Chopin studies 2 / edited by John Rink and Jim Samson.

Other author Rink, John (John Scott), editor.
Other author Samson, Jim, editor.
Format Book
Publication InfoCambridge ; New York : Cambridge University Press, ©1994.
Descriptionx, 253 pages : music ; 24 cm
Subjects

Variant title Chopin studies two
Series[Cambridge composer studies]
Cambridge composer studies. ^A1287952
Contents Chopin reception: theory, history, analysis / Jim Samson -- Chopin as 'salon composer' in nineteenth-century German criticism / Andreas Ballstaedt -- Chopin as modernist in nineteenth-century Russia / Anne Swartz -- Small fairy voices: sex, history and meaning in Chopin / Jeffrey Kallberg -- Chopin's ballade op. 23 and the revolution of the intellectuals / Karol Berger -- The Polonaise-fantasy and issues of musical narrative / Anthony Newcomb -- Placing Chopin: reflections on a compositional aesthetic / Jean-Jacques Eigeldinger -- Ambiguity and reinterpretation in Chopin / Edward T. Cone -- The prelude in E minor op. 28 no. 4: autograph sources and interpretation / Carl Schachter -- Performing the F# minor prelude op. 28 no. 8 / L. Henry Shaffer -- Chopin's tempo rubato in context / David Rowland -- Authentic Chopin: history, analysis and intuition in performance / John Rink -- Appendix. Encounters with Chopin: Fanny Erskine's Paris diary, 1847-8 / Jeremy Barlow.
Abstract Following the success of its predecessor, this second volume of essays contains the most recent Chopin research of twelve leading scholars. Three main themes are addressed: reception history, aesthetics and criticism, and performance studies. The essays explore Chopin as classical composer, as salon composer, as modernist, as "otherworldly," as androgyne, and define aspects of his musical language, including narrative structures, progressive tendencies and functional ambiguity.
Bibliography noteIncludes bibliographical references and index.
ISBN0521416477

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Music Item has been checked out ML410.C54 C48 1994 Due 08/21/2026 Want This?