Anthology of music for analysis / Timothy Cutler.

Other author Cutler, Timothy Spence, editor.
Format Musical Score
Publication InfoNew York : W.W. Norton & Company, 2019.
Description1 score (xvi, 555 pages) ; 28 cm
Subjects
Musical analysis--Music collections.

Contents Major and minor scales. Major scales -- Minor scales -- Meter and rhythm. Simple meter -- Compound meter -- Other meters -- Hemiola, syncopation, and polyrhythm -- Species counterpoint. First-species counterpoint -- Second-species counterpoint -- Third-species counterpoint -- Fourth-species counterpoint -- Fifth-species counterpoint -- Model examples of voice leading -- Passing and neighbor tones. Passing tones -- Neighbor tones -- Incomplete neighbors -- Double neighbors -- Suspensions, anticipations, and pedals. Suspensions -- Anticipations -- Pedals -- I, V, and V⁷. Tonic harmony -- V -- V⁷ -- Authentic cadences -- Half cadences -- I⁶, V⁶, and vii°⁶. I⁶ -- V⁶ -- vii°⁶ -- Inversions of V⁷. V(6/5) -- V(4/3) -- V(4/2) -- IV, ii, and ii⁶. ii⁶ -- ii -- IV -- Plagal progressions and cadences (IV-I) -- The cadential 6/4 -- vi and IV⁶. vi and IV⁶ as predominants -- vi and IV⁶ as tonic substitutes -- vi and IV⁶ as embellishing chords -- ii⁷, IV⁷ and their inversions. ii⁷ and its inversions -- IV⁷ and its inversions -- Leading-tone seventh chords -- III and VII. III as tonic substitute -- III as embellishing chord -- III as dominant substitute -- VII -- Harmonic sequences. Descending fifths -- Ascending fifths -- Descending 5-6 -- Ascending 5-6 -- Other harmonic sequences -- 6/3 chord techniques. Parallel 6/3 chords -- "vi⁶" as a decoration of I -- iii⁶ as a decoration of V -- 6/4 chord techniques. Accented 6/4 (other than cadential 6/4) -- Neighbor 6/4 -- Passing 6/4 -- Arpeggiated and oscillating 6/4 -- Other 6/4 triads -- Passing and neighbor chords -- Tonicizing V. V⁽⁷⁾/V in major mode -- vii°⁶/V and vii [degree sign with backward slash across it]⁷/V in major mode -- Tonicizing the dominant in minor mode -- Other tonicizations. Tonicizing the supertonic -- Tonicizing the mediant -- Tonicizing the subdominant -- Tonicizing the submediant -- Tonicizing the subtonic -- Multiple tonicizations -- Advanced uses -- Modulation. Toward the dominant -- Toward the mediant -- Toward the subdominant -- Toward the submediant -- Toward the supertonic -- Toward the subtonic -- Successive modulations -- Mixture. Borrowed pitches and chords -- Secondary and double mixture -- Neapolitan chords -- Augmented sixth chords -- Embellished dominant chords. Ninths and thirteenths -- Chromatic embellishments -- Various chromatic techniques. Common-tone chords -- Chromatic modulation -- Enharmonic modulation -- Equal subdivisions of the octave -- Phrase structure. Phrases -- Sentences -- Periods -- One-part, binary, and ternary forms. One-part forms -- Binary and ternary forms -- Rondo, sonata, and variation forms. Rondo forms -- Sonata forms -- Variation forms -- Contrapuntal procedures. Voice exchanges -- Canon -- Fugue -- Post-tonal scales and pitch collections. Diatonic collections -- Pentatonic collections -- Whole-tone collections -- Octatonic collections -- Other scales and pitch collections -- Polytonality -- Free atonality -- Twelve-tone techniques. Selected tone rows -- Twelve-tone compositions.
Abstract A collection of more than 850 excerpts and complete movements by nearly 150 composers, organized by topic and illustrating various aspects of harmony, counterpoint, and form. Indexed by composer and by theoretical concept.
General noteIncludes indexes.
ISBN0393617351 (paperback)
ISBN9780393617351 (paperback)

Availability

Library Location Call Number Status Item Actions
Music Music Stacks MT91 .A57 2019 ✔ Available Place Hold