Cinesonidos film music and national identity during Mexico's Época de Oro / Jacqueline Avila.

Author/creator Avila, Jacqueline A.
Other author Oxford University Press.
Format Electronic
Publication InfoNew York, NY : Oxford University Press, [2019]
Descriptionxii, 274 pages : illustrations ; 23 cm.
Supplemental ContentFull text available from Oxford Scholarship Online
Subjects

SeriesThe Oxford music/media series
Oxford music/media series. ^A1256002
Contents Introduction : listening to the Época de Oro -- The prostitute and the cinematic cabaret : musicalizing the "fallen woman" and Mexico City's nightlife -- The salon, the stage, and Porfirian nostalgia -- The sounds of indigenismo : cultural integration and musical exoticism in Janitzio (1935) and María Candelaria (1944) -- The singing charro in the comedia ranchera : music, machismo, and the invention of a tradition -- The strains of the revolution : musicalizing the soldadera in the revolutionary melodrama -- Epilogue : after the Época de Oro.
Abstract Author Jacqueline Avila looks at the ways that Mexican cinema and its music during the silent and early sound periods continuously reshaped the contested, fluctuating space of Mexican identity, functioning both as a sign and symptom of social and political change.
Bibliography noteIncludes bibliographical references (pages 243-262) and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Issued in other formebook version : 9780190671341
Genre/formElectronic books.
LCCN 2019565061
ISBN9780190671303 (hbk.)
ISBN0190671300 (hbk.)
ISBN9780190671310 (pbk.)
ISBN0190671319 (pbk.)

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Electronic Resources Access Content Online ✔ Available