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001 ocm11996655;

003 OCoLC;

005 20200124041145.0;

008 850503s1985 gw cgh b 000 0ceng d;

019 a| 1006467020;

035 a| (Sirsi) o11996655;

035 a| (OCoLC)11996655z| (OCoLC)1006467020;

041 1 a| engh| ger;

045 a| u0v5;

049 a| EREM;

050 4 a| ML390b| .N4813 1985;

082 04 a| 780.9222| 20;

100 1 a| Neunzig, Hans A.q| (Hans Adolf),d| 1932-=| ^A400941;

240 10 a| Neue europäische Musik.l| English=| ^A400941;

245 12 a| A new European music /c| by Hans A. Neunzig; translation by Patricia Crampton.;

246 1 i| At head of title:a| Heinrich Schütz, 1585-1672, George Frideric Handel, 1685-1759, Johann Sebastian Bach, 1685-1750;

300 a| 103 pages :b| illustrations, facsimiles, music, portraits ;c| 21 cm;

336 a| textb| txt2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

500 a| Translation of: Eine neue europäische Musik.;

500 a| Biographical studies of the three composers.;

504 a| Includes bibliographical references (pages 101-102).;

520 a| The history of European music in the 17th and 18th centuries is associated with three names, the names of men who contributed decisively to the development and dissemination of new musical formas and structures which were to affect and dominate the future. They are Heinrich Schutz (1585-1672), George Frideric Handel (1685-1759), and Johann Sebastian Bach (1685-1750). A century before Bach and Handel, Heinrich Schutz became the father of modern music through the combination and assimilation of the Italian-Netherlands music with the traditional musical forms of central Germany. Without his work and his musical theories which were carried out into the world by his pupils, neither the Baroque nor the Classical and Romantic music of Germany and Europe would have existed in the forms we know. In George Frideric Handel the music of the Baroque found its ambassador. With his operas and still more with his great oratorios, he is the complete expression of the Baroque response to life and the wealth of musical expression of that period. But the point of convergence of all European music is the work of the composer whom all Western music was to take its authority from then on: Johann Sebastian Bach. Their life, their creativity and their influence on the history of music is outlined in the chapters of this book. This account includes their origins, evolution and social environment as well as their musical development.;

600 10 a| Schütz, Heinrich,d| 1585-1672.=| ^A46792;

600 10 a| Bach, Johann Sebastian,d| 1685-1750.=| ^A15801;

600 10 a| Handel, George Frideric,d| 1685-1759.=| ^A19936;

650 0 a| Composersz| Europev| Biography.=| ^A15202;

700 1 a| Crampton, Patricia,e| translator.=| ^A193927;

949 a| ML390 .N4813 1985w| LCh| JMUSIC53i| 30372017167997o| jjab;

994 a| C0b| ERE;

596 a| 3;

998 a| 5221450;

999 a| ML390 .N4813 1985w| LCc| 1i| 30372017289643d| 4/19/2023e| 3/27/2023f| 2/25/2024g| 1l| MSTm| JMUSICr| Ys| Yt| MGESBKu| 1/28/2020x| BOOKz| MCIRCo| .STAFF. jjab;

A new European music / by Hans A. Neunzig; translation by Patricia Crampton.

Author/creator	Neunzig, Hans A., 1932-
Other author	Crampton, Patricia, translator.
Format	Book
Publication Info	Bonn : Inter Nationes, ©1985.
Description	103 pages : illustrations, facsimiles, music, portraits ; 21 cm
Subjects	Schütz, Heinrich, 1585-1672. Bach, Johann Sebastian, 1685-1750. Handel, George Frideric, 1685-1759. Composers--Europe. --Biography.

Uniform title	Neue europäische Musik. English
Variant title	At head of title: Heinrich Schütz, 1585-1672, George Frideric Handel, 1685-1759, Johann Sebastian Bach, 1685-1750
Contents	The modern age of music -- Heinrich Schütz -- George Frideric Handel -- Johann Sebastian Bach -- Chronological tables.
Abstract	The history of European music in the 17th and 18th centuries is associated with three names, the names of men who contributed decisively to the development and dissemination of new musical formas and structures which were to affect and dominate the future. They are Heinrich Schutz (1585-1672), George Frideric Handel (1685-1759), and Johann Sebastian Bach (1685-1750). A century before Bach and Handel, Heinrich Schutz became the father of modern music through the combination and assimilation of the Italian-Netherlands music with the traditional musical forms of central Germany. Without his work and his musical theories which were carried out into the world by his pupils, neither the Baroque nor the Classical and Romantic music of Germany and Europe would have existed in the forms we know. In George Frideric Handel the music of the Baroque found its ambassador. With his operas and still more with his great oratorios, he is the complete expression of the Baroque response to life and the wealth of musical expression of that period. But the point of convergence of all European music is the work of the composer whom all Western music was to take its authority from then on: Johann Sebastian Bach. Their life, their creativity and their influence on the history of music is outlined in the chapters of this book. This account includes their origins, evolution and social environment as well as their musical development.
General note	Translation of: Eine neue europäische Musik.
General note	Biographical studies of the three composers.
Bibliography note	Includes bibliographical references (pages 101-102).

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML390 .N4813 1985	✔ Available	Place Hold

A new European music / by Hans A. Neunzig; translation by Patricia Crampton.

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