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245 00 a| Music, culture and identity in the Muslim worldh| [electronic resource] :b| performance, politics and piety /c| edited by Kamal Salhi.;

260 a| London ;a| New York :b| Routledge,c| 2014.;

300 a| xiv, 301 pages :b| illustrations ;c| 24 cm.;

490 0 a| Routledge advances in Middle East and Islamic studies ;v| 22;

504 a| Includes bibliographical references and index.;

506 a| Available only to authorized users.;

520 a| "In contrast to many books on Islam that focus on political rhetoric and activism, this book explores Islam's extraordinarily rich cultural and artistic diversity, showing how sound, music and bodily performance offer a window onto the subtleties and humanity of Islamic religious experience. Through a wide range of case studies from West Asia, South Asia and North Africa and their diasporas - including studies of Sufi chanting in Egypt and Morocco, dance in Afghanistan, and "Muslim punk" on-line - the book demonstrates how Islam should not be conceived of as being monolithic or monocultural, how there is a large disagreement within Islam as to how music and performance should be approached, such disagreements being closely related to debates about orthodoxy, secularism, and moderate and fundamental Islam, and how important cultural activities have been, and continue to be, for the formation of Muslim identity. "--c| Provided by publisher.;

520 a| "Through a wide range of case studies from West Asia, South Asia and North Africa and their diasporas - including studies of Sufi chanting in Egypt and Morocco, dance in Afghanistan, and "Muslim punk" on-line - the book demonstrates how Islam should not be conceived of as being monolithic or monocultural, how there is a large disagreement within Islam as to how music and performance should be approached, such disagreements being closely related to debates about orthodoxy, secularism, and moderate and fundamental Islam, and how important cultural activities have been, and continue to be, for the formation of Muslim identity"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Islamic musicx| History and criticism.=| ^A575949;

650 0 a| Musicz| Islamic countriesx| History and criticism.=| ^A12651;

650 0 a| Musicx| Social aspectsz| Islamic countries.=| ^A537957;

650 0 a| Musicx| Political aspectsz| Islamic countries.=| ^A12651;

650 7 a| SOCIAL SCIENCE / Ethnic Studies / General.2| bisacsh;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Salhi, Kamal.=| ^A538920;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=3061168;

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Music, culture and identity in the Muslim world performance, politics and piety / edited by Kamal Salhi.

Other author	Salhi, Kamal.
Format	Electronic
Publication Info	London ; New York : Routledge, 2014.
Description	xiv, 301 pages : illustrations ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Islamic music--History and criticism. Music--Islamic countries. --History and criticism. Music--Social aspects. --Islamic countries. Music--Political aspects. --Islamic countries.

Series	Routledge advances in Middle East and Islamic studies ; 22
Abstract	"In contrast to many books on Islam that focus on political rhetoric and activism, this book explores Islam's extraordinarily rich cultural and artistic diversity, showing how sound, music and bodily performance offer a window onto the subtleties and humanity of Islamic religious experience. Through a wide range of case studies from West Asia, South Asia and North Africa and their diasporas - including studies of Sufi chanting in Egypt and Morocco, dance in Afghanistan, and "Muslim punk" on-line - the book demonstrates how Islam should not be conceived of as being monolithic or monocultural, how there is a large disagreement within Islam as to how music and performance should be approached, such disagreements being closely related to debates about orthodoxy, secularism, and moderate and fundamental Islam, and how important cultural activities have been, and continue to be, for the formation of Muslim identity. "-- Provided by publisher.
Abstract	"Through a wide range of case studies from West Asia, South Asia and North Africa and their diasporas - including studies of Sufi chanting in Egypt and Morocco, dance in Afghanistan, and "Muslim punk" on-line - the book demonstrates how Islam should not be conceived of as being monolithic or monocultural, how there is a large disagreement within Islam as to how music and performance should be approached, such disagreements being closely related to debates about orthodoxy, secularism, and moderate and fundamental Islam, and how important cultural activities have been, and continue to be, for the formation of Muslim identity"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2013020129
ISBN	9780415665629 (hardback)

Music, culture and identity in the Muslim world performance, politics and piety / edited by Kamal Salhi.

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