| Contents |
Mono-quality triads -- Bi-quality triads, hetero triads -- Quartal triads -- Diminished seventh, diminished triad, major seventh intervals -- Eric Dolphy's synthetic formations -- Quartal triads in diminished intervals, nine tone row sequences, inverted quartal triads -- Triple diminished patterns -- Triple diminished etude -- Pentatonic patterns -- Pentatonic etude -- Chinese reform scale, chow etude -- Mongolian scale, Yuan etude -- Chinese twelve tone scale, interpolations -- Morphic patterns -- Archaic Greek scale, archaic etude and archaic patterns -- Japanese scales, patterns -- East Indian scales -- Intervalically mutated hexadic scales of the supra-diatonic scales, harmonic analysis -- Infra-diatonic scales, harmonic analysis -- Chromatic progression, harmonizations -- Double diminished scale, harmonizations -- Triple diminished scale, harmonizations -- Synthetic chord and scale (Alexander Scriabin's: Prometheus harmonic analysis) -- Pygmy scale, harmonic analysis -- Jog (Indian scale), harmonic analysis -- Improvisational seventh scale spirals -- Fusion of scales -- Seventeen tone Arabian scale, harmonizations -- Hexachords, interpolations -- Figures suggestive of flight fom Scriabin's sonata, interpolations -- Hungarian major or blue scale, harmonization, patterns -- Egyptian scale, harmonization, patterns -- Synthetic scales, synthetic etude -- Persian scale, harmonization, patterns -- Asymmetrically expanded Ionian scale, harmonization, patterns -- Asymmetrically expanded Dorian scale, harmonization, patterns -- Asymmetrically expanded Phrygian scale, harmonization, patterns -- Asymmetrically expanded Lydian scale, harmonization, patterns -- Asymmetrically expanded Mixolydian scale, harmonization, patterns -- Asymmetrically expanded Aeolian scale, harmonization, patterns -- Harmonization of asymmetrically expanded/contracted Ionian scale -- Inverted major scales -- Inverted harmonic minor scales -- Tropes -- Tone row from Alban Berg's violin concerto, interpolations -- Chords with seconds and tone clusters (Bela Bartok) -- Example of Igor Stravinsky's harmony -- Whole tone melody harmonized -- Quartal melody harmonized -- Whole tone scale, interpolations -- Dichotomous progression -- Cyclical inversions -- B diminished, harmonization, patterns -- Dominant 7th intervals -- Improvisation, secondary dominants -- Irregular intervals -- Chromatic scale, serializations -- Intervalic inveresion of two octaves -- Synthesis and contraction of two octave C scale and its intervalic retrograde inversion/patterns -- Major triad with major sixth added (cycles) -- The Neapolitan sixth and its dominant -- Major seventh patterns in diminished intervals -- Hybrid hexachord -- Arpeggiated quartal chords -- Arpeggiated quartal chords and augmented arpeggios/patterns -- Disjunct Egyptian polytetrachords -- Disjunct Hebrew polytetrachords -- Disjunct Japanse polytetrachords -- Hybird tetratonic scales -- Hybrid tetratonic arpeggios -- Patterns of augmented triads with major seventh added -- Quadritonal patterns -- Double diminished patterns -- Triple diminished patterns -- Consecutive interjective patterns -- Plural arpeggios -- Thirdless patterns -- Turn-backs -- "Phi" (I got rhythm, A:B:A: song form, not standard harmonic structure) -- "Subset" (I got rhythm, A:B:A: song form, standard harmonic structure) -- Arabian scales -- Five note pygmy scale of Rwanda/"Null set" (blues) -- "Brackets" (blues), miscellaneous patterns -- Ten tone hybrid scale, patterns scale (Matrix no. 1) -- Matrix no. 1 -- Matrix no. 2, miscellaneous patterns -- Matrix no. 1, matrix to Egyptian scale -- Matrix to Egyptian scale -- Ten short contemporary piano pieces. |
