Tools

LEADER 17312ccm 2200781 i 4500

001 on1390602619;

003 OCoLC;

005 20240729154401.0;

008 230819t20202020gw orl bdhi n eng d;

010 a| 2023440438;

019 a| 1392165049;

020 a| 9790006443222;

024 2 a| 9790006443222;

028 32 a| BA 4025-01b| Bärenreiter;

035 a| (Sirsi) o1390602619;

035 a| (OCoLC)1390602619z| (OCoLC)1392165049;

046 1 k| 17432| edtf;

049 a| EREM;

050 00 a| M3b| .H26 Ser. I, Bd. 19;

082 04 a| 782.5232| 23;

090 a| M3b| .H26 Ser. 1 v. 19;

100 1 a| Handel, George Frideric,d| 1685-1759,e| composer.=| ^A19936;

245 10 a| Semele :b| HWV 58 /c| Georg Friedrich Händel ; herausgegeben von Mark Risinger.;

260 a| Kassel :b| Bärenreiter,c| 2020.;

300 a| 1 score (2 volumes (lviii, 464 pages)) :b| facsimiles ;c| 33 cm.;

336 a| notated musicb| ntm2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

382 01 b| soprano voicen| 2b| alto voicen| 3b| tenor voicen| 2b| bass voicen| 2a| mixed chorusv| SATBe| 1a| orchestrae| 1r| 9t| 22| lcmpt;

383 c| HWV 58d| HWV2| mlati;

490 1 a| Hallische Händel-Ausgabe. Serie I, Oratorien und grosse Kantaten ;v| Band 19.1-2;

500 a| For solo voices, mixed chorus (SATB), and orchestra.;

500 a| Secular oratorio in three acts.;

500 a| Composed in the summer of 1743 and first performed in February 1744 at Covent Garden theatre in London. The work was revived by Handel at the King's Theatre in December that year, in a revised version in which he inserted i.a. five Italian arias from his earlier operas Alcina, Arminio, and Giustino--From preface.;

500 a| Includes English libretto in reduced facsimiles of the London : Jacob and Richard Tonson, 1744 edition; German translation by Michael Pacholke and Hendrik Wilken; texts from additional arias in Appendix I version of December 1744 in Italian with German and English translation.;

546 a| English words also printed as text with German translation.;

500 a| Preface in English with German translation by Hendrik Wilken.;

500 a| Critical report in German by Mark Risinger and Hendrik Wilken.;

504 a| Includes bibliographical references.;

505 0 a| Teilband I: Fassung der Uraufführung Februar 1744 -- Teilband II: Anhang I: Fassung von Dezember 1744 ; Anhang II: Frühe Fassungen einzelner Musiksätze ; Kritischer Bericht.;

650 0 a| Secular oratoriosv| Scores.=| ^A1037335;

650 0 a| Secular oratoriosv| Librettos.=| ^A1432259;

600 00 a| Semelec| (Greek mythological character)v| Drama.=| ^A1466348;

700 1 a| Congreve, William,d| 1670-1729,e| librettist.=| ^A27702;

700 1 a| Risinger, Mark,e| editor.=| ^A1466564;

700 1 a| Pacholke, Michael,e| translator.=| ^A757032;

700 1 a| Wilken, Hendrik,e| writer of added commentary,e| translator.=| ^A1467392;

700 12 a| Handel, George Frideric,d| 1685-1759.t| Semele.=| ^A834121;

700 12 a| Congreve, William,d| 1670-1729.t| Semele.=| ^A1459641;

700 12 a| Congreve, William,d| 1670-1729.t| Semele.l| German.=| ^A1459641;

700 12 a| Handel, George Frideric,d| 1685-1759.t| Alcina.p| Mi lusinga.l| English.=| ^A1162305;

700 12 a| Handel, George Frideric,d| 1685-1759.t| Arminio.p| Posso morir.l| English.=| ^A1466349;

