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LEADER 07250ccm 2201009Ii 4500

001 on1098125892;

003 OCoLC;

005 20191023085841.0;

008 190422t20192019wiumuld bdehi n lat d;

020 a| 9781987201390;

020 a| 1987201396;

029 1 a| AU@b| 000065301683;

035 a| (Sirsi) o1098125892;

035 a| (OCoLC)1098125892;

047 a| sga| pt;

048 b| va01a| on;

048 a| va01a| zn01;

048 a| va01a| vc01a| vd01a| vf01;

048 a| va01a| tc01;

049 a| EREM;

050 4 a| M2b| .R2384 v. 171;

050 4 a| M3.1.P47b| C66 2019;

082 14 a| 780.8b| R24, v. 171;

100 1 a| Pesenti, Michele,e| composer.=| ^A1385285;

240 10 a| Works.f| 2019=| ^A1408169;

245 10 a| Complete works /c| Michele Pesenti ; edited by Anthony M. Cummings, Linda L. Carroll, and Alexander Dean.;

264 1 a| Middleton, Wisconsin :b| A-R Editions, Inc.,c| [2019];

300 a| 1 score (liii, 218 pages) + 5 parts ;c| 28 cm.;

336 a| notated musicb| ntm2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

348 a| scorea| part2| rdafnm;

382 01 b| soprano voicen| 1a| instrumental ensemblee| 1r| 1t| 12| lcmpt;

382 01 a| soprano voicen| 1a| instrumentn| 1s| 22| lcmpt;

382 01 a| soprano voicen| 1a| alto voicen| 1a| tenor voicen| 1a| bass voicen| 1s| 42| lcmpt;

382 01 a| soprano voicen| 1a| luten| 1s| 22| lcmpt;

490 1 a| Recent researches in the music of the Renaissance,x| 0486-123x ;v| 171;

546 a| Italian and Latin words, also printed as texts with English translations.;

546 b| Staff notation;b| Tablature.;

500 a| Includes introduction and critical report.;

500 a| The secular works can be performed by soprano and either an instrumental ensemble or a chordal instrument or by four voices (SATB).;

500 a| The sacred works are for four voices (SATB).;

500 a| Includes four vocal parts with frottolistic settings of most of the secular works and a part for soprano and lute for all of the works with lute intabulation.;

504 a| Includes bibliographical references.;

505 00 g| Secular works.t| A Dio, signora, adio (oda [frottola baratelliana]) --t| Ahimè, ch'io moro (oda [frottola baratelliana]).g| Version A, four-voice setting ; Version B, lute intabulation --t| Ardo e bruscio (frottola-proper) --t| Ben mille volte (capitolo) --t| Dal lecto me levava (frottola-caccia) --t| Dime un poco che vol dire (barzelletta) --t| Fuggir voglio el tuo bel volto (frottola-proper) --t| Inhospitas per alpes (Latin ode).g| Version A, four-voice setting ; Version B, lute intabulation --t| Integer vitae (Latin ode).g| Version A, four-voice setting ; Version B, lute intabulation --t| L'aqua vale al mio gran foco (frottola-proper) --t| Non mi doglio già d'amore (frottola-proper) --t| O Dio, che la brunetta mia (villotta [villottistic composition]) --t| Passando per una rezolla (frottola with enjambment) --t| Poi che 'l ciel e la fortuna (frottola-proper).g| Version A, four-voice setting ; Version B, lute intabulation --t| Questa è mia, l'ho fatta mi (barzelletta) --t| Se in tutto hai destinato (oda [frottola baratelliana]) --t| S'io son stato a ritornare (frottola-proper).g| Version A, four-voice setting ; Version B, lute intabulation --t| Sempre l'è come esser sole (frottola-proper) --t| Sì me piace el dolce foco (barzelletta) --t| Trista e noiosa sorte (oda [frottola baratelliana]) --t| Tu te lamenti a torto (oda [frottola baratelliana]) --t| Una legiadra donna (oda [frottola baratelliana]) --t| Vieni ormai, non più tardare (frottola-proper) --t| Ahimè lasso, ahimè dolente (barzelletta).g| Version A, four-voice setting ; Version B, lute intabulation --t| Amor, poi che non poi (strambotto) --t| O bon, egli è bon (barzelletta [altered]).g| Version A, four-voice setting ; Version B, lute intabulation --t| 27. Sia felice la tua vita (oda [frottola baratelliana]) --t| Deh, chi me sa dir novella (barzelletta [altered]).g| Version A, four-voice setting ; Version B, lute intabulation --t| Io son l'ocel che con le debil ali (strambotto distich) --t| Non è pensier che 'l mio secreto intenda (canzone).g| Version A, four-voice setting ; Version B, lute intabulation --t| Spenta m'hai del pecto amore (frottola-proper).g| Version A, four-voice setting ; Version B, lute intabulation --t| Io voria esser colù (barzelletta with popular refrain) --t| Che faràla, che diràla (barzelletta).g| Version A, four-voice setting ; Version B, lute intabulation ; Version C, keyboard intabulation --t| Quando lo pomo vien (villotta [villottistic composition]).g| Version A, frottolistic setting ; Version B, villottistic setting --t| So ben che lei non sa (villotta [villottistic composition]).g| Version A, frottolistic setting ; Version B, villottistic setting --t| Alma gentil (canzone).;

