/LC.GIF&client=easterncarolinaedu)
Immanence and immersion on the acoustic condition in contemporary art / Will Schrimshaw.
| Author/creator | Schrimshaw, Will |
| Format | Electronic |
| Publication Info | New York : Bloomsbury Academic, 2017. |
| Description | pages cm |
| Supplemental Content | Full text available from Ebook Central - Academic Complete |
| Subjects |
| Contents | Machine generated contents note: -- 1. Introduction 1.1. Acoustic space -- 1.2. The audiovisual litany -- 1.3. Immersion is the new orthodoxy -- 1.4. The confusion of immanence and immersion 2. Immersive Phenomenology 2.1. The lived and the embodied: phenomenological conditions of the immersive -- 2.2. Husserl: phenomenological (sound) objects -- 2.3. Merleau-Ponty: immersion and embodiment -- 2.4. Henry: phenomenology and affective immanence 3. Immanent Thought 3.1. Kant: the immanence of critique -- 3.2. Hegel: absolute immanence -- 3.3. Deleuze: transcendental empiricism and the space of immanence -- 3.4. Badiou: immanence and the infinite 4. Writing out Sound 4.1. Recording technology, writing and exteriority -- 4.2. Realising Derrida -- 4.3. Badiou: the dis-qualification of writing -- 4.4. Digitisation and Infinite Exchange 5. Sound, Concept and Idea 6. Conclusion: Immanence contra Immersion -- 7. Bibliography -- Index. |
| Abstract | "A critique of immersive aesthetics in the arts, with particular emphasis placed upon sound and new media art"-- Provided by publisher. |
| Bibliography note | Includes bibliographical references and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2017013554 |
| ISBN | 9781501315855 (hardback) |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Electronic Resources | Access Content Online | ✔ Available |