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010 a| 2022040686;

020 a| 9780197625491q| (hardback);

020 z| 9780197625514q| (epub);

035 a| (WaSeSS)ssj0002763100;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| ML410.B98b| K593 2023;

082 00 a| 780.922| 23/eng/20220823;

100 1 a| Knyt, Erinn E.=| ^A1344330;

245 10 a| Ferruccio Busoni as architect of soundh| [electronic resource] /c| Erinn E. Knyt.;

260 a| New York :b| Oxford University Press,c| 2023.;

300 a| xiv, 313 pages :b| illustrations, facsimilies, music ;c| 24 cm;

504 a| Includes bibliographical references and index.;

505 0 a| Introduction. Ferruccio Busoni and Architecture -- The Cathedral of the Future and Young Classicality -- Busoni's Architectural Structures -- The Circle of Sound -- Busoni's Liquid Architecture -- Beyond Busoni : Building Music in the Twentieth Century.;

506 a| Available only to authorized users.;

520 a| "This book presents a broad view of Busoni's compositional activities as not only connected to musical traditions of the past, especially the music of J.S. Bach and W.A. Mozart, but also as closely aligned with contemporary interest in experimentalism. Developments during the twentieth century included new means of pitch organization, the spatialization of sound, and the expansion of formal structures. Busoni helped pioneer these trends by writing pieces in which sound radiates from different directions, by creating montage formal structures, and by freely using all twelve pitches of the chromatic scale without avoiding consonances. In the process, the book brings Busoni's music into discourse with recent multivalent accounts of modernism in music that move beyond notions of rupture with the past as well as beyond elitist esotericism. In addition, it reveals that many of Busoni's innovations were rooted in interdisciplinary thinking that reconciled the spatial and the temporal in unique manners. While his abstract metaphysical notions of music transcended physical boundaries, the realization of his ideas was informed by an understanding of tangible architectural spaces and styles fostered by the study of buildings and floor plans. In addition, he engaged in a rich exchange of ideas with contemporary architects and artists, such as Henry Van de Velde and members of the Weimar Bauhaus. The book concludes by documenting ways Busoni's spatialized architectural music left a lasting imprint on future generations of composers, artists, and early film pioneers, such as Hans Richter, Heinrich Neugeboren, Wladimir Vogel, Stefan Wolpe, and Edgard Varèse"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

600 10 a| Busoni, Ferruccio,d| 1866-1924x| Criticism and interpretation.=| ^A45745;

650 0 a| Musicy| 20th centuryx| History and criticism.=| ^A147357;

650 0 a| Music and architecture.=| ^A180358;

655 0 a| Electronic books.=| ^A491897;

710 2 a| Oxford University Press.=| ^A636469;

856 40 z| Full text available from Oxford Scholarship Onlineu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Facademic.oup.com%2Fbook%2F45614;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6030997-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 4/21/2023x| EBOOKz| JERESOURCE;

Ferruccio Busoni as architect of sound / Erinn E. Knyt.

Author/creator	Knyt, Erinn E.
Other author	Oxford University Press.
Format	Electronic
Publication Info	New York : Oxford University Press, 2023.
Description	xiv, 313 pages : illustrations, facsimilies, music ; 24 cm
Supplemental Content	Full text available from Oxford Scholarship Online
Subjects	Busoni, Ferruccio, 1866-1924--Criticism and interpretation. Music--20th century. --History and criticism. Music and architecture.

Contents	Introduction. Ferruccio Busoni and Architecture -- The Cathedral of the Future and Young Classicality -- Busoni's Architectural Structures -- The Circle of Sound -- Busoni's Liquid Architecture -- Beyond Busoni : Building Music in the Twentieth Century.
Abstract	"This book presents a broad view of Busoni's compositional activities as not only connected to musical traditions of the past, especially the music of J.S. Bach and W.A. Mozart, but also as closely aligned with contemporary interest in experimentalism. Developments during the twentieth century included new means of pitch organization, the spatialization of sound, and the expansion of formal structures. Busoni helped pioneer these trends by writing pieces in which sound radiates from different directions, by creating montage formal structures, and by freely using all twelve pitches of the chromatic scale without avoiding consonances. In the process, the book brings Busoni's music into discourse with recent multivalent accounts of modernism in music that move beyond notions of rupture with the past as well as beyond elitist esotericism. In addition, it reveals that many of Busoni's innovations were rooted in interdisciplinary thinking that reconciled the spatial and the temporal in unique manners. While his abstract metaphysical notions of music transcended physical boundaries, the realization of his ideas was informed by an understanding of tangible architectural spaces and styles fostered by the study of buildings and floor plans. In addition, he engaged in a rich exchange of ideas with contemporary architects and artists, such as Henry Van de Velde and members of the Weimar Bauhaus. The book concludes by documenting ways Busoni's spatialized architectural music left a lasting imprint on future generations of composers, artists, and early film pioneers, such as Hans Richter, Heinrich Neugeboren, Wladimir Vogel, Stefan Wolpe, and Edgard Varèse"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2022040686
ISBN	9780197625491 (hardback)
ISBN	(epub)

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Ferruccio Busoni as architect of sound / Erinn E. Knyt.

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