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010 a| 2014032288;

020 a| 9789004283022 (hardback : alk. paper);

020 z| 9789004283640 (e-book);

035 a| (WaSeSS)ssj0001368936;

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049 a| EREEa| NEHH;

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082 00 a| 780.89/9242| 23;

100 1 a| Harrán, Don.=| ^A197243;

245 10 a| Three early modern Hebrew scholars on the mysteries of songh| [electronic resource] /c| by Don Harrán.;

260 a| Leiden, the Netherlands ;a| Boston :b| Brill,c| [2015];

300 a| vi, 396 pages :b| illustrations ;c| 25 cm.;

490 0 a| Studies in Jewish history and culture ;v| volume 47;

504 a| Includes bibliographical references ( pages 314-339) and index.;

505 0 a| Judah Moscato on the spirituality of music -- Sounds for contemplation on a lyre -- Leon Modena on the legality of art music in the synagogue -- Is art music permissible in the synagogue? -- Abraham Portaleone on the practice of music in the ancient temple -- Music as practiced in the temple and the early modern era -- The Jewish contribution to music theory in the early modern era.;

506 a| Available only to authorized users.;

520 a| "In discoursing on music, three early modern Jewish scholars stand out for their originality. The first is Judah Moscato, who, as chief rabbi in Mantua, preached sermons, one of them on music: there Moscato presents music as a cosmic and spiritual phenomenon. The second scholar is Leon Modena, the foremost Jewish intellectual in early seventeenth-century Venice. Modena deals with music in two responsa to questions put to him for rabbinical adjudication, one of them an examination of biblical and rabbinical sources on the legitimacy of performing art music in the synagogue. Abraham Portaleone, the third scholar, treated music in a massive disquisition on the ancient temple and its ritual, describing it as an art correlating with contemporary Italian music. The introduction surveys the development of Hebrew art music from the Bible through the Talmud and rabbinical writings until the early modern era. The epilogue defines the special contribution of Hebrew scholars to early modern theory"--Provided by publisher.;

538 a| Mode of access: World Wide Web;

600 10 a| Moscato, Judah ben Joseph,d| approximately 1530-approximately 1593.=| ^A818635;

600 10 a| Modena, Leone,d| 1571-1648.=| ^A691062;

600 10 a| Portaleone, Abraham ben David,d| 1542-1612.=| ^A1284723;

650 0 a| Jewsx| Musicx| History and criticism.=| ^A91014;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=1840880;

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Three early modern Hebrew scholars on the mysteries of song / by Don Harrán.

Author/creator	Harrán, Don
Format	Electronic
Publication Info	Leiden, the Netherlands ; Boston : Brill, [2015]
Description	vi, 396 pages : illustrations ; 25 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Moscato, Judah ben Joseph, approximately 1530-approximately 1593. Modena, Leone, 1571-1648. Portaleone, Abraham ben David, 1542-1612. Jews--Music. --History and criticism.

Series	Studies in Jewish history and culture ; volume 47
Contents	Judah Moscato on the spirituality of music -- Sounds for contemplation on a lyre -- Leon Modena on the legality of art music in the synagogue -- Is art music permissible in the synagogue? -- Abraham Portaleone on the practice of music in the ancient temple -- Music as practiced in the temple and the early modern era -- The Jewish contribution to music theory in the early modern era.
Abstract	"In discoursing on music, three early modern Jewish scholars stand out for their originality. The first is Judah Moscato, who, as chief rabbi in Mantua, preached sermons, one of them on music: there Moscato presents music as a cosmic and spiritual phenomenon. The second scholar is Leon Modena, the foremost Jewish intellectual in early seventeenth-century Venice. Modena deals with music in two responsa to questions put to him for rabbinical adjudication, one of them an examination of biblical and rabbinical sources on the legitimacy of performing art music in the synagogue. Abraham Portaleone, the third scholar, treated music in a massive disquisition on the ancient temple and its ritual, describing it as an art correlating with contemporary Italian music. The introduction surveys the development of Hebrew art music from the Bible through the Talmud and rabbinical writings until the early modern era. The epilogue defines the special contribution of Hebrew scholars to early modern theory"--Provided by publisher.
Bibliography note	Includes bibliographical references ( pages 314-339) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2014032288
ISBN	9789004283022 (hardback : alk. paper)

Three early modern Hebrew scholars on the mysteries of song / by Don Harrán.

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