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010 a| 2020044602;

020 a| 9780190645625q| (hardback);

020 a| 9780190645632q| (paperback);

020 z| 9780190645656q| (epub);

035 a| (WaSeSS)ssj0002453244;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| ML410.D99b| S53 2021;

082 00 a| 784.2/1842| 23;

100 1 a| Shadle, Douglas W.=| ^A1420544;

245 10 a| Antonín Dvořák's New World symphonyh| [electronic resource] /c| Douglas W. Shadle.;

260 a| New York :b| Oxford University Press,c| 2021.;

300 a| xix, 182 pages :b| illustrations ;c| 21 cm.;

490 0 a| Oxford keynotes series;

504 a| Includes bibliographical references and index.;

505 0 a| Prologue. The Big Problem -- The Welcome Arrival -- The Symphonic Premiere -- The Aesthetic Conflict -- The National Question -- The Brewing Storm -- The Fiery Debate -- The Racial Challenge -- The Spiritual Aftermath -- Epilogue. The New World -- Appendix. The Musical Tornado.;

506 a| Available only to authorized users.;

520 a| "Antonín Dvořák's New World Symphony exposed the deep wounds of American racism at the dawn of the Jim Crow era while serving as a flashpoint in broader debates about the national ideals of freedom and equality. Following several strands of musical thought during the second half of the nineteenth century, this richly textured account of the symphony's 1893 premiere shows that even the classical concert hall could not remain insulated from the country's fraught racial politics. Philanthropist and entrepreneur Jeannette Thurber (1850-1946) founded the National Conservatory of Music in 1885 to provide a world-class but low-cost professional music education to students from across the United States. Though it progressed with fits and starts, the conservatory eventually earned a congressional charter in 1891, giving it a unique stature compared to national rivals. A year later, Thurber hired Antonín Dvořák, the famous Bohemian composer, to be its executive musical director-easily the highest-profile individual to hold the position"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

600 10 a| Dvořák, Antonín,d| 1841-1904.t| Symphonies,n| no. 9, op. 95,r| E minor.=| ^A508615;

600 10 a| Dvořák, Antonín,d| 1841-1904x| Criticism and interpretation.=| ^A31527;

610 20 a| National Conservatory of Music of America (U.S.)=| ^A1420839;

655 0 a| Electronic books.=| ^A491897;

710 2 a| Oxford University Press.=| ^A636469;

856 40 z| Full text available from Oxford Scholarship Onlineu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Facademic.oup.com%2Fbook%2F39534;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5671471-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 9/16/2021x| EBOOKz| JERESOURCE;

Antonín Dvořák's New World symphony / Douglas W. Shadle.

Author/creator	Shadle, Douglas W.
Other author	Oxford University Press.
Format	Electronic
Publication Info	New York : Oxford University Press, 2021.
Description	xix, 182 pages : illustrations ; 21 cm.
Supplemental Content	Full text available from Oxford Scholarship Online
Subjects	Dvořák, Antonín, 1841-1904. Symphonies, no. 9, op. 95, E minor. Dvořák, Antonín, 1841-1904--Criticism and interpretation. National Conservatory of Music of America (U.S.) Music and race--United States. --History. --19th century.

Series	Oxford keynotes series
Contents	Prologue. The Big Problem -- The Welcome Arrival -- The Symphonic Premiere -- The Aesthetic Conflict -- The National Question -- The Brewing Storm -- The Fiery Debate -- The Racial Challenge -- The Spiritual Aftermath -- Epilogue. The New World -- Appendix. The Musical Tornado.
Abstract	"Antonín Dvořák's New World Symphony exposed the deep wounds of American racism at the dawn of the Jim Crow era while serving as a flashpoint in broader debates about the national ideals of freedom and equality. Following several strands of musical thought during the second half of the nineteenth century, this richly textured account of the symphony's 1893 premiere shows that even the classical concert hall could not remain insulated from the country's fraught racial politics. Philanthropist and entrepreneur Jeannette Thurber (1850-1946) founded the National Conservatory of Music in 1885 to provide a world-class but low-cost professional music education to students from across the United States. Though it progressed with fits and starts, the conservatory eventually earned a congressional charter in 1891, giving it a unique stature compared to national rivals. A year later, Thurber hired Antonín Dvořák, the famous Bohemian composer, to be its executive musical director-easily the highest-profile individual to hold the position"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2020044602
ISBN	9780190645625 (hardback)
ISBN	9780190645632 (paperback)
ISBN	(epub)

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Antonín Dvořák's New World symphony / Douglas W. Shadle.

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