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LEADER 03197cam 2200457 i 4500

001 on1344421908;

003 OCoLC;

005 20231211015226.0;

008 230309t20232023enka b 001 0 eng ;

010 a| 2023011678;

020 a| 9781009210904q| (paperback);

020 a| 1009210904;

020 a| 9781009210928q| (hardback);

020 a| 1009210920;

020 z| 9781009210898q| PDF ebook;

020 z| 9781009210911q| (ebook);

035 a| (OCoLC)1344421908;

042 a| pcc;

050 00 a| ML410.S3b| H95 2023;

082 00 a| 785/.71940922| 23/eng/20230411;

049 a| EREM;

100 1 a| Hyland, Anne M.,d| 1981-e| author.?| UNAUTHORIZED;

245 10 a| Schubert's string quartets :b| the teleology of lyric form /c| Anne M. Hyland.;

260 a| Cambridge, United Kingdom ;a| New York, NY :b| Cambridge University Press,c| 2023.;

300 a| xx, 308 pages :b| illustrations ;c| 26 cm.;

336 a| textb| txt2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

490 1 a| Music in context;

504 a| Includes bibliographical references (pages 279-296) and index.;

505 0 a| Introduction: Schubert as vanishing point -- Part I: Contexts. The lyric impulse: musicological and methodological contexts ; Schubert's string quartets: historical and analytical contexts -- Part II: Analysis. Musical closure and functional transformation: reanimating the dynamics of the lyric ; Schubert the progressive: parataxis and the dialectics of lyric teleology ; The temporality of lyric teleology: once more between sonata and variation in Schubert's quartets.;

520 a| Franz Schubert's music has long been celebrated for its lyrical melodies, 'heavenly length' and daring harmonic language. In this new study of Schubert's complete string quartets, the author challenges the influential but under-explored claim that Schubert could not successfully incorporate the lyric style into his sonatas, and offers a novel perspective on lyric form that embraces historical musicology, philosophy and music theory and analysis. Her exploration of the quartets reveals Schubert's development of a lyrically conceived teleology, bringing musical form, expression and temporality together in the service of fresh intellectual engagement. Her formal analyses grant special focus to the quartets of 1810-16, isolating the questions they pose for existing music theory and employing these as a means of scrutinising the relationship between the concepts of lyricism, development, closure and teleology thereby opening up space for these works to challenge some of the discourses that have historically beset them.;

600 10 a| Schubert, Franz,d| 1797-1828.t| Quartets,m| violins (2), viola, cello.=| ^A614498;

650 0 a| String quartetsy| 19th centuryx| Analysis, appreciation.=| ^A45320;

650 0 a| String quartety| 19th century.=| ^A74291;

830 0 a| Music in context.=| ^A1130438;

994 a| C0b| ERE;

596 a| 3;

998 a| 6281712;

999 a| ML410.S3 H95 2023w| LCc| 1i| 30372017614865f| 3/12/2024g| 1l| MSTm| JMUSICr| Ys| Yt| MGESBKu| 1/10/2024x| BOOKz| MCIRCo| .STAFF. jjam;

Schubert's string quartets : the teleology of lyric form / Anne M. Hyland.

Author/creator	Hyland, Anne M., 1981- author.
Format	Book
Publication Info	Cambridge, United Kingdom ; New York, NY : Cambridge University Press, 2023.
Description	xx, 308 pages : illustrations ; 26 cm.
Subjects	Schubert, Franz, 1797-1828. Quartets, violins (2), viola, cello. String quartets--19th century. --Analysis, appreciation. String quartet--19th century.

Series	Music in context Music in context. ^A1130438
Contents	Introduction: Schubert as vanishing point -- Part I: Contexts. The lyric impulse: musicological and methodological contexts ; Schubert's string quartets: historical and analytical contexts -- Part II: Analysis. Musical closure and functional transformation: reanimating the dynamics of the lyric ; Schubert the progressive: parataxis and the dialectics of lyric teleology ; The temporality of lyric teleology: once more between sonata and variation in Schubert's quartets.
Abstract	Franz Schubert's music has long been celebrated for its lyrical melodies, 'heavenly length' and daring harmonic language. In this new study of Schubert's complete string quartets, the author challenges the influential but under-explored claim that Schubert could not successfully incorporate the lyric style into his sonatas, and offers a novel perspective on lyric form that embraces historical musicology, philosophy and music theory and analysis. Her exploration of the quartets reveals Schubert's development of a lyrically conceived teleology, bringing musical form, expression and temporality together in the service of fresh intellectual engagement. Her formal analyses grant special focus to the quartets of 1810-16, isolating the questions they pose for existing music theory and employing these as a means of scrutinising the relationship between the concepts of lyricism, development, closure and teleology thereby opening up space for these works to challenge some of the discourses that have historically beset them.
Bibliography note	Includes bibliographical references (pages 279-296) and index.
LCCN	2023011678
ISBN	9781009210904 (paperback)
ISBN	1009210904
ISBN	9781009210928 (hardback)
ISBN	1009210920
ISBN	PDF ebook
ISBN	(ebook)

Schubert's string quartets : the teleology of lyric form / Anne M. Hyland.

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