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010 a| 2020007172;

020 a| 9780813599274q| (hardcover ;q| alk. paper);

020 a| 9780813599267q| (softcover ;q| alk. paper);

020 z| 9780813599281q| (epub);

020 z| 9780813599298q| (mobi);

020 z| 9780813599304q| (pdf);

035 a| (WaSeSS)ssj0002477834;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| PN1995.9.S6964b| B37 2021;

082 00 a| 070.1/952| 23;

100 1 a| Baron, Jaimie.=| ^A1420500;

245 10 a| Reuse, misuse, abuseh| [electronic resource] :b| the ethics of audiovisual appropriation in the digital era /c| Jaimie Baron.;

260 a| New Brunswick :b| Rutgers University Press,c| [2021];

300 a| vii, 219 pages :b| illustrations ;c| 24 cm;

504 a| Includes bibliographical references (pages 195-202) and index.;

504 a| Includes filmography.;

505 0 a| (Re)exposing Intimate Traces -- Speaking through Others -- Dislocating the Hegemonic Gaze -- Reframing the Perpetrator's Gaze -- Abusing Images.;

506 a| Available only to authorized users.;

520 a| "In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Stock footage.?| UNAUTHORIZED;

650 0 a| Documentary filmsx| Moral and ethical aspects.=| ^A290728;

650 0 a| Video recordingsx| Moral and ethical aspects.=| ^A141251;

650 0 a| Actualities (Motion pictures)=| ^A827358;

650 0 a| Gaze in motion pictures.=| ^A757375;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=6370469;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5926855-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 10/14/2022x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5926855-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 10/14/2022x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 5926855-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 10/14/2022x| EBOOKz| JERESOURCE;

Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era / Jaimie Baron.

Author/creator	Baron, Jaimie
Format	Electronic
Publication Info	New Brunswick : Rutgers University Press, [2021]
Description	vii, 219 pages : illustrations ; 24 cm
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Stock footage. Documentary films--Moral and ethical aspects. Video recordings--Moral and ethical aspects. Actualities (Motion pictures) Gaze in motion pictures.

Contents	(Re)exposing Intimate Traces -- Speaking through Others -- Dislocating the Hegemonic Gaze -- Reframing the Perpetrator's Gaze -- Abusing Images.
Abstract	"In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications"-- Provided by publisher.
Bibliography note	Includes bibliographical references (pages 195-202) and index.
Bibliography note	Includes filmography.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2020007172
ISBN	9780813599274 (hardcover ; alk. paper)
ISBN	9780813599267 (softcover ; alk. paper)
ISBN	(epub)
ISBN	(mobi)
ISBN	(pdf)

Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era / Jaimie Baron.

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