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001 ocm37141261;

003 OCoLC;

005 20141212131401.0;

008 970612s1997 nyua b 001 0 eng ;

010 a| 97025691;

015 a| GB98-3786;

019 a| 38590572;

020 a| 0815323468 (alk. paper);

035 a| (Sirsi) o37141261;

035 a| (OCoLC)37141261;

041 1 a| engh| ger;

049 a| EREM;

050 00 a| ML170b| .C75 1997;

082 00 a| 782/.00922| 21;

245 00 a| Counterpoint and compositional process in the time of Dufay :b| perspectives from German musicology /c| edited and translated by Kevin N. Moll.;

260 a| New York :b| Garland Pub.,c| 1997.;

300 a| xviii, 410 pages :b| illustrations ;c| 23 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Criticism and analysis of early music ;v| v. 2;

490 1 a| Garland reference library of the humanities ;v| v. 1982;

504 a| Includes bibliographical references (p. 369-394) and index.;

505 0 a| Toward a comprehensive view of compositional priorities in the music of Dufay and his contemporaries / Kevin N. Moll -- Dufay : creator of Fauxbourdon / Heinrich Besseler -- Toward a history of the genesis of Fauxbourdon / Rudolf von Ficker -- Tonal harmony and full sonority : a reply to Rudolf von Ficker / Heinrich Besseler -- Harmony in the Cantus-Firmus compositions of the fifteenth century / Bernhard Meier -- The "tonal discant" and "free discant" techniques of composition in the fifteenth century / Ernst Apfel -- The Cantus-Firmus question in the fourteenth and early fifteenth centuries / Günther Schmidt --The origin of true four-voice counterpoint in England ; Four-voice counterpoint in the fourteenth and fifteenth centuries ; The harmonic structure of late medieval music as a foundation of major-minor tonality ; Late medieval harmonic structure and major-minor tonality / Ernst Apfel -- Tonality and harmony in the French Chanson between Machaut and Dufay Wolfgang Marggraf -- The effect of Medieval English polyphony upon the development of continental Cantus-Firmus techniques and tonal structure / Ernest H. Sanders.;

600 10 a| Dufay, Guillaume,d| 1397-1474x| Criticism and interpretation.=| ^A41139;

650 0 a| Musicy| 500-1400x| History and criticism.=| ^A177511;

650 0 a| Musicy| 15th centuryx| History and criticism.=| ^A49501;

650 0 a| Counterpointx| History.=| ^A991137;

700 1 a| Moll, Kevin N.=| ^A683736;

830 0 a| Criticism and analysis of early musicv| v. 2.=| ^A410788;

830 0 a| Garland reference library of the humanities ;v| vol. 1982.=| ^A654521;

596 a| 3;

998 a| 648338;

999 a| ML170 .C75 1997w| LCc| 1i| 30372010257449d| 12/12/2019e| 8/21/2019f| 2/23/2024g| 4l| MSTm| JMUSICn| 33q| 3r| Ys| Yt| MGESBKu| 4/14/1999x| BOOKz| MCIRCo| .STAFF. 0;

Counterpoint and compositional process in the time of Dufay : perspectives from German musicology / edited and translated by Kevin N. Moll.

Other author	Moll, Kevin N.
Format	Book
Publication Info	New York : Garland Pub., 1997.
Description	xviii, 410 pages : illustrations ; 23 cm.
Subjects	Dufay, Guillaume, 1397-1474--Criticism and interpretation. Music--500-1400. --History and criticism. Music--15th century. --History and criticism. Counterpoint--History.

Series	Criticism and analysis of early music ; v. 2 Garland reference library of the humanities ; v. 1982 Criticism and analysis of early music v. 2. ^A410788 Garland reference library of the humanities ; vol. 1982. ^A654521
Contents	Toward a comprehensive view of compositional priorities in the music of Dufay and his contemporaries / Kevin N. Moll -- Dufay : creator of Fauxbourdon / Heinrich Besseler -- Toward a history of the genesis of Fauxbourdon / Rudolf von Ficker -- Tonal harmony and full sonority : a reply to Rudolf von Ficker / Heinrich Besseler -- Harmony in the Cantus-Firmus compositions of the fifteenth century / Bernhard Meier -- The "tonal discant" and "free discant" techniques of composition in the fifteenth century / Ernst Apfel -- The Cantus-Firmus question in the fourteenth and early fifteenth centuries / Günther Schmidt --The origin of true four-voice counterpoint in England ; Four-voice counterpoint in the fourteenth and fifteenth centuries ; The harmonic structure of late medieval music as a foundation of major-minor tonality ; Late medieval harmonic structure and major-minor tonality / Ernst Apfel -- Tonality and harmony in the French Chanson between Machaut and Dufay Wolfgang Marggraf -- The effect of Medieval English polyphony upon the development of continental Cantus-Firmus techniques and tonal structure / Ernest H. Sanders.
Bibliography note	Includes bibliographical references (p. 369-394) and index.
LCCN	97025691
ISBN	0815323468 (alk. paper)

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Music	Music Stacks	ML170 .C75 1997	✔ Available	Place Hold

Counterpoint and compositional process in the time of Dufay : perspectives from German musicology / edited and translated by Kevin N. Moll.

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