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010 a| 2020017499;

020 a| 9789004382664q| (hardback);

020 z| 9789004431942q| (ebook);

035 a| (WaSeSS)ssj0002486760;

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050 00 a| N6953.R4b| G647 2020;

082 00 a| 759.94922| 23;

100 1 a| Golahny, Amy.=| ^A373806;

245 10 a| Rembrandth| [electronic resource] :b| studies in his varied approaches to Italian art /c| by Amy Golahny.;

260 a| Leiden ;a| Boston :b| Brill,c| [2020];

300 a| xxx, 258 pages :b| illustrations (some color) ;c| 25 cm.;

490 0 a| Brill's studies in intellectual history,x| 0920-8607 ;v| volume 317;

490 0 a| Brill's studies on art, art history, and intellectual history ;v| volume 38;

504 a| Includes bibliographical references (pages 227-250) and index.;

505 0 a| Prologue: setting the stage -- Attitudes: critical, admiring, and curious toward Rembrandt -- Rembrandt's collection and how he used it: the canonical and the unusual -- Pragmatic solutions -- Appropriating for commentary: rembrandt's critique of Titian, Raphael, and Leonardo -- Appropriation and deviation: responding for alternatives -- Rembrandt perceived by the Italians: castiglione, the ruffo collection, and la maniera gagliarda.;

506 a| Available only to authorized users.;

520 a| "Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists' attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt's art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

600 00 a| Rembrandt Harmenszoon van Rijn,d| 1606-1669x| Criticism and interpretation.=| ^A14434;

600 00 a| Rembrandt Harmenszoon van Rijn,d| 1606-1669x| Appreciationz| Italy.=| ^A14434;

650 0 a| Art, Dutchx| Italian influences.=| ^A85115;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=6853680;

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Rembrandt studies in his varied approaches to Italian art / by Amy Golahny.

Author/creator	Golahny, Amy
Format	Electronic
Publication Info	Leiden ; Boston : Brill, [2020]
Description	xxx, 258 pages : illustrations (some color) ; 25 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Rembrandt Harmenszoon van Rijn, 1606-1669--Criticism and interpretation. Rembrandt Harmenszoon van Rijn, 1606-1669--Appreciation. --Italy. Art, Dutch--Italian influences.

Series	Brill's studies in intellectual history, 0920-8607 ; volume 317 Brill's studies on art, art history, and intellectual history ; volume 38
Contents	Prologue: setting the stage -- Attitudes: critical, admiring, and curious toward Rembrandt -- Rembrandt's collection and how he used it: the canonical and the unusual -- Pragmatic solutions -- Appropriating for commentary: rembrandt's critique of Titian, Raphael, and Leonardo -- Appropriation and deviation: responding for alternatives -- Rembrandt perceived by the Italians: castiglione, the ruffo collection, and la maniera gagliarda.
Abstract	"Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists' attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt's art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists"-- Provided by publisher.
Bibliography note	Includes bibliographical references (pages 227-250) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2020017499
ISBN	9789004382664 (hardback)
ISBN	(ebook)

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Rembrandt studies in his varied approaches to Italian art / by Amy Golahny.

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