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020 a| 9789004331501 (hardback : acid-free paper);

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100 1 a| Barzman, Karen-edis.=| ^A462755;

245 14 a| The limits of identityh| [electronic resource] :b| early modern Venice, Dalmatia, and the representation of difference /c| by Karen-edis Barzman.;

260 a| Leiden ;a| Boston :b| Brill,c| 2017.;

300 a| xxi, 290 pages :b| illustrations, maps ;c| 21 cm;

490 0 a| Art and material culture in medieval and Renaissance Europe,x| 2212-4187 ;v| volume 7;

504 a| Includes bibliographical references (pages 265-294) and index.;

505 0 a| "A diabolical violence" and "authority above the law" : Ottoman rule in Venetian public discourse -- Justice and iniquity : decapitation's double valence in early modern Venice -- Judith triumphant : severed heads on public monuments and in celebrations of Venetian victory -- Severed heads and bodies in pieces : Venetian reception of Jerusalem liberated -- Provincial subjectivity and the troubling of difference : the Morlacchi in Venetian text and image.;

506 a| Available only to authorized users.;

520 2 a| "This book considers the production of collective identity in Venice (Christian, civic-minded, anti-tyrannical), which turned on distinctions drawn in various fields of representation from painting, sculpture, print, and performance to classified correspondence. Dismemberment and decapitation bore a heavy burden in this regard, given as indices of an arbitrary violence ascribed to Venice's long-time adversary, 'the infidel Turk.' The book also addresses the recuperation of violence in Venetian discourse about maintaining civic order and waging crusade. Finally, it examines mobile populations operating in the porous limits between Venetian Dalmatia and Ottoman Bosnia and the distinctions they disrupted between 'Venetian' and 'Turk' until their settlement on state-owned land. This occurred in the eighteenth century with the closing of the borderlands, thresholds of difference against which early modern 'Venetian-ness' was repeatedly measured and affirmed"--Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Beheading in literature.=| ^A593503;

650 0 a| Beheading in art.?| UNAUTHORIZED;

651 0 a| Venice (Italy)x| Relationsz| Turkey.=| ^A52959;

651 0 a| Venice (Italy)x| Social conditionsy| To 1797.=| ^A494299;

651 0 a| Dalmatia (Croatia)x| Relationsz| Bosnia and Herzegovina.=| ^A289497;

651 0 a| Bosnia and Herzegovinax| Relationsz| Dalmatia (Croatia)=| ^A636764;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=4848166;

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The limits of identity early modern Venice, Dalmatia, and the representation of difference / by Karen-edis Barzman.

Author/creator	Barzman, Karen-edis
Format	Electronic
Publication Info	Leiden ; Boston : Brill, 2017.
Description	xxi, 290 pages : illustrations, maps ; 21 cm
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Group identity--Italy. --Venice. --History. Difference (Philosophy)--Social aspects. --Italy. --Venice. --History. Beheading--Italy. --Venice. --History. --Sources. Beheading in literature. Beheading in art. Venice (Italy)--Relations. --Turkey. Turkey--Relations. --Italy. --Venice. Venice (Italy)--Social conditions. --To 1797. Dalmatia (Croatia)--Relations. --Bosnia and Herzegovina. Bosnia and Herzegovina--Relations. --Dalmatia (Croatia).

Series	Art and material culture in medieval and Renaissance Europe, 2212-4187 ; volume 7
Contents	"A diabolical violence" and "authority above the law" : Ottoman rule in Venetian public discourse -- Justice and iniquity : decapitation's double valence in early modern Venice -- Judith triumphant : severed heads on public monuments and in celebrations of Venetian victory -- Severed heads and bodies in pieces : Venetian reception of Jerusalem liberated -- Provincial subjectivity and the troubling of difference : the Morlacchi in Venetian text and image.
Scope and content	"This book considers the production of collective identity in Venice (Christian, civic-minded, anti-tyrannical), which turned on distinctions drawn in various fields of representation from painting, sculpture, print, and performance to classified correspondence. Dismemberment and decapitation bore a heavy burden in this regard, given as indices of an arbitrary violence ascribed to Venice's long-time adversary, 'the infidel Turk.' The book also addresses the recuperation of violence in Venetian discourse about maintaining civic order and waging crusade. Finally, it examines mobile populations operating in the porous limits between Venetian Dalmatia and Ottoman Bosnia and the distinctions they disrupted between 'Venetian' and 'Turk' until their settlement on state-owned land. This occurred in the eighteenth century with the closing of the borderlands, thresholds of difference against which early modern 'Venetian-ness' was repeatedly measured and affirmed"--Provided by publisher.
Bibliography note	Includes bibliographical references (pages 265-294) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2016055764
ISBN	9789004331501 (hardback : acid-free paper)

The limits of identity early modern Venice, Dalmatia, and the representation of difference / by Karen-edis Barzman.

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