505 80 g| Sacred works.t| Bonum est sperare --t| Manus Domini --t| Tulerunt Dominum meum.;

650 0 a| Frottolas (Music)=| ^A107922;

650 0 a| Villotte.=| ^A1385543;

650 0 a| Part songs, Italian.=| ^A46795;

650 0 a| Vocal quartets, Unaccompanied.=| ^A55057;

650 0 a| Songs (High voice)=| ^A254525;

650 0 a| Songs (High voice) with instrumental ensemble.=| ^A35732;

650 0 a| Songs (High voice) with lute.=| ^A94981;

650 0 a| Sacred vocal quartets, Unaccompanied.=| ^A45589;

650 7 a| Frottolas (Music)2| fast0| (OCoLC)fst00935419;

650 7 a| Part songs, Italian.2| fast0| (OCoLC)fst01053962;

650 7 a| Sacred vocal quartets, Unaccompanied.2| fast0| (OCoLC)fst01103229;

650 7 a| Songs (High voice)2| fast0| (OCoLC)fst01126132;

650 7 a| Songs (High voice) with instrumental ensemble.2| fast0| (OCoLC)fst01126144;

650 7 a| Songs (High voice) with lute.2| fast0| (OCoLC)fst01126147;

650 7 a| Villotte.2| fast0| (OCoLC)fst01167013;

650 7 a| Vocal quartets, Unaccompanied.2| fast0| (OCoLC)fst01168408;

655 7 a| Chamber music.2| fast0| (OCoLC)fst01726551;

655 7 a| Part songs.2| fast0| (OCoLC)fst01920272;

655 7 a| Parts (Music)2| fast0| (OCoLC)fst01692889;

655 7 a| Sacred music.2| fast0| (OCoLC)fst01920332;

655 7 a| Songs.2| fast0| (OCoLC)fst01726744;

655 7 a| Villotte.2| fast0| (OCoLC)fst01920409;

655 7 a| Part songs.2| lcgft;

655 7 a| Villotte.2| lcgft;

655 7 a| Scores.2| lcgft;

655 7 a| Parts (Music)2| lcgft;

655 7 a| Songs.2| lcgft;

655 7 a| Chamber music.2| lcgft;

655 7 a| Sacred music.2| lcgft;

700 1 a| Cummings, Anthony M.,e| editor.=| ^A292398;

700 1 a| Carroll, Linda L.e| editor.=| ^A254536;

700 1 a| Dean, Alexandere| editor.=| ^A1218858;

830 0 a| Recent researches in the music of the Renaissancev| v. 171.=| ^A28563;

994 a| C0b| ERE;

590 a| Joyner-FOR JOYNER MUSIC LIBRARY HOLDINGS OF THE SERIES, Recent researches in the music of the Renaissance, SEARCH BY SERIES TITLE OR CALL NUMBER M2.R4 R4.;

596 a| 3;

998 a| 5100909;

999 a| M2.R4 R4 V. 171w| LCc| 1i| 30372017276731d| 10/24/2019e| 8/29/2019f| 6/21/2022g| 1l| MSTm| JMUSICr| Ys| Yt| MGE6SCu| 6/8/2019x| SCOREo| .STAFF. jjab; binding color #188;

Complete works / Michele Pesenti ; edited by Anthony M. Cummings, Linda L. Carroll, and Alexander Dean.

Author/creator	Pesenti, Michele composer.
Other author	Cummings, Anthony M., editor.
Other author	Carroll, Linda L. editor.
Other author	Dean, Alexander editor.
Format	Musical Score
Publication	Middleton, Wisconsin : A-R Editions, Inc., [2019]
Copyright Date	©2019
Description	1 score (liii, 218 pages) + 5 parts ; 28 cm.
Subjects	Frottolas (Music) Villotte. Part songs, Italian. Vocal quartets, Unaccompanied. Songs (High voice) Songs (High voice) with instrumental ensemble. Songs (High voice) with lute. Sacred vocal quartets, Unaccompanied.