700 12 a| Handel, George Frideric,d| 1685-1759.t| Arminio.p| Fatto scorta al sentier.l| English.=| ^A1466350;

700 12 a| Handel, George Frideric,d| 1685-1759.t| Giustino.p| Non si vanti un'alma audace.l| English.=| ^A1466351;

700 12 a| Handel, George Frideric,d| 1685-1759.t| Giustino.p| Verdi lauri.l| English.=| ^A1466352;

800 1 a| Handel, George Frideric,d| 1685-1759.t| Works.f| 1955 ;v| Ser. 1, Bd. 19/1.=| ^A579222;

800 1 a| Handel, George Frideric,d| 1685-1759.t| Works.f| 1955 ;v| Ser. 1, Bd. 19/2.=| ^A579222;

994 a| C0b| ERE;

590 a| Joyner-FOR JOYNER MUSIC LIBRARY HOLDINGS OF THE SERIES, Handel, George Frideric, 1685-1759. Works. 1955, SEARCH BY SERIES TITLE OR CALL NUMBER M3 .H26.;

596 a| 3;

998 a| 6364108;

999 a| M3 .H26 SER. 1 V. 19/1w| LCc| 1i| 30372017617272l| MSTm| JMUSICr| Ys| Yt| MGE6SCu| 4/30/2024x| SCOREo| .STAFF. jjam;

999 a| M3 .H26 SER. 1 V. 19/2w| LCc| 1i| 30372017617280l| MSTm| JMUSICr| Ys| Yt| MGE6SCu| 4/30/2024x| SCOREo| .STAFF. jjam;

Semele : HWV 58 / Georg Friedrich Händel ; herausgegeben von Mark Risinger.

Author/creator	Handel, George Frideric composer.
Format	Musical Score
Publication Info	Kassel : Bärenreiter, 2020.
Description	1 score (2 volumes (lviii, 464 pages)) : facsimiles ; 33 cm.
Subjects	Semele (Greek mythological character)--Drama. Secular oratorios--Scores. Secular oratorios--Librettos.

