Opera / [by] Charles Hamm.

Author/creator Hamm, Charles
Format Book
Publication InfoBoston : Allyn and Bacon, 1966.
Descriptionxii, 245 pages : illustrations, music, portraits ; 24 cm
Subjects

Contents The singers. The singer as an individual ; Classification of voices ; Voices and roles ; Other voices -- Words and music: concepts and definitions. Spoken dialogue ; Melodrama ; Recitative ; Arioso ; Aria and song -- Recitative and aria. The Metastasian ideal ; Variations: recitative ; Scenes in recitative ; Aria without recitative -- Duet, trio, quartet, quintet. Duet as an extension of aria ; Larger ensembles -- Finale and introduction -- The chorus. The chorus as scenery ; The chorus as sound ; The chorus as narrator and commentator ; The chorus as protagonist -- The orchestra and its use. Beginnings: the continuo and the singer ; Monteverdi and expansion of the orchestra ; Later seventeenth-century practice ; Neapolitan opera and spectacular singing ; Mozart, Gluck, and the accompanying orchestra ; The nineteenth century and the giant orchestra ; The twentieth century: reaction against the giant orchestra ; On and off-stage music -- Prelude and overture. The call to attention ; Prelude ; The potpourri opening ; The formalized overture ; Miscellaneous openings -- Dance and pantomime. Nineteenth-century struggles ; Other countries ; Dance as scenery ; Principals as dancers ; Pantomime and gesture -- Opera and music drama -- Summation: opera as music and drama.
LCCN 66016634

Availability

Library Location Call Number Status Item Actions
Music Music Stacks ML1700 .H34 1966 ✔ Available Place Hold