Tools

LEADER 05427cam 2200541 i 4500

001 ssj0002813440;

003 WaSeSS;

005 20250212121027.0;

006 m d ;

007 cr n ;

008 230314s2023 nyua sb 001 0 eng d;

010 a| 2022060624;

020 a| 9780197621714q| (paperback);

020 a| 9780197621707q| (hardcover);

020 z| 9780197621738q| (epub);

020 z| 9780197621745;

035 a| (WaSeSS)ssj0002813440;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| PN1993.5.A1b| M69 2023;

082 00 a| 791.43092| 23/eng/20230413;

245 04 a| The moving form of filmh| [electronic resource] :b| historicising the medium through other media /c| edited by Lúcia Nagib and Stefan Solomon.;

260 a| New York, NY :b| Oxford University Press,c| [2023];

300 a| xvii, 322 pages :b| illustrations ;c| 24 cm;

504 a| Includes bibliographical references and index.;

505 0 a| Hegel, cinema and the other arts / Alain Badiou -- One-dimensional man? A reply to Alain Badiou / James Hellings -- Hybrid variations on an intermedial theme / Robert Stam -- Parallax historiography and metareference : the intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark / Mark Player -- Intermediality and the carousel slide projector / Julian Ross -- Up the junction, intermediality and social change / Sarah Street -- When the past is present : digital cinema and the philosophical toys of pre-cinema / Ismail Xavier -- Panoramic Views, planetary visions : an intermedial analysis of Medium Earth and Walden / Tiago de Luca -- Elemental intermedia / Stefan Solomon -- Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil / Luciana Corrêa de Araújo -- Flamenco on screen : the intermedial legacy of Carmen Amaya in Bajarí / Albert Elduque -- Impurity and identification : historicising Chinese cinema through the opera / Cecília Mello -- Historicising the story through film and music : an intermedial reading of Heimat 2 / Lúcia Nagib -- Stephen Dwoskin, an intermedial artist / Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue -- Intermedial voices : intersections in feminist sound and moving image / Claire M. Holdsworth -- Entanglements of intermediality : Polanski, Pinter, Steptoe and Son / Jonathan Bignell -- The intermedial reworking of history in Peter Greenaway's The Tulse Luper Suitcases trilogy / Fátima Chinita.;

506 a| Available only to authorized users.;

520 a| "This book charts the ways in which intermediality - the crossing of borders between film and other arts and media - can provide an encompassing, inclusive and non-teleological understanding of film history. Moving across diverse approaches, technologies, national contexts and artistic styles, the collection depicts a clear as much as complex trajectory of cinematic phenomena according to the medial and artistic interactions they require and produce. Visions of the 'evolution' of cinema have traditionally hinged on the axis of World War II that separates so-called 'classical' Hollywood cinema from a purported 'modern' European-style production, a scheme that subjects the entire world to the cinematic history of two hegemonic centres. In turn, histories of film as a technological medium have focused on the specificity of cinema as it gradually separated from the other art and medial forms at its base - theatre, dance, fairground spectacle, painting, literature, still photography and other pre-cinematic modes. Taking an ambitious step forward with relation to these theories, this book places its bet on the fluid quality of the film form itself. In so doing, it opens up to an array of exciting and often neglected artistic expressions worldwide as they permeate and interconnect films across temporal, geographical and cultural borders. By observing the ebb and flow of film's contours within the bounds of other artistic and medial expressions, this collection aspires to establish a flexible historical platform for the moving form of film, posited, from production to consumption, as a transforming and transformative medium"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Motion picturesx| Historiography.=| ^A17985;

650 0 a| Motion picturesx| Philosophy.=| ^A62239;

650 0 a| Motion picturesx| Aesthetics=| ^A17581;

650 0 a| Historicism.=| ^A80305;

650 0 a| Intermediality.=| ^A1194653;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Nagib, Lúcia,d| 1956-=| ^A697937;

700 1 a| Solomon, Stefan,d| 1986-=| ^A1263484;

710 2 a| Oxford University Press.=| ^A636469;

856 40 z| Full text available from Oxford Scholarship Onlineu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Facademic.oup.com%2Fbook%2F45877;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 6155456;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6155456-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 6/15/2023x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6155456-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 6/15/2023x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 6155456-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 6/15/2023x| EBOOKz| JERESOURCE;

The moving form of film historicising the medium through other media / edited by Lúcia Nagib and Stefan Solomon.