Other author/creator	Congreve, William, 1670-1729, librettist.
Other author/creator	Risinger, Mark, editor.
Other author/creator	Pacholke, Michael, translator.
Other author/creator	Wilken, Hendrik, writer of added commentary, translator.
Other author/creator	Ovid, 43 B.C.-17 A.D. or 18 A.D. Opera adaptation of (work): Metamorphoses.
Included Work	Handel, George Frideric, 1685-1759. Semele.
Included Work	Congreve, William, 1670-1729. Semele.
Included Work	Congreve, William, 1670-1729. Semele. German.
Included Work	Handel, George Frideric, 1685-1759. Alcina. Mi lusinga. English.
Included Work	Handel, George Frideric, 1685-1759. Arminio. Posso morir. English.
Included Work	Handel, George Frideric, 1685-1759. Arminio. Fatto scorta al sentier. English.
Included Work	Handel, George Frideric, 1685-1759. Giustino. Non si vanti un'alma audace. English.
Included Work	Handel, George Frideric, 1685-1759. Giustino. Verdi lauri. English.
Series	Hallische Händel-Ausgabe. Serie I, Oratorien und grosse Kantaten ; Band 19.1-2 Handel, George Frideric, 1685-1759. Works. 1955 ; Ser. 1, Bd. 19/1. ^A579222 Handel, George Frideric, 1685-1759. Works. 1955 ; Ser. 1, Bd. 19/2. ^A579222
Contents	Teilband I: Fassung der Uraufführung Februar 1744 -- Teilband II: Anhang I: Fassung von Dezember 1744 ; Anhang II: Frühe Fassungen einzelner Musiksätze ; Kritischer Bericht.
Contents	Teilband 1. Zur Edition -- Vorwort -- Editorial policy -- Preface -- Konordanz der Fassung = Table of versions -- Faksimiles. Ouverture, Schluss = Gavotte, Beginn -- Recitative. Oh Athamas, what torture ; Air (nr. 12). Turn, hopeless lover, turn thy eyes, Beginn -- Chorus (nr. 16). Hail, Cadmuss, hail!, Ausschnitt -- Air (nr. 27). I must with speed amuse her, Ausschnitt -- Recitative. Dear sister, how was your passage hither ; Air (nr. 30). But hark! the heav'nly sphere turns round, Beginn und Ausschnitt -- Air (nr. 30). But hark! the heav'nly sphere turns round, Fortsetzung -- Air (nr. 49/AIV/49a). Above measure is the pleasure/Somnus rise, thyself forsake, Schluss ; Arioso (nr. 50). Ah me! too late I must now repent, Beginn -- Accompagnato (nr. 40/40a). Conjure him by his oath, Ausschnitt -- Librettodruck, London 1744 -- Text des Hauptteils in deutscher Übersetzung -- Texte der zusätzlichen Arien in Anhang I, Fassung von Dezember 1744, mit deutscher und englischer Übersetzung = Texts of the additional arias in Appendix I, version of December 1744, with German and English translation -- Texte der frühen Fassungen einzelner Musiksätze in Anhang II mit deutscher Übersetzung = Texts of the early versions of single movements in Appendix II with German translation -- Hauptteil, Erstaufführung 1744 = Main part, first performance 1744. Besetzung -- Verzeichnis der Szenen = Index of scenes. Ouverture -- Gavotte -- Act I. Scene I. Accompagnato. Behold! auspicious flashes rise! (Priest or Cadmus) -- Chorus. Lucky omens, bless our rites -- Recitative and arioso. Daughter, obey, hear and obey! (Cadmus, Athamas) -- Accompagnato. Ah me! what refuge (Semele) -- Air. O Jove! in pity teach me (Semele) -- Air. The morning lark to mine accords his note (Semele) ; Recitative. See, she blushing turns her eyes (Athamas) -- Air. Hymen, haste, thy torch prepare (Athamas) ; Recitative. Alas, she yields, and has undone me! (Ino, Athamas, Semele) -- Quartet. Why dost thou untimely grieve (Semele, Ino, Athamas, Cadmus) -- Chorus. Avert these omens, all ye pow'rs -- Accompagnato. Again auspicious flashes rise (Cadmus) ; Recitative. Thy aid, pronubial Juno (Athamas, Semele) -- Chorus. Cease, cease your vows, 'tis impious to proceed -- Scene II. Recitative. O Athamas, what torture (Athamas) -- Air. Turn, hopeless lover, turn thy eyes (Ino) ; Recitative. She