Music in epic film listening to spectacle / edited by Stephen C. Meyer.

Other author Meyer, Stephen C., 1963-
Format Electronic
Publication InfoNew York, NY ; London : Routledge, Taylor & Francis Group, 2017.
Description1 online resource.
Supplemental ContentFull text available from Taylor & Francis eBooks
Subjects

SeriesRoutledge music and screen media series
Contents Branding the franchise : music and the (corporate) myth of origin / James Buhler -- Manufacturing the epic score : Hans Zimmer and the sounds of significance / Frank Lehman -- Topoi and intertextuality : narrative function in Hans Zimmer's and Lisa Gerrard's music to Gladiator / Joakim Tillman -- The politics of authenticity in Miklós Rózsa's score to El Cid / Stephen C. Meyer -- From authenticity to anachronism : pre-existing music and "epic Englishness" in Elizabeth and Master and commander / Alexandra Wilson -- Records, repertoire and rollerball : music and the auteur epic / Julie Hubbert -- "The epic and intimately human" : contemplating Tara's theme in Gone with the wind / Nathan Platte -- "We're the real countries" : songs as private musical territories in the epic romances Casablanca, Doctor Zhivago, and The English patient / Todd Decker -- Inverting the epic : the music of Ridley Scott's Kingdom of Heaven / Kirsten Yri -- The western as national epic : musical persona and narrative distance in High noon / Jordan Carmalt Stokes.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Source of descriptionDescription based on print version record and CIP data provided by publisher; resource not viewed.
Issued in other formPrint version: Music in epic film New York, NY ; Abingdon, Oxon : Routledge, 2017 9781138915831
Genre/formElectronic books.
LCCN 2016013193
ISBN9781315690025 (e-book)

Availability

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Electronic Resources Access Content Online ✔ Available