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010 a| 2005028147;

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016 7 a| 0133751952| Uk;

016 7 a| 0133751972| Uk;

020 a| 0415371562 (hbk. : alk. paper);

020 a| 9780415371568 (hbk. : alk. paper);

020 a| 041537247X (pbk. : alk. paper);

020 a| 9780415372473 (pbk. : alk. paper);

020 a| 0203969502 (ebk.);

020 a| 9780203969502 (ebk.);

020 a| 9780415371568 (hbk. : alk. paper);

020 a| 9780415372473 (pbk. : alk. paper);

020 a| 9780203969502 (ebk.);

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050 00 a| GV1588.6b| .C55 2006;

082 00 a| 792.82| 22;

084 a| 24.162| bcl;

100 1 a| Claid, Emilyn.=| ^A887142;

245 10 a| Yes? no! maybe--h| [electronic resource] :b| seductive ambiguity in dance /c| Emilyn Claid.;

260 a| London ;a| New York :b| Routledge,;

300 a| x, 245 p. :b| ill. ;c| 22 cm.;

504 a| Includes bibliographical references (p. [215]-232) and index.;

506 a| Available only to authorized users.;

520 a| Covering 50 years of British dance from Margot Fonteyn to modern innovators such as Wendy Houston and Nigel Charnock, this work covers shifts in performance-spectator relationships and investigates questions such as subjectivity, gender and race from a variety of theoretical perspectives.;

538 a| Mode of access: World Wide Web;

600 10 a| Claid, Emilyn.=| ^A887142;

650 0 a| Dancex| Social aspects.=| ^A376119;

650 0 a| Dancex| Philosophy.=| ^A363910;

650 0 a| Seductionx| Psychological aspects.=| ^A458342;

650 0 a| Audiences.=| ^A155947;

650 0 a| Gender identity in dance.=| ^A697806;

650 0 a| Dancez| Great Britainx| History.=| ^A362083;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from eBooks on EBSCOhostu| https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=171197&scope=site&custid=s5822723&authtype=ip,shib;

947 a| (OCoLC)ocm61864151;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 5719599;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5719599-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 9/22/2021x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5719599-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 9/22/2021x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5719599-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 9/22/2021x| EBOOKz| JERESOURCE;

Yes? no! maybe-- seductive ambiguity in dance / Emilyn Claid.

Author/creator	Claid, Emilyn
Format	Electronic
Publication Info	London ; New York : Routledge,
Description	x, 245 p. : ill. ; 22 cm.
Supplemental Content	Full text available from eBooks on EBSCOhost
Subjects	Claid, Emilyn. Dance--Social aspects. Dance--Philosophy. Seduction--Psychological aspects. Audiences. Gender identity in dance. Dance--Great Britain. --History.

Abstract	Covering 50 years of British dance from Margot Fonteyn to modern innovators such as Wendy Houston and Nigel Charnock, this work covers shifts in performance-spectator relationships and investigates questions such as subjectivity, gender and race from a variety of theoretical perspectives.
Bibliography note	Includes bibliographical references (p. [215]-232) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2005028147
ISBN	0415371562 (hbk. : alk. paper)
ISBN	9780415371568 (hbk. : alk. paper)
ISBN	041537247X (pbk. : alk. paper)
ISBN	9780415372473 (pbk. : alk. paper)
ISBN	0203969502 (ebk.)
ISBN	9780203969502 (ebk.)
ISBN	9780415371568 (hbk. : alk. paper)
ISBN	9780415372473 (pbk. : alk. paper)
ISBN	9780203969502 (ebk.)

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Yes? no! maybe-- seductive ambiguity in dance / Emilyn Claid.

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