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008 090817s2010 miu sb s001 0 eng d;

010 a| 2009033201;

015 a| GBB0768602| bnb;

016 7 a| 0155850102| Uk;

020 a| 9780472117185 (cloth : alk. paper);

020 a| 0472117181 (cloth : alk. paper);

035 a| (WaSeSS)ssj0000745159;

049 a| EREEa| NEHH;

050 00 a| PN2193.E86b| H37 2010;

082 00 a| 792.02/22| 22;

100 1 a| Harding, James Martin,d| 1958-=| ^A387288;

245 10 a| Cutting performancesh| [electronic resource] :b| collage events, feminist artists, and the American avant-garde /c| James M. Harding.;

260 a| Ann Arbor :b| University of Michigan Press,;

300 a| ix, 222 p. ;c| 24 cm.;

490 1 a| Theater : theory/text/performance;

504 a| Includes bibliographical references and index.;

505 0 a| Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Experimental theater.=| ^A79156;

650 0 a| Feminist theater.=| ^A173788;

655 0 a| Electronic books.=| ^A491897;

830 0 a| Theater--theory/text/performance.=| ^A271259;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=3415066;

947 a| (OCoLC)ocn432442376;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 5118412;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5118412-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 6/30/2019x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5118412-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 6/30/2019x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5118412-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 6/30/2019x| EBOOKz| JERESOURCE;

Cutting performances collage events, feminist artists, and the American avant-garde / James M. Harding.

Author/creator	Harding, James Martin, 1958-
Format	Electronic
Publication Info	Ann Arbor : University of Michigan Press,
Description	ix, 222 p. ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Experimental theater. Feminist theater.

Series	Theater : theory/text/performance Theater--theory/text/performance. ^A271259
Contents	Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2009033201
ISBN	9780472117185 (cloth : alk. paper)
ISBN	0472117181 (cloth : alk. paper)

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Cutting performances collage events, feminist artists, and the American avant-garde / James M. Harding.

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