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003 OCoLC;

005 20191025030830.0;

006 juunn n ;

007 sd fsngnnmmned;

008 140613s2015 nyuag b 001 0 eng ;

010 a| 2014023336;

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020 a| 9780393064964q| (hardcover);

020 a| 0393064964;

037 b| W W Norton & Co Inc, Keystone Industrial Park Attn Mike Charnogursky 800 Keystone Industrial Park, Scranton, PA, USA, 18512n| SAN 202-5795;

042 a| pcc;

050 00 a| ML431b| .K45 2015;

082 00 a| 780.1/48092| 23;

049 a| EREM;

100 1 a| Kelly, Thomas Forrest.=| ^A252128;

245 10 a| Capturing music :b| the story of notation /c| Thomas Forrest Kelly.;

250 a| First edition.;

264 1 a| New York :b| W.W. Norton & Company,c| [2015];

300 a| xv, 238 pages :b| illustrations (chiefly color), music ;c| 25 cm +e| 1 audio disc (digital, CD audio, stereo ; 4 3/4 in.);

336 a| textb| txt2| rdacontent;

336 a| performed musicb| prm2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

337 a| audiob| s2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

338 a| audio discb| nc2| rdacarrier;

344 3| CDa| digitalb| opticalg| stereo2| rda;

344 3| CDc| 1.4 m/s;

347 3| CDa| audio fileb| CD audio2| rda;

500 a| Accompanying CD contains performances of the musical compositions represented in the book's illustrations.;

504 a| Includes bibliographical references (pages 221-225) and index.;

505 0 a| Isidore : writing as recording -- St. Gregory and the recording of music -- Guido the monk and the recording of pitch -- The great book : Leoninus and the recording of rhythm -- Franco figures it out -- It takes a scientist : Philippe de Vitry -- Into the future : later developments.;

511 0 a| CD performed by Blue Heron (Michael Barrett, Paul Guttry, Ian Howell, David McFerrin, Owen McIntosh, Jason McStoots, Martin Near, Mark Sprinkle, Sumner Thompson, and Paul Max Tipton, voices ; Laura Jeppesen, vielle ; Scott Metcalfe, harp and vielle ; Charles Weaver, lute) ; Scott Metcalfe, director.;

520 a| "In today's digital landscape, we have the luxury of experiencing music anytime, anywhere. But before this instant accessibility and dizzying array of formats--before CDs, the eight-track tape, the radio, and the turntable--there was only one recording technology: music notation. It allowed singers and soloists to travel across great distances and perform their work with stunning fidelity, a feat that we now very much take for granted. Thomas Forrest Kelly transports us to the lively and complex world of monks and monasteries, of a dove singing holy chants into the ear of a saint, and of bustling activity in the Cathedral of Notre Dame--an era when the only way to share even the simplest song was to learn it by rote, church to church and person to person. With clarity and a sense of wonder, Kelly tells a story that spans five hundred years, leading us on a journey through medieval Europe and showing how we learned to keep track of rhythm, melody, and precise pitch with a degree of accuracy previously unimagined. Kelly reveals the technological advances that led us to the system of notation we use today, placing each step of its evolution in its cultural and intellectual context. Companion recordings by the renowned Blue Heron ensemble are paired with vibrant illuminated manuscripts, bringing the art to life and allowing readers to experience something of the marvel that medieval writers must have felt when they figured out how to capture music for all time."--Publisher's description.;

590 a| JOYNER MUSIC LIBRARY BOOK ACCOMPANIED BY SOUND RECORDING LOCATED AT CALL NUMBER: MusicLib CD-6360.;

600 00 a| Guido,c| d'Arezzo.=| ^A632794;

600 00 a| Léonin,d| active 12th century.=| ^A243101;

600 00 a| Franco,c| of Cologne,d| active 13th century=| ^A81474;

600 10 a| Vitry, Philippe de,d| 1291-1361.=| ^A845297;

650 0 a| Musical notationx| Historyy| To 1500.=| ^A18890;

650 0 a| Gregorian chantsx| History and criticism.=| ^A32348;

650 0 a| Church musicx| Catholic Churchy| 500-1400.=| ^A1236499;

650 0 a| Gregorian chants.=| ^A40798;

653 a| Clausulas (Songs);

653 a| Motets;

655 7 a| Chants.2| lcgft;

655 7 a| Clausulas (Songs)2| lcgft;

655 7 a| Motets.2| lcgft;

994 a| C0b| ERE;

596 a| 3;

998 a| 5187035;

999 a| ML431 .K45 2015w| LCc| 1i| 30372017308914d| 5/2/2025e| 3/3/2025f| 4/4/2024g| 1l| MSTm| JMUSICn| 1q| 1r| Ys| Yt| MGESBKu| 11/15/2019x| BOOKz| MCIRCo| .STAFF. jjad/jjab;

999 a| CD-6360w| ALPHANUMc| 1i| 30372017167039l| MMEm| JMUSICr| Ys| Yt| MMESCDu| 12/19/2019x| CDz| MMEDIAo| .STAFF. jjab;

Capturing music : the story of notation / Thomas Forrest Kelly.

