Concert music, rock, and jazz since 1945 : essays and analytical studies / edited by Elizabeth West Marvin and Richard Hermann.

Other author Marvin, Elizabeth West, 1955- editor.
Other author Hermann, Richard, 1950- editor.
Format Book
Publication InfoRochester, NY : University of Rochester, 1995.
Descriptionx, 449 pages : illustrations, music ; 24 cm.
Supplemental ContentFull text available from eBooks on EBSCOhost
Subjects

SeriesEastman studies in music ; 2
Eastman studies in music ; v. 2. ^A494093
Contents Introduction / Elizabeth West Marvin, Richard Hermann -- Part I: Compositional poietics. Beyond unity: toward an understanding of musical postmodernism / Jonathan D. Kramer -- The art-science of music after two millennia / Robert Cogan -- Aspects of confluence between western art music and ethnomusicology / Robert D. Morris -- Part II: Some structuralist approaches. Twelve-tone composition and the music of Elliott Carter / Andrew Mead -- An analysis of polyrhythm in selected improvised jazz solos / Cynthia Folio -- A generalization of contour theory to diverse musical spaces: analytical applications to the music of Dallapiccola and Stockhausen / Elizabeth West Marvin -- The Beatles as composers: the genesis of Abbey Road, side two / Walter Everett -- Structural factors in the microcanonic compositions of Gyorgy Ligeti / Jane Piper Clendinning -- Part III: Insights from other disciplines. Theory, analysis, and the "problem" of minimal music / Jonathan W. Bernard -- The question of climax in Ruth Crawford's String Quartet, Mvt. 3 / Ellie M. Hisama -- Does the song remain the same? Questions of authorship and identification in the music of Led Zeppelin / Dave Headlam -- Theories of chordal shape, aspects of linguistics, and their roles in structuring Berio's Sequenza IV for Piano / Richard Hermann -- Stylistic competencies, musical satire, and "This is Spinal Tap" / John Covach -- Music theory and the postmodern muse: an afterword / Nicholas Cook.
Abstract Modern musical-analytical techniques are applied to a wide range of Western music, disregarding barriers between different kinds of music. Topics discussed fall into three sections: compositional poietics (poietics being the pre-compositional activities of composer theorists); structuralist approaches, extending musical-theoretical research to new repertoires; and musical-analysis employing techniques from other disciplines. The essays in this volume present current research into a wide range of Western music, disregarding barriers between different kinds of music, and drawing on modern musical-analytical techniques to draw together the varied subjects they explore.
Bibliography noteIncludes bibliographical references and index.
LCCN 94030277
ISBN187882242X