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001 ocm39042907;

003 OCoLC;

005 20141212131125.0;

008 980423s1999 nyua b 001 0 eng ;

010 a| 98022552;

020 a| 0393046915;

035 a| (Sirsi) o39042907;

035 a| (OCoLC)39042907;

049 a| EREMa| NPEE;

050 4 a| ML410.B42b| P6 1999;

082 00 a| 784.2/3/0922| 21;

090 a| ML410.B4b| P562 1999;

092 a| 784.23092b| B39p;

100 1 a| Plantinga, Leon.=| ^A183326;

245 10 a| Beethoven's concertos :b| history, style, performance /c| Leon Plantinga.;

250 a| 1st edition.;

300 a| xi, 403 pages :b| illustrations ;c| 25 cm +e| 1 booklet (108 pages : music ; 21 cm) in pocket.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

500 a| Includes supplemental volume with music examples.;

504 a| Includes bibliographical references (pages 373-383) and index.;

505 00 t| Form in Beethoven's concerto --t| Bonn: the court, the composer, the concerto --t| The virtuoso in Vienna --t| Toward the Lingua Franca: piano concerto no. 2 in Bb, op. 19 --t| Beyond the Lingua Franca: piano concerto no. 1 in C, op. 15 --t| On the origins of piano concerto no. 3 --t| Toward the middle-period style: piano concerto no. 3 in C minor, op. 37 --t| An interlude in the French manner: triple concerto in C, op. 56 --t| To sing of arms and men: piano concerto no. 4 in G, op. 58 --t| Of purest ray serene: the violin concerto in D, op. 61 --t| The "Emperor": piano concerto no. 5 in Eb, op. 73 --t| On performing Beethoven's concerto --g| Appendix I.t| The Bonn concertos and their sources --g| Appendix II.t| On redating piano concerto no. 3: a summary.;

520 a| Beethoven's five concertos for piano, his Violin Concerto, and his Triple Concerto rank among the most famous and beloved works in the concert literature. The composer regarded the piano concertos, which he customarily premiered himself, as very personal vehicles for conveying his musical thought and performance style. In this book, the first full-length study of Beethoven's concertos, the author brings to bear his extensive scholarship in music of the Romantic era to establish the circumstances surrounding the composition and first performances of these enduring works. He locates them in their social and musical contexts and discusses the form, style, and affect of each concerto, searching out its eloquent individuality. Finally, Plantinga looks at the vexing questions surrounding the performance of this repertory today.;

600 10 a| Beethoven, Ludwig van,d| 1770-1827.t| Concertos.=| ^A494974;

650 0 a| Concerto.=| ^A605002;

590 a| Little-325970--305131029951$;

596 a| 2 3;

998 a| 645913;

999 a| ML410.B4 P562 1999w| LCc| 1i| 30372010271887d| 9/26/2024e| 4/26/2024f| 6/3/2024g| 9l| MSTm| JMUSICn| 26p| $41.96q| 3r| Ys| Yt| MGESBKu| 3/22/1999x| BOOKz| MCIRCo| .STAFF. enhanced 5/18/21 -jjab;

999 a| ML410.B4 P562 1999 SUPPL.w| LCc| 1i| 30372010348651d| 11/4/2019e| 8/22/2019f| 2/28/2024g| 5l| MSTm| JMUSICn| 8p| $41.96q| 2r| Ys| Yt| MGESBKu| 6/23/1999x| BOOKz| MCIRC;

Beethoven's concertos : history, style, performance / Leon Plantinga.

Author/creator	Plantinga, Leon
Format	Book
Edition	1st edition.
Publication Info	New York : Norton, ©1999.
Description	xi, 403 pages : illustrations ; 25 cm + 1 booklet (108 pages : music ; 21 cm) in pocket.
Subjects	Beethoven, Ludwig van, 1770-1827. Concertos. Concerto.

Contents	Form in Beethoven's concerto -- Bonn: the court, the composer, the concerto -- The virtuoso in Vienna -- Toward the Lingua Franca: piano concerto no. 2 in Bb, op. 19 -- Beyond the Lingua Franca: piano concerto no. 1 in C, op. 15 -- On the origins of piano concerto no. 3 -- Toward the middle-period style: piano concerto no. 3 in C minor, op. 37 -- An interlude in the French manner: triple concerto in C, op. 56 -- To sing of arms and men: piano concerto no. 4 in G, op. 58 -- Of purest ray serene: the violin concerto in D, op. 61 -- The "Emperor": piano concerto no. 5 in Eb, op. 73 -- On performing Beethoven's concerto -- Appendix I. The Bonn concertos and their sources -- Appendix II. On redating piano concerto no. 3: a summary.
Abstract	Beethoven's five concertos for piano, his Violin Concerto, and his Triple Concerto rank among the most famous and beloved works in the concert literature. The composer regarded the piano concertos, which he customarily premiered himself, as very personal vehicles for conveying his musical thought and performance style. In this book, the first full-length study of Beethoven's concertos, the author brings to bear his extensive scholarship in music of the Romantic era to establish the circumstances surrounding the composition and first performances of these enduring works. He locates them in their social and musical contexts and discusses the form, style, and affect of each concerto, searching out its eloquent individuality. Finally, Plantinga looks at the vexing questions surrounding the performance of this repertory today.
Local note	Little-325970--305131029951$
General note	Includes supplemental volume with music examples.
Bibliography note	Includes bibliographical references (pages 373-383) and index.
LCCN	98022552
ISBN	0393046915

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.B4 P562 1999	✔ Available	Place Hold
Music	Music Stacks	ML410.B4 P562 1999 SUPPL.	✔ Available	Place Hold

Beethoven's concertos : history, style, performance / Leon Plantinga.

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