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010 a| 95010440;

020 a| 002872495X (hard);

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035 a| (OCoLC)32241478;

049 a| EREMa| NPEE;

050 00 a| ML410.B26b| S83 1995;

082 00 a| 784.2/1862| 20;

092 a| 784.2186b| B28s;

100 1 a| Suchoff, Benjamin.=| ^A27165;

245 10 a| Bartók, Concerto for orchestra :b| understanding Bartók's world /c| Benjamin Suchoff.;

300 a| xi, 266 pages :b| music ;c| 25 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Monuments of western music;

504 a| Includes bibliographical references (pages 225-256) and index.;

520 a| Bela Bartok is the most recorded of all modern composers, and yet his music is not "easy" to listen to: it is full of fragmentary motifs, complicated rhythms, and exotic harmonies, and permeated by the spirit of the Eastern European peasant music Bartok studied as an ethnomusicologist. In providing a thorough historical survey of the musical language and sources of the Concerto for Orchestra, this book also serves as an introduction to Bartok and his musical world, briefly discussing the composer's entire oeuvre and its influence on modern music.;

600 10 a| Bartók, Béla,d| 1881-1945x| Criticism and interpretation.=| ^A27166;

600 10 a| Bartók, Béla,d| 1881-1945.t| Concertos,m| orchestra.=| ^A502481;

600 10 a| Bartók, Béla,d| 1881-1945x| Influence.=| ^A27166;

830 0 a| Monuments of western music.=| ^A363346;

590 a| Little-310537--305131013627W;

596 a| 2 3;

998 a| 592293;

999 a| ML410.B26 S83 1995w| LCc| 1i| 30372009387124d| 5/4/2023e| 3/13/2023f| 2/28/2024g| 7l| MSTm| JMUSICn| 30q| 6r| Ys| Yt| MGESBKu| 4/16/1996x| BOOKz| MCIRCo| .STAFF. enhanced 5/13/21 -jmusictech;

Bartók, Concerto for orchestra : understanding Bartók's world / Benjamin Suchoff.

Author/creator	Suchoff, Benjamin
Format	Book
Publication Info	New York : Schirmer Books ; London : Prentice Hall International, 1995.
Description	xi, 266 pages : music ; 25 cm.
Subjects	Bartók, Béla, 1881-1945--Criticism and interpretation. Bartók, Béla, 1881-1945. Concertos, orchestra. Bartók, Béla, 1881-1945--Influence.

Series	Monuments of western music Monuments of western music. ^A363346
Contents	Part I. Bartok's musical language. Childhood and youth: 1881-1899 -- Summary of Hungarian musical dialect: 1900-1905 -- Fusion of national musical styles: 1906-1925. Discovery of the Romanian folkloric mother lode ; The turn toward musicological ethnography ; Approaching musical synthesis: Duke Bluebeard's Castle, op. 11 -- Synthesis of east and west: 1925-1945. Mikrokosmos: an introduction to Bartok's system of composition ; Bartok in America -- Part 2. Concerto for orchestra. First movement (Introduzione - allegro vivace) -- Second movement (presentando le coppie) -- Third movement (Elegia) -- Fourth movement (Intermezzo interrotto) -- Fifth movement (Finale) -- Part III. Bartok's legacy. The influence of Bartok's music on latter-day composition. Alberto Ginastera (1916-1983) ; Benjamin Britten (1913-1976) ; Gyorgy Ligeti (1923-) ; Witold Lutoslawski (1913-1994) ; Olivier Messiaen (1903-1992) ; Bela Bartok's stylistic development: an overview.
Abstract	Bela Bartok is the most recorded of all modern composers, and yet his music is not "easy" to listen to: it is full of fragmentary motifs, complicated rhythms, and exotic harmonies, and permeated by the spirit of the Eastern European peasant music Bartok studied as an ethnomusicologist. In providing a thorough historical survey of the musical language and sources of the Concerto for Orchestra, this book also serves as an introduction to Bartok and his musical world, briefly discussing the composer's entire oeuvre and its influence on modern music.
Local note	Little-310537--305131013627W
Bibliography note	Includes bibliographical references (pages 225-256) and index.
LCCN	95010440
ISBN	002872495X (hard)

Bartók, Concerto for orchestra : understanding Bartók's world / Benjamin Suchoff.

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