The Oxford handbook of Shakespeare and dance / edited by Lynsey McCulloch & Brandon Shaw.
| Other author | McCulloch, Lynsey, 1974- |
| Other author | Shaw, Brandon, 1975- |
| Format | Electronic |
| Publication Info | New York, NY : Oxford University Press, [2019] |
| Description | xiv, 615 pages : illustrations ; 26 cm. |
| Supplemental Content | Full text available from Oxford Handbooks Online Music |
| Subjects |
| Series | Oxford handbooks |
| Contents | "The heaven's true figure" or an "introit to all kind of lewdness"?: competing conceptions of dancing in Shakespeare's England / Emily Winerock -- Decoding dance in Shakespeare's Much Ado About Nothing and Twelfth Night / Nona Monahin -- "When the play is done, you shall have a Jig or dance of all treads": danced endings on Shakespeare's stage / Roger Clegg -- "The revellers are entering": Shakespeare and masquing practice in Tudor and Stuart England / Anne Daye -- We are all made: the socioeconomics of The Two Noble Kinsmen's anti-masque morris dance / John R. Ziegler -- The Merchant of Venice's missing masque: absence, touch, and religious residues / Lizzie Leopold -- Shakespeare's dancing bodies: the case of Romeo / Brandon Shaw -- Dancing with Perdita: the choreography of lost time in the Winters Tale / Steven Swarbrick -- "The wisdom of your feet": dance and rhetoric on the Shakespearean stage / Florence Hazrat -- [They Dance]: Collaborative authorship and dance in Macbeth / Seth Stewart Williams -- Dancing with the archive: early dance for Shakespearean adaptation / Evelyn O'Malley -- Shakespeare, modernism, and dance / Susan Jones -- Dance in the Broadway Musicals of Shakespeare: Balanchine, Holms, and Robbins / Ray Miller -- "Thou art translated": affinity, emulation, and translation in George Balanchine's A Midsummer Night's Dream / Amy Rodgers -- "Hildings and Harlots": Kenneth MacMillan's Romeo and Juliet / Lynsey Mcculloch -- Shakespeare Ballets in Germany: from Jean-Georges Noverre to John Neumeier / Iris Julia Bührle -- "Therefore ha' done with words": Shakespeare and innovative British Ballets / Elinor Parsons -- Measure in everything: adapting Hamlet to the Contemporary dance stage / Elizabeth Klett -- Hamlet, the Ballet: examining a choreographic process / Jo Butterworth -- Haunted by Hamlet: William Forsythe's Sider / FREYA VASS-RHEE -- Dancing her Death: Dada Masilo's The Bitter End of Rosemary (2011) as a South African contemporary rethinking of Hamlet's Ophelia / Kathrina Farrugia-Kriel -- Embodiment, reciprocity, and reception: Shakespeare adaptations in a black Atlantic context / Ann E. Mazzocca And DEnise Gillman -- Shakespeare and L.O.V.E: Dance and desire in the sonnets / James Hewison -- Incorporating the text: John Farmanesh-Bocca's Pericles Redux and Crystal Pite's The Tempest Replica / Linda Mcjannet -- "A delightful measure or a dance": synetic theater and physical Shakespeare / Sheila T. Cavanagh. |
| Abstract | "With contributions from thirty leading scholars, The Oxford Handbook of Shakespeare and Dance is the first collection of essays to examine the relationship between William Shakespeare - his life, works, afterlife - and dance"-- Provided by publisher. |
| Bibliography note | Includes bibliographical references and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2018013726 |
| ISBN | 9780190498788 (hardcover) |
| ISBN | (companion website) |
| ISBN | (Updf) |
| ISBN | (Epub) |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Electronic Resources | Access Content Online | ✔ Available |