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020 a| 9781107043602;

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050 00 a| PN2593b| .W67 2013;

082 00 a| 792.0941/0332| 23;

100 1 a| Worrall, David.=| ^A308087;

245 10 a| Celebrity, performance, receptionh| [electronic resource] :b| British Georgian theatre as social assemblage /c| David Worrall.;

260 a| Cambridge ;a| New York :b| Cambridge University Press,c| 2013.;

300 a| vii, 305 pages ;c| 24 cm;

504 a| Includes bibliographical references (pages 280-297) and index.;

505 0 a| Introduction: theatre, performance and social assemblage theory -- Theatrical assemblages and theatrical markets -- Georgian performance and the assemblage model -- Theatrical celebrity as social assemblage: from Garrick to Kean -- Celebrity networks: Kean and Siddons -- A working theatrical assemblage: 1790s -- Representations of naval conflict -- Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794 -- Historicizing the theatrical assemblage: Marie Antoinette and the theatrical queens -- The regulatory assemblage: the Roman actor and the politics of self-censorship -- Conclusion.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=1394605;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5189080-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 10/30/2019x| EBOOKz| JERESOURCE;

Celebrity, performance, reception British Georgian theatre as social assemblage / David Worrall.

Author/creator	Worrall, David
Format	Electronic
Publication Info	Cambridge ; New York : Cambridge University Press, 2013.
Description	vii, 305 pages ; 24 cm
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Theater--Great Britain. --History. --18th century. Theater audiences--Great Britain. --History. --18th century.

Contents	Introduction: theatre, performance and social assemblage theory -- Theatrical assemblages and theatrical markets -- Georgian performance and the assemblage model -- Theatrical celebrity as social assemblage: from Garrick to Kean -- Celebrity networks: Kean and Siddons -- A working theatrical assemblage: 1790s -- Representations of naval conflict -- Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794 -- Historicizing the theatrical assemblage: Marie Antoinette and the theatrical queens -- The regulatory assemblage: the Roman actor and the politics of self-censorship -- Conclusion.
Bibliography note	Includes bibliographical references (pages 280-297) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2013013386
ISBN	9781107043602

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Celebrity, performance, reception British Georgian theatre as social assemblage / David Worrall.

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