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001 ocm33333309;

003 OCoLC;

005 20141212124824.0;

008 951006r19961976enka b 001 0 eng ;

010 a| 95045521;

020 a| 0860785610 (cloth);

035 a| (Sirsi) o33333309;

035 a| (OCoLC)33333309;

040 a| DLCc| DLCd| EREd| UtOrBLW;

049 a| EREM;

050 00 a| ML1402b| .F35 1996;

100 1 a| Fallows, David.=| ^A143174;

245 10 a| Songs and musicians in the fifteenth century /c| David Fallows.;

260 a| Aldershot, Great Britain ;a| Brookfield, VT :b| Variorum,c| 1996.;

300 a| 1 volume (various pagings) :b| illustrations ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Collected studies series ;v| CS519;

500 a| Contains 14 essays originally published 1976-1994.;

504 a| Includes bibliographical references and indexes.;

505 00 t| English song repertories of the mid-fifteenth century --t| Robertus de Anglia and the Oporto song collection --t| Review of Julia Boffey: Manuscripts of English courtly love lyrics in the later Middle Ages --t| Dunstable, Bedyngham and O Rosa Bella --t| The contenance angloise: English influence on continental composers of the fifteenth century --t| French as a courtly language in fifteenth-century Italy: the musical evidence --t| A glimpse of the lost years: Spanish polyphonic song, 1450-70 --t| Polyphonic song in the Florence of Lorenzo's youth, ossia: the provenance of the manuscript Berlin 78.C.28: Naples or Florence? --t| Prenez sur moy: Ockeghem's tonal pun --t| Texting in the chansonnier of Jean de Montchenu --t| Specific information on the ensembles for composed polyphony, 1400-1474 --t| The performing ensembles in Josquin's sacred music --t| 15th-century tablatures for plucked instruments: a summary, a revision and a suggestion --t| Embellishment and Urtext in the fifteenth-century song repertories.;

520 a| The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and, in particular, with the most successful song by any English composer, O Rosa Bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how.;

650 0 a| Vocal musicy| 15th centuryx| History and criticism.=| ^A31547;

830 0 a| Collected studies ;v| CS519.=| ^A355371;

596 a| 3;

998 a| 624557;

999 a| ML1402 .F35 1996w| LCc| 1i| 30372009707990d| 9/14/2020e| 9/6/2020f| 4/9/2024g| 4l| MSTm| JMUSICn| 16p| $89.95q| 1r| Ys| Yt| MGESBKu| 1/13/1998x| BOOKz| MCIRCo| .STAFF. enhanced 1/18/23 -jjab;

Songs and musicians in the fifteenth century / David Fallows.

Author/creator	Fallows, David
Format	Book
Publication Info	Aldershot, Great Britain ; Brookfield, VT : Variorum, 1996.
Description	1 volume (various pagings) : illustrations ; 24 cm.
Subjects	Vocal music--15th century. --History and criticism.

Series	Collected studies series ; CS519 Collected studies ; CS519. ^A355371
Contents	English song repertories of the mid-fifteenth century -- Robertus de Anglia and the Oporto song collection -- Review of Julia Boffey: Manuscripts of English courtly love lyrics in the later Middle Ages -- Dunstable, Bedyngham and O Rosa Bella -- The contenance angloise: English influence on continental composers of the fifteenth century -- French as a courtly language in fifteenth-century Italy: the musical evidence -- A glimpse of the lost years: Spanish polyphonic song, 1450-70 -- Polyphonic song in the Florence of Lorenzo's youth, ossia: the provenance of the manuscript Berlin 78.C.28: Naples or Florence? -- Prenez sur moy: Ockeghem's tonal pun -- Texting in the chansonnier of Jean de Montchenu -- Specific information on the ensembles for composed polyphony, 1400-1474 -- The performing ensembles in Josquin's sacred music -- 15th-century tablatures for plucked instruments: a summary, a revision and a suggestion -- Embellishment and Urtext in the fifteenth-century song repertories.
Abstract	The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and, in particular, with the most successful song by any English composer, O Rosa Bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how.
General note	Contains 14 essays originally published 1976-1994.
Bibliography note	Includes bibliographical references and indexes.
LCCN	95045521
ISBN	0860785610 (cloth)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML1402 .F35 1996	✔ Available	Place Hold

Songs and musicians in the fifteenth century / David Fallows.

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