Radical Black theatre in the New Deal / Kate Dossett.

Author/creator Dossett, Kate author.
Format Book
PublicationChapel Hill : University of North Carolina Press, [2020]
Descriptionxv, 338 pages ; 25 cm.
Subjects

SeriesThe John Hope Franklin series in African American history and culture
John Hope Franklin series in African American history and culture. ^A413403
Contents Leaping for freedom: black theatre manuscripts & black performance communities -- Our actors may become our emancipators: race and realism in Stevedore -- They love to watch us dance: exposing the mask in black living newspapers -- Wrestling with heroes: John Henry and Bigger Thomas from page to stage -- Garveyism, communism, gender trouble: Theodore Ward's Big white fog -- Free at lass!: plays that turn out well for Harlem -- Making space -- Black federal theatre manuscripts.
Abstract "Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated 'Negro Units' set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of 'white' classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community-a broad network of actors, dramatists, audiences, critics, and community activists-who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle"-- Provided by publisher.
Bibliography noteIncludes bibliographical references and index.
Genre/formHistory.
LCCN 2019053418
ISBN9781469654416 hardcover
ISBN1469654415 hardcover
ISBN9781469654423 paperback
ISBN1469654423 paperback
ISBNelectronic book

Availability

Library Location Call Number Status Item Actions
Joyner General Stacks PN2270.A35 D67 2020 ✔ Available Place Hold