'Annunzio's projects, including Canudo, Bakst, Brooks, Debussy, Montesquiou, and Rubinstein. In particular, in his sacred drama Le Martyre de Saint Sébastien, the poet combines French, Italian, literature, theater, mime, dance, music, painting, and cinema in a way that fuses old and new. D'Annunzio's hybrid experiments challenge Wagner's 'total artwork' theories, search for a synthesis between pictorial stillness and filmic movement, and anticipate contemporary multimedia experiences. These artistic collaborations end suddenly at the outbreak of the Great War, when Dannunzian total artworks migrate from the stage to the battlefield, generating a controversial legacy that calls for renewed critical investigations.;

538 a| Mode of access: World Wide Web;

600 10 a| D'Annunzio, Gabriele,d| 1863-1938x| Criticism and interpretation.=| ^A30175;

600 10 a| D'Annunzio, Gabriele,d| 1863-1938.t| Martyre de saint Sébastien.=| ^A1062396;

650 0 a| Art and literaturex| Historyy| 20th century.=| ^A19647;

650 0 a| Music and literaturex| Historyy| 20th century.=| ^A357793;

650 0 a| Decadence (Literary movement)=| ^A119971;

650 0 a| Modernism (Literature)=| ^A28401;

651 0 a| Paris (France)x| Intellectual lifey| 20th century.=| ^A157591;

655 0 a| Electronic books.=| ^A491897;

830 0 a| Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaftv| 172.=| ^A474522;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=1686929;

947 a| (OCoLC)ocn870639156;

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Multimedia archaeologies Gabriele D'Annunzio, Belle époque Paris, and the total artwork / Andrea Mirabile.

Author/creator	Mirabile, Andrea, 1975-
Format	Electronic
Publication Info	Amsterdam ; New York : Rodopi,
Description	215 p. : ill. (some col.) ; 23 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	D'Annunzio, Gabriele, 1863-1938--Criticism and interpretation. D'Annunzio, Gabriele, 1863-1938. Martyre de saint Sébastien. Art and literature--History. --20th century. Music and literature--History. --20th century. Decadence (Literary movement) Modernism (Literature) Paris (France)--Intellectual life. --20th century.

Series	Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; 172 Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft 172. ^A474522
Summary	Paris, 1910-1915. Artists, intellectuals, and international celebrities crowd the city as never before. Decadent dreams and avant-garde manifestos celebrate the marriage between art and life. Creative experiments and vital joy dance hand in hand - on the edge of the abyss of WWI. Gabriele D'Annunzio is one of the highly influential yet semi-forgotten protagonists of this season and an emblem of its contradictions. A child of the Decadence, but also a forerunner of Modernism, the Italian poet defies the barriers between art forms, languages, and aesthetic practices. Tellingly, some of the period's major figures across the arts are involved in D'Annunzio's projects, including Canudo, Bakst, Brooks, Debussy, Montesquiou, and Rubinstein. In particular, in his sacred drama Le Martyre de Saint Sébastien, the poet combines French, Italian, literature, theater, mime, dance, music, painting, and cinema in a way that fuses old and new. D'Annunzio's hybrid experiments challenge Wagner's 'total artwork' theories, search for a synthesis between pictorial stillness and filmic movement, and anticipate contemporary multimedia experiences. These artistic collaborations end suddenly at the outbreak of the Great War, when Dannunzian total artworks migrate from the stage to the battlefield, generating a controversial legacy that calls for renewed critical investigations.
Bibliography note	Includes bibliographical references (p. [199]-215).
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2013498634
ISBN	9789042038042 (pbk.)
ISBN	9042038047 (pbk.)
ISBN	9789401210515 (ebook)

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Multimedia archaeologies Gabriele D'Annunzio, Belle époque Paris, and the total artwork / Andrea Mirabile.

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