weeps! the gentle maid (Athamas) -- Air. Your tuneful voice my tale would tell (Athamas) ; Recitative. Too well I see thou wilt not (Ino, Athamas) -- Duet. You've undone me, look not on me (Ino, Athamas) -- Scene III. Recitative. Ah, wretched prince, doom'd (Cadmus, Athamas) -- Accompagnato. Wing'd with our fears (Cadmus) ; Recitative. O prodigy, to me of dire portent! (Athamas, Ino) -- Scene IV. Recitative. See, see! Jove's priests (Cadmus) -- Chorus. Hail, Cadmus, hail! -- Air. Endless pleasure, endless love (Semele) -- Chorus. Endless pleasure, endless love -- Act II. Scene I. Symphony ; Recitative. Iris, impatient of thy stay (Juno, Iris) -- Air. There, from mortal cares retiring (Iris) ; Recitative. No more, I'll hear no more! (Juno) -- Accompagnato. Awake, Saturina, from thy lethargy (Juno, Iris) -- Air. Hence, Iris, hence away (Juno) -- Scene II. Air. O sleep, why dost thou leave me? (Semele) -- Scene III. Recitative. Let me not another moment (Semele) -- Air. Lay your doubts and fears aside (Jupiter) ; Recitative. You are mortal and require (Jupiter) -- Air. With fond desiring (Semele) -- Chorus. How engaging, how endearing ; Recitative. Ah me!/Why sighs my Semele? (Semele, Jupiter) -- Air. I must with speed amuse her (Jupiter) -- Chorus. Now Love, that everlasting boy, invites ; Recitative. By my command now at this instant (Jupiter, Semele) -- Air. Where'er you walk, cool gales shall fan the glade (Jupiter) -- Scene IV. Recitative. Dear sister, how was your passage (Semele, Ino) -- Air. But hark! the heav'nly sphere turns round (Ino) -- Duet. Prepare then, ye immortal choir! (Semele, Ino) -- Chorus. Bless the glad earth with heav'nly lays -- Act III. Scene I. Symphony -- Accompagnato. Somnus, awake! (Juno, Iris) -- Air. Leave me, loathsome light! (Somnus) ; Recitative. Dull God, canst thou attend (Iris, Juno) -- Air. More sweet is that name (Somnus) ; Recitative. My will obey, she shall be thine (Juno, Somnus) -- Duet. Obey my will, thy rod resign (Juno, Somnus) -- Scene II. Air. My racking thoughts (Semele) -- Scene III. Recitative. Thus shaped like Ino (Juno, Semele) ; Arioso. Behold in this mirror (Juno) ; Recitative. O ecstasy of happiness (Semele) -- Air. Myself I shall adore (Semele) ; Recitative. Be wise, as you are beautiful (Juno, Semele) -- Accompagnato. Conjure him by his oath (Juno) -- Air. Thus let my thanks be paid (Semele) ; Recitative. Rich odours fill the fragrant air (Juno, Semele) -- Scene IV. Air. Come to my arms, my lovely fair (Jupiter) ; Recitative. O Semele! why art thou (Jupiter) -- Air. I ever am granting (Semele) ; Recitative. Speak, speak your desire (Jupiter, Semele) -- Accompagnato. By that tremendous flood (Jupiter) ; Recitative. You'll grant what I require? (Semele, Jupiter) ; Symphony -- Accompagnato. Then cast off this human shape (Semele) -- Air. Ah! take heed what you press! (Jupiter) -- Air. No, no, I'll take no less (Semele) -- Scene V. Accompagnato. Ah! whither is she gone! (Jupiter) -- Scene VI. Air. Above measure is the pleasure (Juno) -- Scene VII. Arioso. Ah me! too late I now repent (Semele) -- Scene VIII. Recitative. Of my ill-boding dream (Ino) -- Chorus. O terror and astonishment! ; Recitative. How I was hence remov'd (Ino, Cadmus, Athamas) -- Air. Despair no more shall wound me (Athamas) ; Recitative. See from above the bellying clouds (Cadmus) -- Scene the last. Symphony -- Accompagnato. Apollo comes to relieve your care (Apollo) -- Chorus. Happy, happy shall we be.
