Tools

LEADER 03887cam 2200661 i 4500

001 on1285874086;

003 OCoLC;

005 20221115115838.2;

008 220222t20222022ncua b 001 0 eng ;

010 a| 2021056771;

019 a| 1285772614a| 1285773333a| 1285872241;

020 a| 9781478016113q| hardcover;

020 a| 1478016116q| hardcover;

020 a| 9781478018759q| paperback;

020 a| 1478018755q| paperback;

020 z| 9781478023388q| electronic book;

035 a| (Sirsi) 40031501391;

035 a| 40031501391;

035 a| (OCoLC)1285874086z| (OCoLC)1285772614z| (OCoLC)1285773333z| (OCoLC)1285872241;

042 a| pcc;

050 00 a| HV7936.T4b| M66 2022;

082 00 a| 363.2/322| 23/eng/20220528;

084 a| SOC063000a| ART0151102| bisacsh;

100 1 a| Monahan, Torin,e| author.=| ^A605989;

245 10 a| Crisis vision :b| race and the cultural production of surveillance /c| Torin Monahan.;

264 1 a| Durham :b| Duke University Press,c| 2022.;

300 a| xiii, 214 pages :b| illustrations ;c| 24 cm.;

336 a| textb| txt2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

490 1 a| Errantries;

504 a| Includes bibliographical references and index.;

505 0 a| Avoidance -- Transparency -- Complicity -- Violence -- Disruption.;

520 a| "In Crisis Vision, Torin Monahan uses critical arts projects as an entry point to investigate the racializing effects of contemporary surveillance. The book explores the surveillance vocabularies such artworks generate, the subjectivities and relationships they represent and catalyze, their assumptions and omissions, and their participation in the cultural production of surveillance as a social category. Monahan develops the concept of "crisis vision" to describe a pervasive, destructive way of seeing that amplifies differences among individuals and inspires the scapegoating of those marked as Other. Monahan turns to artwork that engages with opacity, an aesthetic intervention that interferes with crisis vision by rejecting authorized regimes of visibility. These artworks, including Kai Wiedenhöfer's WALLonWALL project, Dries Depoorter's Jaywalking project, and Dread Scott's installation Stop, challenge viewers to question their own place within inherently unjust social orders-emphasizing ethical relations between strangers and thereby disrupting crisis vision"--c| Provided by publisher.;

650 0 a| Electronic surveillancex| Social aspects.=| ^A991542;

650 0 a| Surveillance in artx| Social aspects.=| ^A1455052;

650 0 a| Artx| Political aspects.=| ^A190509;

650 0 a| Art and race.=| ^A418537;

650 0 a| Social practice (Art)=| ^A1455038;

650 0 a| Art and societyx| Historyy| 21st century.=| ^A30365;

650 7 a| SOCIAL SCIENCE / Privacy & Surveillance (see also POLITICAL SCIENCE / Privacy & Surveillance)2| bisacsh;

650 7 a| ART / History / Contemporary (1945-)2| bisacsh;

650 7 a| Art and race.2| fast0| (OCoLC)fst00815423;

650 7 a| Art and society.2| fast0| (OCoLC)fst00815432;

650 7 a| Artx| Political aspects.2| fast0| (OCoLC)fst00815309;

650 7 a| Electronic surveillancex| Social aspects.2| fast0| (OCoLC)fst00907482;

650 7 a| Social practice (Art)2| fast0| (OCoLC)fst01938493;

648 7 a| 2000-20992| fast;

655 7 a| History.2| fast0| (OCoLC)fst01411628;

776 08 i| Online version:a| Monahan, Torin.t| Crisis vision.d| Durham : Duke University Press, 2022z| 9781478023388w| (DLC) 2021056772;

830 0 a| Errantries.=| ^A1439024;

949 i| 30372017357713o| jjlm;

960 o| 1s| 99.95t| Joyner48u| JAPPz| USD;

596 a| 1;

998 a| 5960839;

999 a| HV7936 .T4 M66 2022w| LCc| 1i| 30372017357713d| 5/1/2023e| 2/19/2023l| JGESm| JOYNERr| Ys| Yt| JGESBKu| 2/19/2023x| BOOKz| JSTACKSo| .STAFF. jjlm;

Crisis vision : race and the cultural production of surveillance / Torin Monahan.

Author/creator	Monahan, Torin author.
Format	Book
Publication	Durham : Duke University Press, 2022.
Copyright Date	©2022
Description	xiii, 214 pages : illustrations ; 24 cm.
Subjects	Electronic surveillance--Social aspects. Surveillance in art--Social aspects. Art--Political aspects. Art and race. Social practice (Art) Art and society--History. --21st century.

Series	Errantries Errantries. ^A1439024
Contents	Avoidance -- Transparency -- Complicity -- Violence -- Disruption.
Abstract	"In Crisis Vision, Torin Monahan uses critical arts projects as an entry point to investigate the racializing effects of contemporary surveillance. The book explores the surveillance vocabularies such artworks generate, the subjectivities and relationships they represent and catalyze, their assumptions and omissions, and their participation in the cultural production of surveillance as a social category. Monahan develops the concept of "crisis vision" to describe a pervasive, destructive way of seeing that amplifies differences among individuals and inspires the scapegoating of those marked as Other. Monahan turns to artwork that engages with opacity, an aesthetic intervention that interferes with crisis vision by rejecting authorized regimes of visibility. These artworks, including Kai Wiedenhöfer's WALLonWALL project, Dries Depoorter's Jaywalking project, and Dread Scott's installation Stop, challenge viewers to question their own place within inherently unjust social orders-emphasizing ethical relations between strangers and thereby disrupting crisis vision"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Issued in other form	Online version: Monahan, Torin. Crisis vision. Durham : Duke University Press, 2022 9781478023388
Genre/form	History.
LCCN	2021056771
ISBN	9781478016113 hardcover
ISBN	1478016116 hardcover
ISBN	9781478018759 paperback
ISBN	1478018755 paperback
ISBN	electronic book

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Crisis vision : race and the cultural production of surveillance / Torin Monahan.

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