Uniform title	Works. 2019
Series	Recent researches in the music of the Renaissance, 0486-123x ; 171 Recent researches in the music of the Renaissance v. 171. ^A28563
Contents	Secular works. A Dio, signora, adio (oda [frottola baratelliana]) -- Ahimè, ch'io moro (oda [frottola baratelliana]). Version A, four-voice setting ; Version B, lute intabulation -- Ardo e bruscio (frottola-proper) -- Ben mille volte (capitolo) -- Dal lecto me levava (frottola-caccia) -- Dime un poco che vol dire (barzelletta) -- Fuggir voglio el tuo bel volto (frottola-proper) -- Inhospitas per alpes (Latin ode). Version A, four-voice setting ; Version B, lute intabulation -- Integer vitae (Latin ode). Version A, four-voice setting ; Version B, lute intabulation -- L'aqua vale al mio gran foco (frottola-proper) -- Non mi doglio già d'amore (frottola-proper) -- O Dio, che la brunetta mia (villotta [villottistic composition]) -- Passando per una rezolla (frottola with enjambment) -- Poi che 'l ciel e la fortuna (frottola-proper). Version A, four-voice setting ; Version B, lute intabulation -- Questa è mia, l'ho fatta mi (barzelletta) -- Se in tutto hai destinato (oda [frottola baratelliana]) -- S'io son stato a ritornare (frottola-proper). Version A, four-voice setting ; Version B, lute intabulation -- Sempre l'è come esser sole (frottola-proper) -- Sì me piace el dolce foco (barzelletta) -- Trista e noiosa sorte (oda [frottola baratelliana]) -- Tu te lamenti a torto (oda [frottola baratelliana]) -- Una legiadra donna (oda [frottola baratelliana]) -- Vieni ormai, non più tardare (frottola-proper) -- Ahimè lasso, ahimè dolente (barzelletta). Version A, four-voice setting ; Version B, lute intabulation -- Amor, poi che non poi (strambotto) -- O bon, egli è bon (barzelletta [altered]). Version A, four-voice setting ; Version B, lute intabulation -- 27. Sia felice la tua vita (oda [frottola baratelliana]) -- Deh, chi me sa dir novella (barzelletta [altered]). Version A, four-voice setting ; Version B, lute intabulation -- Io son l'ocel che con le debil ali (strambotto distich) -- Non è pensier che 'l mio secreto intenda (canzone). Version A, four-voice setting ; Version B, lute intabulation -- Spenta m'hai del pecto amore (frottola-proper). Version A, four-voice setting ; Version B, lute intabulation -- Io voria esser colù (barzelletta with popular refrain) -- Che faràla, che diràla (barzelletta). Version A, four-voice setting ; Version B, lute intabulation ; Version C, keyboard intabulation -- Quando lo pomo vien (villotta [villottistic composition]). Version A, frottolistic setting ; Version B, villottistic setting -- So ben che lei non sa (villotta [villottistic composition]). Version A, frottolistic setting ; Version B, villottistic setting -- Alma gentil (canzone).
Contents	Sacred works. Bonum est sperare -- Manus Domini -- Tulerunt Dominum meum.
Local note	Joyner-FOR JOYNER MUSIC LIBRARY HOLDINGS OF THE SERIES, Recent researches in the music of the Renaissance, SEARCH BY SERIES TITLE OR CALL NUMBER M2.R4 R4.
General note	Includes introduction and critical report.
General note	The secular works can be performed by soprano and either an instrumental ensemble or a chordal instrument or by four voices (SATB).
General note	The sacred works are for four voices (SATB).
General note	Includes four vocal parts with frottolistic settings of most of the secular works and a part for soprano and lute for all of the works with lute intabulation.
Bibliography note	Includes bibliographical references.
Language	Italian and Latin words, also printed as texts with English translations.
Language	Staff notation; Tablature.
Genre/form	Chamber music.
Genre/form	Part songs.
Genre/form	Parts (Music)
Genre/form	Sacred music.
Genre/form	Songs.
Genre/form	Villotte.
Genre/form	Part songs.
Genre/form	Villotte.
Genre/form	Scores.
Genre/form	Parts (Music)
Genre/form	Songs.
Genre/form	Chamber music.
Genre/form	Sacred music.
ISBN	9781987201390
ISBN	1987201396

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	M2.R4 R4 V. 171	✔ Available

Complete works / Michele Pesenti ; edited by Anthony M. Cummings, Linda L. Carroll, and Alexander Dean.

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