Author/creator	Kelly, Thomas Forrest
Format	Audio (CD)
Edition	First edition.
Publication	New York : W.W. Norton & Company, [2015]
Copyright Date	©2015
Description	xv, 238 pages : illustrations (chiefly color), music ; 25 cm + 1 audio disc (digital, CD audio, stereo ; 4 3/4 in.)
Subjects	Guido, d'Arezzo. Léonin, active 12th century. Franco, of Cologne, active 13th century Vitry, Philippe de, 1291-1361. Musical notation--History. --To 1500. Gregorian chants--History and criticism. Church music--Catholic Church. --500-1400. Gregorian chants.

Contents	Isidore : writing as recording -- St. Gregory and the recording of music -- Guido the monk and the recording of pitch -- The great book : Leoninus and the recording of rhythm -- Franco figures it out -- It takes a scientist : Philippe de Vitry -- Into the future : later developments.
Contents	CD contents: Gregorian chant, Introit "Ad te levavi" (Michael Barrett, soloist) -- Gregorian chant, Introit "Resurrexi" (David McFerrin, soloist) -- Gregorian chant, Alleluia "Pascha nostrum" (Paul Guttry, soloist) -- Hymn, "Ut queant laxis" -- Alleluia "Pascha nostrum" / Leoninus (Jason McStoots, soloist) -- Alleluia "Pascha nostrum" / Perotinus (Michael Barrett and Sumner Thompson, soloists (Alleluia) ; Owen McIntosh and Jason McStoots, soloist ("Pascha nostrum") -- Clausula, "Latus est" Mark Sprinkle, soloist) -- Motet, "Immolata paschali victima" (Mark Sprinkle and Jason McStoots) -- "Sumer is icumen in ; Perspice Christicola" -- Motet, "Diex qui porroirt ; En grant dolour ; Aptatur" (Jason McStoots, Mark Sprinkle, and Scott Metcalfe) -- Motet, "Aucun ont trouvâe ; Lonctans me sui ; Annun[tiantes]" Jason McStoots, Michael Barreett, and David McFerrin) -- Motet, "Garrit gallus ; In nova fert" / Philippe de Vitry (Ian Howell, Martin Near, and Scott Metcalfe) -- "Biautâe qui toutes autres pere" / Guillaume de Machaut (Owen McIntosh, Laura Jeppesen, and Scott Metcalfe) -- "Io son un pellegrin" (Owen McIntosh and Sumner Thompson) -- "Musica son" / Francesco Landini (Owen McIntosh, Jason McStoots, and Sumner Thompson) -- "En attendant, Esperance conforte" / Jacob Senleches (Owen McIntosh, Charles Weaver, and Scott Metcalfe) -- "Belle, bonne, sage, plaisant" / Baude Cordier (Martin Near, Charles Weaver, and Scott Metcalfe).
Abstract	"In today's digital landscape, we have the luxury of experiencing music anytime, anywhere. But before this instant accessibility and dizzying array of formats--before CDs, the eight-track tape, the radio, and the turntable--there was only one recording technology: music notation. It allowed singers and soloists to travel across great distances and perform their work with stunning fidelity, a feat that we now very much take for granted. Thomas Forrest Kelly transports us to the lively and complex world of monks and monasteries, of a dove singing holy chants into the ear of a saint, and of bustling activity in the Cathedral of Notre Dame--an era when the only way to share even the simplest song was to learn it by rote, church to church and person to person. With clarity and a sense of wonder, Kelly tells a story that spans five hundred years, leading us on a journey through medieval Europe and showing how we learned to keep track of rhythm, melody, and precise pitch with a degree of accuracy previously unimagined. Kelly reveals the technological advances that led us to the system of notation we use today, placing each step of its evolution in its cultural and intellectual context. Companion recordings by the renowned Blue Heron ensemble are paired with vibrant illuminated manuscripts, bringing the art to life and allowing readers to experience something of the marvel that medieval writers must have felt when they figured out how to capture music for all time."--Publisher's description.
Local note	JOYNER MUSIC LIBRARY BOOK ACCOMPANIED BY SOUND RECORDING LOCATED AT CALL NUMBER: MusicLib CD-6360.
General note	Accompanying CD contains performances of the musical compositions represented in the book's illustrations.
Bibliography note	Includes bibliographical references (pages 221-225) and index.
Performer	CD performed by Blue Heron (Michael Barrett, Paul Guttry, Ian Howell, David McFerrin, Owen McIntosh, Jason McStoots, Martin Near, Mark Sprinkle, Sumner Thompson, and Paul Max Tipton, voices ; Laura Jeppesen, vielle ; Scott Metcalfe, harp and vielle ; Charles Weaver, lute) ; Scott Metcalfe, director.
Genre/form	Chants.
Genre/form	Clausulas (Songs)
Genre/form	Motets.
LCCN	2014023336
ISBN	9780393064964 (hardcover)
ISBN	0393064964
Stock number	W W Norton & Co Inc, Keystone Industrial Park Attn Mike Charnogursky 800 Keystone Industrial Park, Scranton, PA, USA, 18512 SAN 202-5795

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Library	Location	Call Number	Status	Item Actions
Music	Music Media - Ask at Circulation Desk	CD-6360	✔ Available	Place Hold
Music	Music Stacks	ML431 .K45 2015	✔ Available	Place Hold

Capturing music : the story of notation / Thomas Forrest Kelly.

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