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010 a| 2011033715;

020 a| 9780415883511 (alk. paper);

020 a| 0415883512 (alk. paper);

035 a| (WaSeSS)ssj0000678432;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| PN1995b| .B2953 2012;

082 00 a| 791.43012| 23;

100 1 a| Bateman, John A.?| UNAUTHORIZED;

245 10 a| Multimodal film analysish| [electronic resource] :b| how films mean /c| John A. Bateman and Karl-Heinrich Schmidt.;

260 a| New York :b| Routledge,;

300 a| viii, 330 p. :b| ill. ;c| 24 cm.;

490 1 a| Routledge studies in multimodality ;v| 5;

504 a| Includes bibliographical references and index.;

505 0 a| Analysing film. Distinguishing the filmic contribution to meaning -- Examples of filmic "textual organisation" -- Redrawing boundaries -- Organisation of the book -- Semiotics and documents. Semiotics and its relations to film -- The nature of discourse semantics -- The film as cinematographic document -- A combined view: filmic documents for filmic discourse -- Constructing the semiotic mode of film. Semiotic multimodality -- The internal organisation of semiotic strata -- Composing and combining semiotic modes -- Materiality and "epistemological commitment" -- Christian Metz and the grande syntagmatique of the image track. The original model -- Two examples of analysis with the grande syntagmatique -- Revisions and rebuttals -- Foundations for analysis: filmic units. The basic units of film: preliminaries -- Audiovisual iconic representations -- Perception, perceptual realism and reliable measurement -- Multiplicity: from perception to discourse -- Filmic units revisited: discourse-motivated definitions -- The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique -- Capturing discourse dependency structures in film -- The paradigmatic dimensions of projection, taxis and plane -- Two examples of paradigmatic analysis -- Summary and conclusions.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Motion picturesx| Philosophy.=| ^A62239;

650 0 a| Motion picturesx| Semiotics.=| ^A248093;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Schmidt, Karl-Heinrich.?| UNAUTHORIZED;

830 0 a| Routledge studies in multimodality ;v| 5.=| ^A1171406;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=957662;

947 a| (OCoLC)ocn641536304;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

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998 a| 5195744;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5195744-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 11/1/2019x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5195744-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 11/1/2019x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5195744-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 11/1/2019x| EBOOKz| JERESOURCE;

Multimodal film analysis how films mean / John A. Bateman and Karl-Heinrich Schmidt.

Author/creator	Bateman, John A.
Other author	Schmidt, Karl-Heinrich.
Format	Electronic
Publication Info	New York : Routledge,
Description	viii, 330 p. : ill. ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Motion pictures--Philosophy. Motion pictures--Semiotics.

Series	Routledge studies in multimodality ; 5 Routledge studies in multimodality ; 5. ^A1171406
Contents	Analysing film. Distinguishing the filmic contribution to meaning -- Examples of filmic "textual organisation" -- Redrawing boundaries -- Organisation of the book -- Semiotics and documents. Semiotics and its relations to film -- The nature of discourse semantics -- The film as cinematographic document -- A combined view: filmic documents for filmic discourse -- Constructing the semiotic mode of film. Semiotic multimodality -- The internal organisation of semiotic strata -- Composing and combining semiotic modes -- Materiality and "epistemological commitment" -- Christian Metz and the grande syntagmatique of the image track. The original model -- Two examples of analysis with the grande syntagmatique -- Revisions and rebuttals -- Foundations for analysis: filmic units. The basic units of film: preliminaries -- Audiovisual iconic representations -- Perception, perceptual realism and reliable measurement -- Multiplicity: from perception to discourse -- Filmic units revisited: discourse-motivated definitions -- The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique -- Capturing discourse dependency structures in film -- The paradigmatic dimensions of projection, taxis and plane -- Two examples of paradigmatic analysis -- Summary and conclusions.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2011033715
ISBN	9780415883511 (alk. paper)
ISBN	0415883512 (alk. paper)

Multimodal film analysis how films mean / John A. Bateman and Karl-Heinrich Schmidt.

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