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008 740315r1970 au cg b 000 0 eng ;

010 a| 73208687;

028 32 a| UE 13340 Eb| Universal Edition;

035 a| (Sirsi) o00789532;

035 a| (OCoLC)789532;

049 a| EREM;

050 00 a| MT145.B4b| C97;

050 4 a| ML410.B42b| C97 1970;

082 4 a| 786.1/092/4;

100 1 a| Czerny, Carl,d| 1791-1857.=| ^A54932;

245 10 a| On the proper performance of all Beethoven's works for the piano ;b| Reminiscences of Beethoven, and, chapters II and III from volume IV of the Complete theoretical and practical piano forte school : op. 500 /c| Carl Czerny ; edited and with a commentary by Paul Badura-Skoda.;

300 a| 119 pages :b| music, portrait ;c| 31 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references.;

505 0 a| Memoirs (excerpts) -- Anecdotes and notes about Beethoven -- From The art of playing the ancient and modern piano forte works. On the proper performance of all Beethoven's works for the piano solo ; On the proper performance of all Beethoven's works for the pianoforte with accompaniments for other instruments, or for the orchestra.;

520 a| It is one of music history's fortunate coincidences that Beethoven's pupil the author was one of the greatest piano pedagogues. At a time when Beethoven's works were hardly cultivated any more, fashion having taken other directions, the author did much to ensure that the Beethoven tradition did not die out. He taught his pupils (among them the young Franz Liszt) to play Beethoven's works; he arranged private concerts devoted exclusively to those works; and he made excellent two and four-hand piano transcriptions, some of them under Beethoven's supervision, of orchestral and chamber works, which were widely circulated in that form. Apart from these activities, which were more for the benefit of his contemporaries, the author produced three documents concerning his personal relations with Beethoven; for posterity, they are of the greatest importance. They are his memoirs and various other writings in which he tells of his encounters with Beethoven; an edition of all Beethoven's sonatas and other piano pieces, with metronome markings and fingerings; and, most important, the chapter "On the proper performance of all Beethoven's works for the piano solo" and "for the pianoforte with accompaniments for other instruments" in vol. IV of his "School for the Piano, Op.500", in which he discusses, briefly and to the point, the interpretation of the master's complete piano works including chamber music with piano, and the piano concertos.;

600 10 a| Beethoven, Ludwig van,d| 1770-1827.t| Piano music.=| ^A497174;

650 0 a| Pianox| Performance.=| ^A198641;

700 1 a| Badura-Skoda, Paul,e| editor.=| ^A46730;

919 a| BOOK;

596 a| 3;

998 a| 53077;

999 a| ML410.B42 C97 1970w| LCc| 1i| 310372000579390d| 7/1/2016e| 8/30/2006f| 3/17/2025g| 4l| MCSm| JMUSICn| 8r| Ys| Yt| MCSSBKu| 2/26/1986x| BOOKz| MCIRCo| .STAFF. enhanced, changed call number from MT145 to ML410 3/14/23 -jjam/jjab;

On the proper performance of all Beethoven's works for the piano ; Reminiscences of Beethoven, and, chapters II and III from volume IV of the Complete theoretical and practical piano forte school : op. 500 / Carl Czerny ; edited and with a commentary by Paul Badura-Skoda.

Author/creator	Czerny, Carl
Other author	Badura-Skoda, Paul, editor.
Format	Book
Publication Info	Wien : Universal Edition, ©1970.
Description	119 pages : music, portrait ; 31 cm
Subjects	Beethoven, Ludwig van, 1770-1827. Piano music. Piano--Performance.

Contents	Memoirs (excerpts) -- Anecdotes and notes about Beethoven -- From The art of playing the ancient and modern piano forte works. On the proper performance of all Beethoven's works for the piano solo ; On the proper performance of all Beethoven's works for the pianoforte with accompaniments for other instruments, or for the orchestra.
Abstract	It is one of music history's fortunate coincidences that Beethoven's pupil the author was one of the greatest piano pedagogues. At a time when Beethoven's works were hardly cultivated any more, fashion having taken other directions, the author did much to ensure that the Beethoven tradition did not die out. He taught his pupils (among them the young Franz Liszt) to play Beethoven's works; he arranged private concerts devoted exclusively to those works; and he made excellent two and four-hand piano transcriptions, some of them under Beethoven's supervision, of orchestral and chamber works, which were widely circulated in that form. Apart from these activities, which were more for the benefit of his contemporaries, the author produced three documents concerning his personal relations with Beethoven; for posterity, they are of the greatest importance. They are his memoirs and various other writings in which he tells of his encounters with Beethoven; an edition of all Beethoven's sonatas and other piano pieces, with metronome markings and fingerings; and, most important, the chapter "On the proper performance of all Beethoven's works for the piano solo" and "for the pianoforte with accompaniments for other instruments" in vol. IV of his "School for the Piano, Op.500", in which he discusses, briefly and to the point, the interpretation of the master's complete piano works including chamber music with piano, and the piano concertos.
Bibliography note	Includes bibliographical references.
LCCN	73208687
Publisher number	UE 13340 E Universal Edition

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Library	Location	Call Number	Status	Item Actions
Music	Closed Stacks - Ask at Circulation Desk	ML410.B42 C97 1970	✔ Available	Place Hold

On the proper performance of all Beethoven's works for the piano ; Reminiscences of Beethoven, and, chapters II and III from volume IV of the Complete theoretical and practical piano forte school : op. 500 / Carl Czerny ; edited and with a commentary by Paul Badura-Skoda.

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