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010 a| 2016010652;

020 a| 9781442271678 (hardcover : alk. paper);

020 z| 9781442271685 (electronic);

035 a| (WaSeSS)ssj0001717043;

042 a| pcc;

043 a| n-us---;

049 a| EREEa| NEHH;

050 00 a| PN1998.3.K39b| B75 2017;

082 00 a| 791.4302/330922| 23;

100 1 a| Briley, Ron,d| 1949-=| ^A540089;

245 14 a| The ambivalent legacy of Elia Kazanh| [electronic resource] :b| the politics of the post-HUAC films /c| Ron Briley.;

260 a| Lanham :b| Rowman & Littlefield,c| [2017];

300 a| xxxiv, 239 pages ;c| 24 cm;

490 0 a| Film and history;

504 a| Includes bibliographical references (pages 221-227) and index.;

505 0 a| Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976).;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

600 10 a| Kazan, Eliax| Criticism and interpretation.=| ^A60657;

650 0 a| Motion picture producers and directorsx| Political activityz| United States.=| ^A67780;

650 0 a| Communism and motion picturesz| United States.=| ^A259696;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=4675538;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 5805459;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5805459-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 4/15/2022x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5805459-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 4/15/2022x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5805459-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 4/15/2022x| EBOOKz| JERESOURCE;

The ambivalent legacy of Elia Kazan the politics of the post-HUAC films / Ron Briley.

Author/creator	Briley, Ron, 1949-
Format	Electronic
Publication Info	Lanham : Rowman & Littlefield, [2017]
Description	xxxiv, 239 pages ; 24 cm
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Kazan, Elia--Criticism and interpretation. Motion picture producers and directors--Political activity. --United States. Motion pictures--Political aspects. --United States. --History. --20th century. Communism and motion pictures--United States.

Series	Film and history
Contents	Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976).
Bibliography note	Includes bibliographical references (pages 221-227) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2016010652
ISBN	9781442271678 (hardcover : alk. paper)

The ambivalent legacy of Elia Kazan the politics of the post-HUAC films / Ron Briley.

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