Contents	Teilband 2. Anhang I = Appendix I: Fassung von Dezember 1744 = Version of December 1744. Besetzung -- Verzeichnis der Szenen = Index of scenes. Ouverture -- Gavotte -- Act I. Scene I. Accompagnato. Behold! auspicious flashes rise! (Priest or Cadmus) -- Chorus. Lucky omens, bless our rites -- Recitative and arioso. Daughter, obey, hear and obey! (Cadmus, Athamas) -- Accompagnato. Ah me! what refuge (Semele) -- Air. O Jove! in pity teach me (Semele) -- Air. The morning lark to mine accords his note (Semele) ; Recitative. See, she blushing turns her eyes (Athamas) -- Air. Hymen, haste, thy torch prepare (Athamas) ; Recitative. Alas, she yields, and has undone me! (Ino, Athamas, Semele) -- Quartet. Why dost thou untimely grieve (Semele, Ino, Athamas, Cadmus) -- Chorus. Avert these omens, all ye pow'rs -- Accompagnato. Again auspicious flashes rise (Cadmus) ; Recitative. Thy aid, pronubial Juno (Athamas, Semele) -- Chorus. Cease, cease your vows, 'tis impious to proceed -- Scene II. Recitative. O Athamas, what torture (Athamas) -- Air. Turn, hopeless lover, turn thy eyes (Ino) ; Recitative. She weeps! the gentle maid (Athamas) -- Air. Mi lusinga il dolce affetto (Athamas) ; Recitative. Too well I see thou wilt not (Ino, Athamas) -- Duet. You've undone me, look not on me (Ino, Athamas) -- Scene III. Recitative. Ah, wretched prince, doom'd (Cadmus, Athamas) -- Accompagnato. Wing'd with our fears (Cadmus) ; Recitative. O prodigy, to me of dire portent! (Athamas, Ino) ; Air. Posso morir, ma vivere (Athamas) -- Scene IV. Recitative. See, see! Jove's priests (Cadmus) -- Chorus. Hail, Cadmus, hail! -- Air. Endless pleasure, endless love (Semele) -- Chorus. Endless pleasure, endless love -- Act II. Scene I. Symphony ; Recitative. Iris, impatient of thy stay (Juno, Iris) -- Air. There, from mortal cares retiring (Iris) ; Recitative. No more, I'll hear no more! (Juno) -- Accompagnato. Awake, Saturina, from thy lethargy (Juno, Iris) ; Air. Fatto scorta al sentier (Juno) -- Scene II. Air. O sleep, why dost thou leave me? (Semele) -- Scene III. Recitative. Let me not another moment (Semele) -- Air. Lay your doubts and fears aside (Jupiter) ; Recitative. You are mortal and require (Jupiter) -- Air. With fond desiring (Semele) -- Chorus. How engaging, how endearing ; Recitative. Ah me!/Why sighs my Semele? (Semele, Jupiter) -- Air. I must with speed amuse her (Jupiter) -- Chorus. Now Love, that everlasting boy, invites ; Recitative. By my command now at this instant (Jupiter, Semele) -- Air. Where'er you walk, cool gales shall fan the glade (Jupiter) -- Scene IV. Recitative. Dear sister, how was your passage (Semele, Ino) -- Air. But hark! the heav'nly sphere turns round (Ino) -- Duet. Prepare then, ye immortal choir! (Semele, Ino) -- Chorus. Bless the glad earth with heav'nly lays -- Act III. Scene I. Symphony -- Accompagnato. Somnus, awake! (Juno, Iris) -- Air. Leave me, loathsome light! (Somnus) ; Recitative. Dull God, canst thou attend (Iris, Juno) ; Air. Somnus rise, thyself forsake (Iris) -- Recitative. Peace, Iris, peace (Juno) -- Air. More sweet is that name (Somnus) ; Recitative. My will obey, she shall be thine (Juno, Somnus) -- Duet. Obey my will, thy rod resign (Juno, Somnus) -- Scene II. Air. My racking thoughts (Semele) -- Scene III. Recitative. Thus shaped like Ino (Juno, Semele) ; Air. Non si vanti un'alma audace (Juno) ; Recitative. O ecstasy of happiness (Semele) -- Air. Myself I shall adore (Semele) ; Recitative. Be wise, as you are beautiful (Juno, Semele) -- Accompagnato. Conjure him by his oath (Juno) -- Air. Thus let my thanks be paid (Semele) ; Recitative. Rich odours fill the fragrant air (Juno, Semele) -- Scene IV. Air. Come to my arms, my lovely fair (Jupiter) ; Recitative. O Semele! why art thou (Jupiter) -- Air. I ever am granting (Semele) ; Recitative. Speak, speak your desire (Jupiter, Semele) -- Accompagnato. By that tremendous flood (Jupiter) ; Recitative. You'll grant what I