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010 a| 2013016009;

020 a| 9781557536549 (pbk. : alk. paper);

020 z| 9781612492872 (epdf);

020 z| 9781612492889 (epub);

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040 a| DLCb| engc| DLCd| WaSeSS;

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050 00 a| PQ7082.N7b| K68 2013;

082 00 a| 863/.609982| 23;

100 1 a| Kressner, Ilka,d| 1975-?| UNAUTHORIZED;

245 10 a| Sites of disquieth| [electronic resource] :b| the non-space in Spanish American short narratives and their cinematic transformations /c| Ilka Kressner.;

260 a| West Lafayette, Indiana :b| Purdue University Press,c| [2013];

300 a| xvi, 169 pages :b| illustrations ;c| 23 cm.;

490 0 a| Purdue Studies in Romance Literatures ;v| Volume 58;

504 a| Includes bibliographical references (pages 153-161) and index.;

505 0 a| Introduction: Spotting the non-space -- Into spatial vagueness: Jorge Luis Borges's and Miguel Picazo's Hombre de la esquina Rosada -- The power of staging: spaces of emulation in Jorge Luis Borges's "Tema del traidor y del heroe" and Bernardo Bertolucci's Strategia del ragno -- Screening the void: Julio Cortazar's "cartas de mama" and Manuel Antin's and Miguel Picazo's filmic translations -- Echoes in the dark: Pedro Paramo on the page and on the screen -- Toward amor vacui: Gabriel Garcia Marquez's and Ruy Guerra's erendiras -- Epilogue: The non-space revisited.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Spanish American fictiony| 20th centuryx| History and criticism.=| ^A40852;

650 0 a| Spanish American literaturex| Film adaptations.=| ^A50881;

650 0 a| Personal space in literature.=| ^A420236;

650 0 a| Space and time in literature.=| ^A109708;

650 0 a| Sacred space in literature.=| ^A785246;

650 0 a| Space (Architecture) in literature.=| ^A199896;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=3120282;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

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998 a| 5043395;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5043395-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 3/4/2019x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5043395-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 3/4/2019x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5043395-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 3/4/2019x| EBOOKz| JERESOURCE;

Sites of disquiet the non-space in Spanish American short narratives and their cinematic transformations / Ilka Kressner.

Author/creator	Kressner, Ilka, 1975-
Format	Electronic
Publication Info	West Lafayette, Indiana : Purdue University Press, [2013]
Description	xvi, 169 pages : illustrations ; 23 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Spanish American fiction--20th century. --History and criticism. Spanish American literature--Film adaptations. Personal space in literature. Space and time in literature. Sacred space in literature. Space (Architecture) in literature.

Series	Purdue Studies in Romance Literatures ; Volume 58
Contents	Introduction: Spotting the non-space -- Into spatial vagueness: Jorge Luis Borges's and Miguel Picazo's Hombre de la esquina Rosada -- The power of staging: spaces of emulation in Jorge Luis Borges's "Tema del traidor y del heroe" and Bernardo Bertolucci's Strategia del ragno -- Screening the void: Julio Cortazar's "cartas de mama" and Manuel Antin's and Miguel Picazo's filmic translations -- Echoes in the dark: Pedro Paramo on the page and on the screen -- Toward amor vacui: Gabriel Garcia Marquez's and Ruy Guerra's erendiras -- Epilogue: The non-space revisited.
Bibliography note	Includes bibliographical references (pages 153-161) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2013016009
ISBN	9781557536549 (pbk. : alk. paper)

Sites of disquiet the non-space in Spanish American short narratives and their cinematic transformations / Ilka Kressner.

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