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005 20141212122546.0;

008 951129s1996 inuag b s001 0deng ;

010 a| 95047996;

020 a| 0253210186 (pbk. : alk. paper);

035 a| (Sirsi) o33897814;

035 a| (OCoLC)33897814;

049 a| EREM;

050 00 a| ML410.M67b| G37 1996;

082 00 a| 787.8/6/0922| 20;

100 1 a| Gásser, Luis,d| 1951-=| ^A381931;

245 10 a| Luis Milán on sixteenth-century performance practice /c| Luis Gásser.;

300 a| vi, 222 pages :b| illustrations, music ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Publications of the Early Music Institute;

504 a| Includes bibliographical references (pages 191-200) and index.;

520 a| Luis Milan (fl. 1536-1561) was a lutenist, singer, composer, and poet. His collection of lute tablatures, El Maestro, published in 1536, is the first book of instrumental music known to have been printed in Spain; and his novel El Cortesano (1561) describes performances at the Valencian court. Luis Gasser discusses Milan's attention to modality, his use of meter, and the ornamentation in his songs and fantasias, for which Milan provided both written-out figures and verbal instructions. With inferences drawn from both El Maestro and El Cortesano, Gasser provides for present-day musicians--as Milan did for his contemporaries--a text on sixteenth-century performance practice.;

600 10 a| Milán, Luis,d| active 16th centuryx| Criticism and interpretation.=| ^A33864;

650 0 a| Performance practice (Music)x| Historyy| 16th century.=| ^A347061;

830 0 a| Publications of the Early Music Institute.=| ^A269942;

596 a| 3;

998 a| 603778;

999 a| ML410.M67 G37 1996w| LCc| 1i| 30372009811131d| 7/15/2014e| 10/4/2010f| 3/12/2024g| 6l| MSTm| JMUSICn| 2p| $21.21r| Ys| Yt| MGESBKu| 11/14/1996x| BOOKz| MCIRCo| .STAFF. 0;

Luis Milán on sixteenth-century performance practice / Luis Gásser.

Author/creator	Gásser, Luis, 1951-
Format	Book
Publication Info	Bloomington : Indiana University Press, ©1996.
Description	vi, 222 pages : illustrations, music ; 24 cm.
Subjects	Milán, Luis, active 16th century--Criticism and interpretation. Performance practice (Music)--History. --16th century.

Series	Publications of the Early Music Institute Publications of the Early Music Institute. ^A269942
Contents	Introduction -- Background. Biography of Milán ; The Dukes of Calabria and their Alencian court ; Milán's religious beliefs ; Naples ; The Cancioneros -- El Cortesano. General plan ; Style ; Performance -- El maestro. Background ; General plan ; Modality ; Tempo indications ; Meter, tactus and time signature ; Text setting ; Ornamentation ; Songs ; Fantasías: style and structure ; Milán's tablature ; Tuning and temperament.
Abstract	Luis Milan (fl. 1536-1561) was a lutenist, singer, composer, and poet. His collection of lute tablatures, El Maestro, published in 1536, is the first book of instrumental music known to have been printed in Spain; and his novel El Cortesano (1561) describes performances at the Valencian court. Luis Gasser discusses Milan's attention to modality, his use of meter, and the ornamentation in his songs and fantasias, for which Milan provided both written-out figures and verbal instructions. With inferences drawn from both El Maestro and El Cortesano, Gasser provides for present-day musicians--as Milan did for his contemporaries--a text on sixteenth-century performance practice.
Bibliography note	Includes bibliographical references (pages 191-200) and index.
LCCN	95047996
ISBN	0253210186 (pbk. : alk. paper)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.M67 G37 1996	✔ Available	Place Hold

Luis Milán on sixteenth-century performance practice / Luis Gásser.

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