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016 7 a| 0153277952| Uk;

020 a| 9780415420426 (hbk.);

020 a| 0415420423 (hbk.);

020 a| 9780415420433 (pbk.);

020 a| 0415420431 (pbk.);

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082 04 a| 791.43/6532| 22;

100 1 a| Waddell, Terrie.=| ^A699431;

245 10 a| Wild/livesh| [electronic resource] :b| trickster, place and liminality on screen /c| Terrie Waddell.;

246 30 a| Trickster, place and liminality on screen;

260 a| London ;a| New York :b| Routledge,;

300 a| xvii, 186 p, [8] p. of plates :b| ill. (some col.) ;c| 24 cm.;

504 a| Includes bibliographical references (p. [164]-174) and index.;

504 a| Includes filmography: p. 175-180.;

505 0 a| Verging on wildness : liminality and trickster -- From the slime to the scream : pigs, whores and random acts of soiling : Deadwood -- Channelling the "inner warrior" : bear whispering as an extreme sport : Grizzly man -- Waiting for godonlyknows : the island with agency : Lost -- Lost in space : the pull of a sentient planet and its avatars : Solaris -- Drop and give me ten : the game, the shame, the pain : The biggest loser -- Dog day afternoons : furbabies and hellhounds : Amores perros (Love's a bitch) -- Tell me about the rabbits, Carol : fear and misandry in the underworld : Repulsion.;

506 a| Available only to authorized users.;

520 1 a| "Wild/Lives draws on myth, popular culture and analytical psychology to trace the machinations of 'trickster' in contemporary film and television. This archetypal energy traditionally gravitates toward liminal spaces - physical locations and shifting states of mind. By focusing on productions set in remote or isolated spaces, Terrie Waddell explores how key trickster-infused sites of transition reflect the psychological fragility of their willing and unwilling occupants. In differing ways, the selected texts - Deadwood, Grizzly Man, Lost, Solaris, The Biggest Loser, Amores Perros and Repulsion - all play with inner and outer marginality." "As this study demonstrates, the dramatic potential of transition is not always geared toward resolution. Prolonging the anxiety of change is an increasingly popular option. Trickster moves within this wildness and instability to agitate a form of dialogue between conscious and unconscious processes."--Jacket.;

538 a| Mode of access: World Wide Web;

650 0 a| Tricksters in motion pictures.=| ^A1318147;

650 0 a| Liminality in motion pictures.?| UNAUTHORIZED;

650 0 a| Tricksters on television.?| UNAUTHORIZED;

650 0 a| Liminality on television.?| UNAUTHORIZED;

650 7 a| Liminality in motion pictures.2| fast0| (OCoLC)fst01903784;

650 7 a| Liminality on television.2| fast0| (OCoLC)fst01747812;

650 7 a| Tricksters in motion pictures.2| fast0| (OCoLC)fst01904982;

650 7 a| Tricksters on television.2| fast0| (OCoLC)fst01747813;

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650 07 a| Trickster <Motiv>2| swd;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=1639425;

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Wild/lives trickster, place and liminality on screen / Terrie Waddell.

Author/creator	Waddell, Terrie
Format	Electronic
Publication Info	London ; New York : Routledge,
Description	xvii, 186 p, [8] p. of plates : ill. (some col.) ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Tricksters in motion pictures. Liminality in motion pictures. Tricksters on television. Liminality on television.

Portion of title	Trickster, place and liminality on screen
Contents	Verging on wildness : liminality and trickster -- From the slime to the scream : pigs, whores and random acts of soiling : Deadwood -- Channelling the "inner warrior" : bear whispering as an extreme sport : Grizzly man -- Waiting for godonlyknows : the island with agency : Lost -- Lost in space : the pull of a sentient planet and its avatars : Solaris -- Drop and give me ten : the game, the shame, the pain : The biggest loser -- Dog day afternoons : furbabies and hellhounds : Amores perros (Love's a bitch) -- Tell me about the rabbits, Carol : fear and misandry in the underworld : Repulsion.
Review	"Wild/Lives draws on myth, popular culture and analytical psychology to trace the machinations of 'trickster' in contemporary film and television. This archetypal energy traditionally gravitates toward liminal spaces - physical locations and shifting states of mind. By focusing on productions set in remote or isolated spaces, Terrie Waddell explores how key trickster-infused sites of transition reflect the psychological fragility of their willing and unwilling occupants. In differing ways, the selected texts - Deadwood, Grizzly Man, Lost, Solaris, The Biggest Loser, Amores Perros and Repulsion - all play with inner and outer marginality." "As this study demonstrates, the dramatic potential of transition is not always geared toward resolution. Prolonging the anxiety of change is an increasingly popular option. Trickster moves within this wildness and instability to agitate a form of dialogue between conscious and unconscious processes."--Jacket.
Bibliography note	Includes bibliographical references (p. [164]-174) and index.
Bibliography note	Includes filmography: p. 175-180.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2009012479
ISBN	9780415420426 (hbk.)
ISBN	0415420423 (hbk.)
ISBN	9780415420433 (pbk.)
ISBN	0415420431 (pbk.)

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Wild/lives trickster, place and liminality on screen / Terrie Waddell.

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