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001 ocm33101310;

003 OCoLC;

005 20141212123643.0;

008 950823s1996 caugh b 001 0 eng ;

010 a| 95040543;

020 a| 0520088190 (alk. paper);

035 a| (Sirsi) o33101310;

035 a| (OCoLC)33101310;

040 a| DLCc| DLCd| EREd| UtOrBLW;

049 a| EREM;

050 00 a| ML410.B47b| H35 1996;

100 1 a| Hall, Patriciaq| (Patricia Ann)=| ^A1353955;

245 12 a| A view of Berg's Lulu through the autograph sources /c| Patricia Hall.;

300 a| xi, 184 pages :b| facsimiles, music ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (pages 175-177) and index.;

505 00 t| Berg's sketches: format and compositional process --t| Chronology of the autograph sources --t| The interaction of role and form --t| Derivational unfoldings: the case of Dr. Schon --t| The progress of a method: Berg's tone rows for Lulu --t| Why is Berg's twelve-tone music so difficult to analyze?;

520 a| After fifty years of analysis we are only beginning to understand the quality and complexity of Alban Berg's most important twelve-tone work, the opera Lulu. In 1959 Berg's widow deposited the first of Berg's autograph manuscripts in the Austrian National Library. The complete collection of autographs for Lulu was made accessible to scholars in 1981, beginning a promising new phase in Lulu scholarship. The author's study represents the first detailed analysis of the sketches for the opera, as well as other related autograph material and correspondence.;

600 10 a| Berg, Alban,d| 1885-1935.t| Lulu.=| ^A497612;

650 0 a| Operasx| Analysis, appreciation.=| ^A141976;

596 a| 3;

998 a| 613685;

999 a| ML410.B47 H35 1996w| LCc| 1i| 30372009953115d| 9/8/2024e| 4/21/2011f| 2/28/2024g| 6l| MSTm| JMUSICn| 13p| $35.70q| 2r| Ys| Yt| MGESBKu| 5/8/1997x| BOOKz| MCIRCo| .STAFF. enhanced 6/2/21 -jjab;

A view of Berg's Lulu through the autograph sources / Patricia Hall.

Author/creator	Hall, Patricia
Format	Book
Publication Info	Berkeley : University of California Press, ©1996.
Description	xi, 184 pages : facsimiles, music ; 24 cm
Subjects	Berg, Alban, 1885-1935. Lulu. Operas--Analysis, appreciation.

Contents	Berg's sketches: format and compositional process -- Chronology of the autograph sources -- The interaction of role and form -- Derivational unfoldings: the case of Dr. Schon -- The progress of a method: Berg's tone rows for Lulu -- Why is Berg's twelve-tone music so difficult to analyze?
Abstract	After fifty years of analysis we are only beginning to understand the quality and complexity of Alban Berg's most important twelve-tone work, the opera Lulu. In 1959 Berg's widow deposited the first of Berg's autograph manuscripts in the Austrian National Library. The complete collection of autographs for Lulu was made accessible to scholars in 1981, beginning a promising new phase in Lulu scholarship. The author's study represents the first detailed analysis of the sketches for the opera, as well as other related autograph material and correspondence.
Bibliography note	Includes bibliographical references (pages 175-177) and index.
LCCN	95040543
ISBN	0520088190 (alk. paper)

A view of Berg's Lulu through the autograph sources / Patricia Hall.

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