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LEADER 02621cam 22003978a 4500

001 ocm28507603;

003 OCoLC;

005 20141212113531.0;

008 930629s1994 enkag b 001 0 eng ;

010 a| 93028322;

020 a| 0521395399 (hardback);

035 a| (Sirsi) o28507603;

035 a| (OCoLC)28507603;

049 a| EREM;

050 00 a| ML2927b| .E94 1994;

082 00 a| 782.2/6/0944090222| 20;

100 1 a| Everist, Mark.=| ^A308400;

245 10 a| French motets in the thirteenth century :b| music, poetry, and genre /c| Mark Everist.;

260 a| Cambridge [England] ;a| New York :b| Cambridge University Press,c| 1994.;

300 a| xiv, 199 pages :b| illustrations, music ;c| 25 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Cambridge studies in medieval and Renaissance music;

504 a| Includes bibliographical references and index.;

505 0 a| Preface -- Origins -- The origins and early history of the motet -- The French motet -- Genre -- The motet ente -- Rondeau-motet -- Refrain cento -- Devotional forms -- The motet and genre.;

520 a| This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.;

650 0 a| Motetsz| Francey| 500-1400x| History and criticism.=| ^A33696;

650 0 a| Part songs, Frenchy| 500-1400x| History and criticism.=| ^A536060;

650 0 a| Musicy| 13th centuryx| History.=| ^A12651;

740 0 a| French motets in the 13th century.;

830 0 a| Cambridge studies in medieval and Renaissance music.=| ^A350912;

596 a| 3;

998 a| 555936;

999 a| ML2927 .E94 1994w| LCc| 1i| 30372008527142d| 12/13/2021e| 9/20/2021f| 4/9/2024g| 4l| MSTm| JMUSICn| 36p| $55.25q| 4r| Ys| Yt| MGESBKu| 9/9/1994x| BOOKz| MCIRCo| .STAFF. enhanced 2/13/23 -jjab;

French motets in the thirteenth century : music, poetry, and genre / Mark Everist.

Author/creator	Everist, Mark
Format	Book
Publication Info	Cambridge [England] ; New York : Cambridge University Press, 1994.
Description	xiv, 199 pages : illustrations, music ; 25 cm.
Subjects	Motets--France. --500-1400. --History and criticism. Part songs, French--500-1400. --History and criticism. Music--13th century. --History.

Series	Cambridge studies in medieval and Renaissance music Cambridge studies in medieval and Renaissance music. ^A350912
Contents	Preface -- Origins -- The origins and early history of the motet -- The French motet -- Genre -- The motet ente -- Rondeau-motet -- Refrain cento -- Devotional forms -- The motet and genre.
Abstract	This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.
Bibliography note	Includes bibliographical references and index.
Other title	French motets in the 13th century.
LCCN	93028322
ISBN	0521395399 (hardback)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML2927 .E94 1994	✔ Available	Place Hold

French motets in the thirteenth century : music, poetry, and genre / Mark Everist.

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