| Other author/creator | Adès, Thomas, instrumentalist, composer. |
| Other author/creator | Anderson, Valdine, vocalist. |
| Other author/creator | Carewe, Mary, vocalist. |
| Other author/creator | Eliot, T. S. (Thomas Stearns), 1888-1965. |
| Other author/creator | Farr, Stephen, instrumentalist. |
| Other author/creator | Goode, David (Organist), instrumentalist. |
| Other author/creator | Hopkins, Louise, instrumentalist. |
| Other author/creator | Marsh, Lynsey, instrumentalist. |
| Other author/creator | Marwood, Anthony, instrumentalist. |
| Other author/creator | Williams, Tennessee, 1911-1983. |
| Included Work | Adès, Thomas. Catch. |
| Included Work | Adès, Thomas. Darknesse visible. |
| Included Work | Adès, Thomas. Eliot landscapes. |
| Included Work | Adès, Thomas. Life story. |
| Included Work | Adès, Thomas. Still sorrowing. |
| Included Work | Adès, Thomas. Traced overhead. |
| Included Work | Adès, Thomas. Under Hamelin Hill. |
| Uniform title | Works. Selections |
| Contents |
Catch : op. 4 -- Darknesse visible -- Still sorrowing : op. 7 -- Under Hamelin Hill : op. 6 -- Five Eliot landscapes : op. 1 -- Traced overhead : op. 15 (1990) -- Life story op. 8b (1990). |
| General note | For piano, clarinet, violin, and violoncello (1st work), piano (2nd and 6th works), prepared piano (3rd work), 3 chamber organs (4th work), or soprano and piano (5th and 7th works) ; the 7th work originally for soprano, 2 bass clarinets, and double bass. |
| General note | Previously released as a compact disc. |
| General note | Song texts by T.S. Eliot (5th work) and Tennessee Williams (7th work) and program notes by Andrew Porter on container insert. |
| General note | Title from resource description page (viewed May 1, 2012). |
| Performer |
Thomas Adès, piano (organ, 4th work) ; Valdine Anderson (5th work) or Mary Carewe (7th work), soprano ; Lynsey Marsh, clarinet ; Anthony Marwood, violin ; Louise Hopkins, violoncello ; David Goode and Stephen Farr, organ. |
| Date/time/place of a event note | Recorded in London, England, Feb.-May 1996. |
| Genre/form | Sound recordings. |