require? (Semele, Jupiter) ; Symphony -- Accompagnato. Then cast off this human shape (Semele) -- Air. Ah! take heed what you press! (Jupiter) -- Air. No, no, I'll take no less (Semele) -- Scene V. Accompagnato. Ah! whither is she gone! (Jupiter) -- Scene VI. Air. Verdi lauri (Juno) -- Scene VII. Arioso. Ah me! too late I now repent (Semele) -- Scene VIII. Recitative. Of my ill-boding dream (Ino) -- Chorus. O terror and astonishment! ; Recitative. How I was hence remov'd (Ino, Cadmus, Athamas) -- Air. Despair no more shall wound me (Athamas) ; Recitative. See from above the bellying clouds (Cadmus) -- Scene the last. Symphony -- Accompagnato. Apollo comes to relieve your care (Apollo) -- Chorus. Happy, happy shall we be -- Anhang II = Appendix II. Frühe Fassung einzelner Musiksätze = Early versions of single movements. Accompagnato. Behold! auspicious flashes rise! (Priest or Cadmus) -- Recitative and arioso. Daughter, obey, hear and obey! (Cadmus, Athamas) -- Air. See, she blushing turns her eyes (Ino) -- Quartet. Why dost thou thus untimely grieve (Semele, Ino, Athamas, Cadmus) -- Recitative. Thy aid, pronubial Juno (Athamas, Semele) -- Recitative. O Athamas, what torture (Athamas) -- Recitative. She weeps! the gentle maid (Athamas) -- Recitative. Ah, wretched prince, doom'd (Cadmus, Athamas) -- Recitative. O prodigy, to me of dire portent! (Athamas, Ino) -- Air. Come, Zephyrs, come (Cupid) -- Symphony and accompagnato. Somnus, awake! (Juno, Iris) -- Air. Behold in this mirror (Juno) -- Accompagnato. Conjure him by his oath (Juno) -- Air. I'll be pleas'd with no less (Semele) -- Recitative. How I was hence remov'd (Ino, Cadmus, Athamas) -- Chorus. Happy, happy shall we be -- Kritischer Bericht. Abkürzungen -- RISM-Bibliothekssigel -- Quellen. Libretti ; Musikalische Quellen ; Handschriften ; Autographe Quellen ; Partiturabschriften ; Stimmen ; Drucke ; Periphere Handschriften und Drucke (Auswahl) -- Abstammung der Quellen -- Stemma -- Einzelnachweise -- Fragment der Frühfassung von nr. 7 -- Früher Beginn des Chores nr. 9 -- Fragment der Frühfassung von nr. 13 -- Verworfene Takte zu nr. 16 -- Verworfene Takte zu nr. 26 -- Die verschiedenen Stadien der Takte 20-23 der Arie nr. 27 -- Fragment einer frühen Fassung von Nr. 32, Beginn -- Fragment einer frühen Fassung von Nr. 32, Schluss -- Entwurf zum Chor nr. 55.
Local note	Joyner-FOR JOYNER MUSIC LIBRARY HOLDINGS OF THE SERIES, Handel, George Frideric, 1685-1759. Works. 1955, SEARCH BY SERIES TITLE OR CALL NUMBER M3 .H26.
General note	For solo voices, mixed chorus (SATB), and orchestra.
General note	Secular oratorio in three acts.
General note	Composed in the summer of 1743 and first performed in February 1744 at Covent Garden theatre in London. The work was revived by Handel at the King's Theatre in December that year, in a revised version in which he inserted i.a. five Italian arias from his earlier operas Alcina, Arminio, and Giustino--From preface.
General note	Includes English libretto in reduced facsimiles of the London : Jacob and Richard Tonson, 1744 edition; German translation by Michael Pacholke and Hendrik Wilken; texts from additional arias in Appendix I version of December 1744 in Italian with German and English translation.
General note	Preface in English with German translation by Hendrik Wilken.
General note	Critical report in German by Mark Risinger and Hendrik Wilken.
Bibliography note	Includes bibliographical references.
Language	English words also printed as text with German translation.
LCCN	2023440438
ISBN	9790006443222
ISMN	9790006443222
Publisher number	BA 4025-01 Bärenreiter

Semele : HWV 58 / Georg Friedrich Händel ; herausgegeben von Mark Risinger.

Click here for more information about this title