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LEADER 02286cam 2200373Ii 4500

001 ocm01689993;

003 OCoLC;

005 20200422110334.0;

008 751009s1948 nyug 000 0 eng ;

010 a| 49003003;

019 a| 1449974a| 18786004;

035 a| (Sirsi) o01689993;

035 a| (OCoLC)1689993z| (OCoLC)1449974z| (OCoLC)18786004;

041 1 a| engh| ger;

049 a| EREM;

090 a| MT52b| .R44 1948;

100 1 a| Reger, Max,d| 1873-1916.=| ^A47805;

240 10 a| Beiträge zur Modulationslehre.l| English=| ^A1128306;

245 10 a| On the theory of modulation /c| Max Reger.;

264 1 a| New York :b| Edwin F. Kalmus,c| [1948];

300 a| 50 pages :b| music ;c| 19 cm;

336 a| textb| txt2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

500 a| Translation of Beiträge zur Modulationslehre.;

520 a| "This 'Supplement to the Theory of Modulation' is intended both for the professional musician (for those learning harmony, for pianists, organists, singers and others), and for the amateur to whom the rudiments of the theory of music are not a sealed book. I would draw special attention to the fact that... in the examples of modulation, I have purposefully avoided anything pertaining to enharmonics, with a view of drawing the student's special attention to musical logic; for the same reason, I have given almost all the examples of modulation by translating tonic, sub- and super-dominant into the new tonic, sub- or super-dominant, as the case may be, i.e. I have given them in so-called cadence-like form, in order to thus lay before the pupil the fundamental principle of modulation in the clearest possible manner; the analyses of the examples of modulation will at once make the fundamental principles clear to any student." -- Reger's preliminary remarks.;

650 0 a| Modulation (Music)=| ^A37645;

650 0 a| Harmony.=| ^A22140;

949 a| MT52 .R44 1948i| 1689993h| JMUSIC53o| jjad;

994 a| C0b| ERE;

596 a| 3;

998 a| 5224357;

999 a| MT52 .R44 1948w| LCc| 1i| 30372017280071d| 11/3/2020e| 1/31/2020f| 9/29/2025g| 1l| MCSm| JMUSICr| Ys| Yt| MCSSBKu| 1/23/2020x| BOOKz| MCIRCo| .STAFF. jjad;

On the theory of modulation / Max Reger.

Author/creator	Reger, Max
Format	Book
Publication	New York : Edwin F. Kalmus, [1948]
Description	50 pages : music ; 19 cm
Subjects	Modulation (Music) Harmony.

Uniform title	Beiträge zur Modulationslehre. English
Abstract	"This 'Supplement to the Theory of Modulation' is intended both for the professional musician (for those learning harmony, for pianists, organists, singers and others), and for the amateur to whom the rudiments of the theory of music are not a sealed book. I would draw special attention to the fact that... in the examples of modulation, I have purposefully avoided anything pertaining to enharmonics, with a view of drawing the student's special attention to musical logic; for the same reason, I have given almost all the examples of modulation by translating tonic, sub- and super-dominant into the new tonic, sub- or super-dominant, as the case may be, i.e. I have given them in so-called cadence-like form, in order to thus lay before the pupil the fundamental principle of modulation in the clearest possible manner; the analyses of the examples of modulation will at once make the fundamental principles clear to any student." -- Reger's preliminary remarks.
General note	Translation of Beiträge zur Modulationslehre.
LCCN	49003003

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Library	Location	Call Number	Status	Item Actions
Music	Closed Stacks - Ask at Circulation Desk	MT52 .R44 1948	✔ Available	Place Hold

On the theory of modulation / Max Reger.

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