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245 00 a| Singing in signsh| [electronic resource] :b| new semiotic explorations of opera /c| edited by Gregory J. Decker and Matthew R. Shaftel.;

260 a| New York, NY :b| Oxford University Press,c| [2020];

300 a| xxiii, 369 pages :b| illustrations, music ;c| 25 cm;

504 a| Includes bibliographical references and index.;

505 00 t| Introduction /r| Gregory J. Decker & Matthew R. Shaftel --t| Part I: Musical constructions and interpretation.t| Twelve-tone serial techniques in Dallapiccola's Il prigioniero as a reaction to fascist ideology /r| Jamuna Samuel ;t| Science, spirit, sound, and sign : Anthroposophy and Viktor Ullmann's Der Sturz des Antichrist /r| Rachel Bergman ;t| Motives and motivations : Linkage technique in Britten's operas and other vocal works /r| Michael Baker ;t| Sowing the seeds of loss : Permanent interruption in Verdi's Otello /r| Edward Latham --t| Part II: Cultural and conventional signs.t| Dance music and signification in Handel's opera seria /r| Gregory J. Decker ;t| The romanesca as a spiritual sign in the operas of Haydn, Mozart, and Beethoven /r| Olga Sánchez-Kisielewska ;t| Verdi's dramatic use of tonality, topics, and recurring themes : Two analyses /r| David Easley --t| Part III: (Dis)Continuity and narrative.t| Unity and discontinuity in the Act 2 Finale of Le nozze di Figaro /r| Matthew R. Shaftel ;t| Stormy weather : Issues of form, deformation, and continuity in operatic storm scenes /r| Deborah Burton ;t| Song and sign : Poetic-musical strategies in Wagner and Strauss /r| Arnold Whittall ;t| Postmodern Opera 101: Irony, nostalgia, and bifurcated narratives /r| Juan Chattah ;t| John Adams's The death of Klinghoffer : Straddling the fence between myth and realism /r| Yayoi Uno Everett.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Opera.=| ^A19937;

650 0 a| Semiotics.=| ^A7664;

650 7 a| Opera.2| fast0| (OCoLC)fst01046145;

650 7 a| Semiotics.2| fast0| (OCoLC)fst01112351;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Decker, Gregory J.q| (Gregory John)?| UNAUTHORIZED;

700 1 a| Shaftel, Matthew R.=| ^A595429;

710 2 a| Oxford University Press.=| ^A636469;

856 40 z| Full text available from Oxford Scholarship Onlineu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Facademic.oup.com%2Fbook%2F36539;

947 a| (OCoLC)on1119759587;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5711173-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 9/20/2021x| EBOOKz| JERESOURCE;

Singing in signs new semiotic explorations of opera / edited by Gregory J. Decker and Matthew R. Shaftel.

Other author	Decker, Gregory J. (Gregory John)
Other author	Shaftel, Matthew R.
Other author	Oxford University Press.
Format	Electronic
Publication Info	New York, NY : Oxford University Press, [2020]
Description	xxiii, 369 pages : illustrations, music ; 25 cm
Supplemental Content	Full text available from Oxford Scholarship Online
Subjects	Opera. Semiotics.

Contents	Introduction / Gregory J. Decker & Matthew R. Shaftel -- Part I: Musical constructions and interpretation. Twelve-tone serial techniques in Dallapiccola's Il prigioniero as a reaction to fascist ideology / Jamuna Samuel ; Science, spirit, sound, and sign : Anthroposophy and Viktor Ullmann's Der Sturz des Antichrist / Rachel Bergman ; Motives and motivations : Linkage technique in Britten's operas and other vocal works / Michael Baker ; Sowing the seeds of loss : Permanent interruption in Verdi's Otello / Edward Latham -- Part II: Cultural and conventional signs. Dance music and signification in Handel's opera seria / Gregory J. Decker ; The romanesca as a spiritual sign in the operas of Haydn, Mozart, and Beethoven / Olga Sánchez-Kisielewska ; Verdi's dramatic use of tonality, topics, and recurring themes : Two analyses / David Easley -- Part III: (Dis)Continuity and narrative. Unity and discontinuity in the Act 2 Finale of Le nozze di Figaro / Matthew R. Shaftel ; Stormy weather : Issues of form, deformation, and continuity in operatic storm scenes / Deborah Burton ; Song and sign : Poetic-musical strategies in Wagner and Strauss / Arnold Whittall ; Postmodern Opera 101: Irony, nostalgia, and bifurcated narratives / Juan Chattah ; John Adams's The death of Klinghoffer : Straddling the fence between myth and realism / Yayoi Uno Everett.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2019920069
ISBN	0190620625
ISBN	9780190620622

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Singing in signs new semiotic explorations of opera / edited by Gregory J. Decker and Matthew R. Shaftel.

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