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010 a| 2022041088;

020 a| 9781503635357q| (hardback);

020 a| 9781503635821q| (paperback);

020 z| 9781503635838q| (ebook);

035 a| (WaSeSS)ssj0002813552;

042 a| pcc;

049 a| EREEa| NEHH;

050 00 a| NX180.S6b| G5325 2023;

082 00 a| 700.1/032| 23/eng/20220830;

100 1 a| Giuffre, Katherine,d| 1962-=| ^A1152753;

245 10 a| Outrageh| [electronic resource] :b| the arts and the creation of modernity /c| Katherine Giuffre.;

260 a| Stanford, California :b| Stanford University Press,c| [2023];

300 a| vii, 200 pages ;c| 24 cm;

504 a| Includes bibliographical references and index.;

505 0 a| Symbolic warfare in the field of culture -- "A morbid love of the coarse, not to say brutal" : the novels of the Brontë sisters -- "The summit of vulgarity" : the paintings of the Impressionists -- "An eccentric, dreamy, half-educated recluse" : the poetry of Emily Dickinson -- "Delirious cocksuckers" : Le sacre du printemps and the Ballets Russes -- "Damnable, hellish filth from the gutter of a human mind" : James Joyce's Ulysses -- "No theme, no message, no thought" : Zora Neale Hurston's Their eyes were watching God -- A permanent revolution.;

506 a| Available only to authorized users.;

520 a| "A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, the book examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the BronteÌ8 sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, The Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neal Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics"--c| Provided by publisher.;

538 a| Mode of access: World Wide Web;

650 0 a| Arts and societyx| Historyy| 19th century.=| ^A55401;

650 0 a| Arts and societyx| Historyy| 20th century.=| ^A1065400;

650 0 a| Arts, Moderny| 19th century.=| ^A124877;

650 0 a| Arts, Moderny| 20th century.=| ^A55402;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=30463978;

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Outrage the arts and the creation of modernity / Katherine Giuffre.

Author/creator	Giuffre, Katherine, 1962-
Format	Electronic
Publication Info	Stanford, California : Stanford University Press, [2023]
Description	vii, 200 pages ; 24 cm
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Arts and society--History. --19th century. Arts and society--History. --20th century. Arts, Modern--19th century. Arts, Modern--20th century.

Contents	Symbolic warfare in the field of culture -- "A morbid love of the coarse, not to say brutal" : the novels of the Brontë sisters -- "The summit of vulgarity" : the paintings of the Impressionists -- "An eccentric, dreamy, half-educated recluse" : the poetry of Emily Dickinson -- "Delirious cocksuckers" : Le sacre du printemps and the Ballets Russes -- "Damnable, hellish filth from the gutter of a human mind" : James Joyce's Ulysses -- "No theme, no message, no thought" : Zora Neale Hurston's Their eyes were watching God -- A permanent revolution.
Abstract	"A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, the book examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the BronteÌ8 sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, The Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neal Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2022041088
ISBN	9781503635357 (hardback)
ISBN	9781503635821 (paperback)
ISBN	(ebook)

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Outrage the arts and the creation of modernity / Katherine Giuffre.

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