Experimental film and queer materiality / Juan A. Suárez.

Author/creator Suárez, Juan Antonio
Other author Oxford University Press.
Format Electronic
Publication InfoNew York, NY : Oxford University Press, [2024]
Descriptionix, 302 pages ; 25 cm
Supplemental ContentFull text available from Oxford Scholarship Online
Subjects

Abstract "This book shows that experimental cinema revealed a peculiar latency of the modern everyday that can be called queer materiality. Queer materiality designates a sense of queer possibility in modern material culture, which often inspired queer artists and filmmakers to envision wayward bodies and behaviors; it also refers to the way in which sexual and social dissidence was embedded in the objects, technologies, substances, and spaces that make up the hardware of experience. Experimental film offers a rich archive of queer material engagements. This book studies various queer material configurations in the work of well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, or Jack Smith, but it also explores under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl or Teo Hernández. Combining history, formal analysis, and theoretical reflection, the book shows how plastics, glitter, mechanical ensembles, urban ruins, garbage, mood-enhancers such as amphetamine, film grain, or noise have been mobilized in the articulation of queerness for the screen. The book's inquiry into the liveliness of matter and into the interface between sexuality and the material world directly resonates with a growing ecological consciousness and with current concerns about the definition and reach of the human in a universe of intricate post-human entanglements"-- Provided by publisher.
Bibliography noteIncludes bibliographical references (pages 254-296) and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2023054946
ISBN9780197566992 (hardback)