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001 ocm38595502;

003 OCoLC;

005 20141212130653.0;

008 980309s1998 inu b 001 0 eng ;

010 a| 98016129;

020 a| 0268012326 (pbk.);

035 a| (Sirsi) o38595502;

035 a| (OCoLC)38595502;

040 a| DLCc| DLCd| EREd| UtOrBLW;

049 a| EREM;

050 00 a| ML287b| .W5 1998;

082 00 a| 780/.94152| 21;

100 1 a| White, Harry,d| 1958-=| ^A602838;

245 14 a| The keeper's recital :b| music and cultural history in Ireland, 1770-1970 /c| Harry White.;

260 a| Notre Dame, IN :b| University of Notre Dame Press in association with Field Day,c| 1998.;

300 a| xi, 227 pages ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Critical conditions ;v| 6;

504 a| Includes bibliographical references (pages 207-218) and index.;

505 00 t| Introduction: music and the perception of music in Ireland --t| Carolan, Handel and the dislocation of music in eighteenth-century Ireland --t| History and romanticism: Bunting, Moore and the concept of Irish music in the nineteenth century --t| Antiquarianism and politics: Davis, Petri, Hyde and the growth of music in a sectarian culture --t| Heinrich Bewerunge and the Cecilian Movement in Ireland --t| Music and the literary revival --t| Seán Ó Riada and the crisis of modernism in Irish music --t| Epilogue: music and the Irish literary imagination.;

520 a| This book traces the development and cultural dislocation of music in Ireland from the late eighteenth century to the death of Sean O Riada and it thereby identifies the function and status of music in those cultural and political ideologies of nationalism, colonialism and revival which it helped to foster. Although this book is primarily concerned with such figures as Turlough Carolan, Edward Bunting, Thomas Moore, Thomas Davis, George Petrie, Douglas Hyde, Heinrich Bewerunge, Charles Villiers Stanford, Arnold Bax and Sean O Riada, its scrutiny of the condition of music in Irish cultural history notably embraces Irish political and literary thought throughout the period 1770-1970. While not offered as a history of music in Ireland, it engages with the principal themes of that history in order to identify and distinguish between the symbolic power of Irish music (particularly in terms of its preservation) and its failure to generate a durable aesthetic of comparable significance to that which infused the Literary Revival.;

650 0 a| Musicx| Social aspectsz| Ireland.=| ^A537957;

650 0 a| Musicx| Political aspectsz| Ireland.=| ^A12651;

830 0 a| Critical conditions ;v| 6.=| ^A379099;

596 a| 3;

998 a| 641723;

999 a| ML287 .W5 1998w| LCc| 1i| 30372010121744d| 6/16/2016e| 2/11/2015f| 3/13/2025g| 4l| MCSm| JMUSICn| 4p| $20.16r| Ys| Yt| MCSSBKu| 1/25/1999x| BOOKz| MCIRCo| .STAFF. 0;

The keeper's recital : music and cultural history in Ireland, 1770-1970 / Harry White.

Author/creator	White, Harry, 1958-
Format	Book
Publication Info	Notre Dame, IN : University of Notre Dame Press in association with Field Day, 1998.
Description	xi, 227 pages ; 24 cm.
Subjects	Music--Ireland. --19th century. --History and criticism. Music--Ireland. --20th century. --History and criticism. Music--Social aspects. --Ireland. Music--Political aspects. --Ireland.

Series	Critical conditions ; 6 Critical conditions ; 6. ^A379099
Contents	Introduction: music and the perception of music in Ireland -- Carolan, Handel and the dislocation of music in eighteenth-century Ireland -- History and romanticism: Bunting, Moore and the concept of Irish music in the nineteenth century -- Antiquarianism and politics: Davis, Petri, Hyde and the growth of music in a sectarian culture -- Heinrich Bewerunge and the Cecilian Movement in Ireland -- Music and the literary revival -- Seán Ó Riada and the crisis of modernism in Irish music -- Epilogue: music and the Irish literary imagination.
Abstract	This book traces the development and cultural dislocation of music in Ireland from the late eighteenth century to the death of Sean O Riada and it thereby identifies the function and status of music in those cultural and political ideologies of nationalism, colonialism and revival which it helped to foster. Although this book is primarily concerned with such figures as Turlough Carolan, Edward Bunting, Thomas Moore, Thomas Davis, George Petrie, Douglas Hyde, Heinrich Bewerunge, Charles Villiers Stanford, Arnold Bax and Sean O Riada, its scrutiny of the condition of music in Irish cultural history notably embraces Irish political and literary thought throughout the period 1770-1970. While not offered as a history of music in Ireland, it engages with the principal themes of that history in order to identify and distinguish between the symbolic power of Irish music (particularly in terms of its preservation) and its failure to generate a durable aesthetic of comparable significance to that which infused the Literary Revival.
Bibliography note	Includes bibliographical references (pages 207-218) and index.
LCCN	98016129
ISBN	0268012326 (pbk.)

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Music	Closed Stacks - Ask at Circulation Desk	ML287 .W5 1998	✔ Available	Place Hold

The keeper's recital : music and cultural history in Ireland, 1770-1970 / Harry White.

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