Other author	Nagib, Lúcia, 1956-
Other author	Solomon, Stefan, 1986-
Other author	Oxford University Press.
Format	Electronic
Publication Info	New York, NY : Oxford University Press, [2023]
Description	xvii, 322 pages : illustrations ; 24 cm
Supplemental Content	Full text available from Oxford Scholarship Online
Subjects	Motion pictures--Historiography. Motion pictures--Philosophy. Motion pictures--Aesthetics. Historicism. Intermediality.

Contents	Hegel, cinema and the other arts / Alain Badiou -- One-dimensional man? A reply to Alain Badiou / James Hellings -- Hybrid variations on an intermedial theme / Robert Stam -- Parallax historiography and metareference : the intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark / Mark Player -- Intermediality and the carousel slide projector / Julian Ross -- Up the junction, intermediality and social change / Sarah Street -- When the past is present : digital cinema and the philosophical toys of pre-cinema / Ismail Xavier -- Panoramic Views, planetary visions : an intermedial analysis of Medium Earth and Walden / Tiago de Luca -- Elemental intermedia / Stefan Solomon -- Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil / Luciana Corrêa de Araújo -- Flamenco on screen : the intermedial legacy of Carmen Amaya in Bajarí / Albert Elduque -- Impurity and identification : historicising Chinese cinema through the opera / Cecília Mello -- Historicising the story through film and music : an intermedial reading of Heimat 2 / Lúcia Nagib -- Stephen Dwoskin, an intermedial artist / Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue -- Intermedial voices : intersections in feminist sound and moving image / Claire M. Holdsworth -- Entanglements of intermediality : Polanski, Pinter, Steptoe and Son / Jonathan Bignell -- The intermedial reworking of history in Peter Greenaway's The Tulse Luper Suitcases trilogy / Fátima Chinita.
Abstract	"This book charts the ways in which intermediality - the crossing of borders between film and other arts and media - can provide an encompassing, inclusive and non-teleological understanding of film history. Moving across diverse approaches, technologies, national contexts and artistic styles, the collection depicts a clear as much as complex trajectory of cinematic phenomena according to the medial and artistic interactions they require and produce. Visions of the 'evolution' of cinema have traditionally hinged on the axis of World War II that separates so-called 'classical' Hollywood cinema from a purported 'modern' European-style production, a scheme that subjects the entire world to the cinematic history of two hegemonic centres. In turn, histories of film as a technological medium have focused on the specificity of cinema as it gradually separated from the other art and medial forms at its base - theatre, dance, fairground spectacle, painting, literature, still photography and other pre-cinematic modes. Taking an ambitious step forward with relation to these theories, this book places its bet on the fluid quality of the film form itself. In so doing, it opens up to an array of exciting and often neglected artistic expressions worldwide as they permeate and interconnect films across temporal, geographical and cultural borders. By observing the ebb and flow of film's contours within the bounds of other artistic and medial expressions, this collection aspires to establish a flexible historical platform for the moving form of film, posited, from production to consumption, as a transforming and transformative medium"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2022060624
ISBN	9780197621714 (paperback)
ISBN	9780197621707 (hardcover)
ISBN	(epub)

Availability

Library	Location	Call Number	Status	Item Actions
	Electronic Resources	Access Content Online	✔ Available

The moving form of film historicising the medium through other media / edited by Lúcia Nagib and Stefan Solomon.

Click here for more information about this title

Availability