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010 a| 2005032857;

015 a| GBA6189192| bnb;

016 7 a| 0133914802| Uk;

020 a| 9780415354349 (hbk.);

020 a| 041535434X (hbk.);

020 a| 9780415354356 (pbk.);

020 a| 0415354358 (pbk.);

020 z| 9780203001004 (ebk.);

020 z| 0203001001 (ebk.);

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050 00 a| PN2638.C74b| E94 2006;

082 00 a| 792.02/330922| 23;

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100 1 a| Evans, Mark,d| 1957-=| ^A794554;

245 10 a| Jacques Copeauh| [electronic resource] /c| Mark Evans.;

260 a| London ;a| New York :b| Routledge,c| 2006.;

300 a| xii, 173 pages :b| illustrations ;c| 21 cm.;

490 1 a| Routledge performance practitioners;

504 a| Includes bibliographical references (pages 161-168) and index.;

505 0 a| List of figures -- Acknowledgements -- 1. THE LIFE OF JACQUES COPEAU -- The formative years -- The Théâtre du Vieux-Colombier (1913-1917) -- Copeau and Craig -- Copeau, Jaques-Dalcroze and Appia -- The Vieux-Colombier in New York (1971-1919) -- The Company returns and the School re-opens (1919-1924) -- The Vieux-Colombier School (1920-1924) -- Copeau and Stanislavsky -- The retreat to Burgundy-Les Copiaus (1924-1929) -- Popular Theatre, The Comédie-Française, and sacred drama (1929-1949) -- Le Patron -- 2. COPEAU'S KEY WRITINGS AND IDEAS -- The Rejuvenation of the Theatre -- Art and collaboration -- A modern renaissance: Molière and Copeau -- 'A single act': Theatre as a collaborative activity -- All for one, and one for all: The Chorus -- Design: A minimum of means -- The director and the text -- The education of the creative actor -- 'The original crucible': Training and the child -- Training the natural actor -- Beginning with the 'natural body' -- The physically expressive actor -- Games: Rediscovering play -- Animal study -- Silent improvisations and mimed activities -- The actor and the mask -- The neutral or noble mask -- Popular forms of Theatre: Ancient, modern and sacred -- What is popular theatre? -- Models for a new popular theatre -- Commedia dell'Arte -- Mystery plays and open-air spectacles -- Popular theatre: Policy and decentralisation -- 3. COPEAU'S IDEAS IN PRODUCTION: LES FOURBERIES DE SCAPIN -- Les Fourberies de Scapin (The Tricks of Scapin) by Molière -- The play: A synopsis of the plot -- Why did Copeau choose this play? -- Staging -- The stage space -- Lighting -- The actors -- Rehearsing and acting: The actor's approach to Les Fourberies de Scapin -- Playing with objects -- Playing stock characters -- Playing the rhythm -- Playing the space -- A different kind of realism -- Symbolism and Scapin -- Framing the event -- Critical reaction -- Where next: A new Commedia? -- 4. ACROBATS OF THE SOUL: PRACTICAL EXERCISES FOR THE ACTOR -- Educating the actor: The context -- Before beginning -- Physical preparation -- Improvisation -- Mask-work -- The Chorus -- The journey's end -- 5. COPEAU'S LEGACY -- Bibliography -- Index.;

506 a| Available only to authorized users.;

520 1 a| "A leading figure in the development of twentieth century theatre practice, Jacques Copeau pioneered work on actor-training, physical theatre and ensemble acting, and was a key innovator in the movement to de-centralize theatre and culture to the regions."--Jacket.;

538 a| Mode of access: World Wide Web;

600 10 a| Copeau, Jacques,d| 1879-1949x| Criticism and interpretation.=| ^A200814;

600 17 a| Copeau, Jacques.2| swd?| UNAUTHORIZED;

650 17 a| Toneelregisseurs.2| gtt;

651 7 a| Frankrijk.2| gtt?| UNAUTHORIZED;

655 0 a| Electronic books.=| ^A491897;

830 0 a| Routledge performance practitioners.=| ^A565915;

856 40 z| Full text available from eBooks on EBSCOhostu| https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=168286&scope=site&custid=s5822723&authtype=ip,shib;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5694044-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 9/18/2021x| EBOOKz| JERESOURCE;

Jacques Copeau / Mark Evans.

Author/creator	Evans, Mark, 1957-
Format	Electronic
Publication Info	London ; New York : Routledge, 2006.
Description	xii, 173 pages : illustrations ; 21 cm.
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Copeau, Jacques, 1879-1949--Criticism and interpretation.

Series	Routledge performance practitioners Routledge performance practitioners. ^A565915
Contents	List of figures -- Acknowledgements -- 1. THE LIFE OF JACQUES COPEAU -- The formative years -- The Théâtre du Vieux-Colombier (1913-1917) -- Copeau and Craig -- Copeau, Jaques-Dalcroze and Appia -- The Vieux-Colombier in New York (1971-1919) -- The Company returns and the School re-opens (1919-1924) -- The Vieux-Colombier School (1920-1924) -- Copeau and Stanislavsky -- The retreat to Burgundy-Les Copiaus (1924-1929) -- Popular Theatre, The Comédie-Française, and sacred drama (1929-1949) -- Le Patron -- 2. COPEAU'S KEY WRITINGS AND IDEAS -- The Rejuvenation of the Theatre -- Art and collaboration -- A modern renaissance: Molière and Copeau -- 'A single act': Theatre as a collaborative activity -- All for one, and one for all: The Chorus -- Design: A minimum of means -- The director and the text -- The education of the creative actor -- 'The original crucible': Training and the child -- Training the natural actor -- Beginning with the 'natural body' -- The physically expressive actor -- Games: Rediscovering play -- Animal study -- Silent improvisations and mimed activities -- The actor and the mask -- The neutral or noble mask -- Popular forms of Theatre: Ancient, modern and sacred -- What is popular theatre? -- Models for a new popular theatre -- Commedia dell'Arte -- Mystery plays and open-air spectacles -- Popular theatre: Policy and decentralisation -- 3. COPEAU'S IDEAS IN PRODUCTION: LES FOURBERIES DE SCAPIN -- Les Fourberies de Scapin (The Tricks of Scapin) by Molière -- The play: A synopsis of the plot -- Why did Copeau choose this play? -- Staging -- The stage space -- Lighting -- The actors -- Rehearsing and acting: The actor's approach to Les Fourberies de Scapin -- Playing with objects -- Playing stock characters -- Playing the rhythm -- Playing the space -- A different kind of realism -- Symbolism and Scapin -- Framing the event -- Critical reaction -- Where next: A new Commedia? -- 4. ACROBATS OF THE SOUL: PRACTICAL EXERCISES FOR THE ACTOR -- Educating the actor: The context -- Before beginning -- Physical preparation -- Improvisation -- Mask-work -- The Chorus -- The journey's end -- 5. COPEAU'S LEGACY -- Bibliography -- Index.
Review	"A leading figure in the development of twentieth century theatre practice, Jacques Copeau pioneered work on actor-training, physical theatre and ensemble acting, and was a key innovator in the movement to de-centralize theatre and culture to the regions."--Jacket.
Bibliography note	Includes bibliographical references (pages 161-168) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2005032857
ISBN	9780415354349 (hbk.)
ISBN	041535434X (hbk.)
ISBN	9780415354356 (pbk.)
ISBN	0415354358 (pbk.)

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Jacques Copeau / Mark Evans.

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